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A Microcosm of Modern Chinese History from the Film 'Farewell My Concubine'
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Abstract
The film Farewell My Concubine holds significant artistic and historical value within the realm of Chinese cinema. It transcends being a mere portrayal of love and the art of Peking Opera, serving instead as a lens through which the tumultuous history of China is viewed through the personal stories of its characters. This essay examines how Farewell My Concubine encapsulates the life experiences of two Peking Opera actors, Duan Xiaolou and Cheng Dieyi, against the backdrop of China's transition from the turbulent Beiyang government era to the chaotic Cultural Revolution following the establishment of New China. The film chronicles the evolution of Peking Opera, illustrating its journey from flourishing to decline, and mirrors the intricate social transformations and cultural conflicts that marked China's modern history. It highlights the profound and enduring effects of historical upheavals on the lives of ordinary Chinese citizens, thereby offering a rich commentary on the intersection of personal and national histories.
Keywords
Chinese cinema, modern history of China, social change, Chinese Peking Opera
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Cite this article
Wang,Y. (2024). A Microcosm of Modern Chinese History from the Film 'Farewell My Concubine'. Advances in Humanities Research,8,20-23.
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