Download pdf
Rewatching the Film “Soul Mate”: Exploring the Transformation of Female Roles
- 1 Sichuan University of Media and Communications
* Author to whom correspondence should be addressed.
Abstract
Movies with a rich literary style are often filled with dreams of youthful emotions. The film Soul Mate redefines the role of women, depicting the transition from girls to women as a chrysalis-like transformation. Through the analysis of the plot of the film, this paper discusses the positioning of the role of the film, and compares the films describing the theme of feminism.The final aim is to seek to explore the inner dynamics among women, unveiling the fragile and genuine aspects of human nature while emphasizing the value of friendship.
Keywords
women, feminism, role’s introduction
[1]. Baby, A. (2015). Farewell to Vivian. Beijing: Beijing October Literature and Art Publishing House.
[2]. Gilligan. (1999). Different Voices: Psychological Theory and Women's Development (X. Wei, Trans.). Beijing: Central Compilation and Publishing House.
[3]. Qingshan. (2020). Soul Mate. Tianjin: Tianjin People’s Publishing House.
[4]. Li, Y. (2008). Soul Mate: Self-awareness in women’s development. Communication and Copyright.
[5]. Zhang, Y. (2022). Dislocation, Growth, and Truth: A Textual Adaptation of the Soul Mate Film. Beauty and the Times.
Cite this article
Li,Q. (2024). Rewatching the Film “Soul Mate”: Exploring the Transformation of Female Roles. Advances in Humanities Research,5,44-46.
Data availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
Disclaimer/Publisher's Note
The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.
About volume
Journal：Advances in Humanities Research
© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and
conditions of the Creative Commons Attribution (CC BY) license. Authors who
publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons
Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this
series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published
version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial
publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and
during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See
Open access policy for details).