A Gamelan Palette: Examining the Integration of Indonesian Javanese Gamelan Elements in Debussy’s Piano Work

Peihan  Lin

doi:10.54254/2753-7080/6/2024062

Research Article

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Published on 27 June 2024

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Lin,P. (2024). A Gamelan Palette: Examining the Integration of Indonesian Javanese Gamelan Elements in Debussy’s Piano Work. Advances in Humanities Research,6,37-42.

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A Gamelan Palette: Examining the Integration of Indonesian Javanese Gamelan Elements in Debussy’s Piano Work

Peihan Lin *^,1,

¹ peihanlin91@163.com

* Author to whom correspondence should be addressed.

https://doi.org/10.54254/2753-7080/6/2024062

Abstract

Debussy’s “Pagodas” fosters an attractive musical dialogue within the rich traditions of Indonesian Gamelan. This exploration surpasses geographical boundaries, as Debussy integrates Gamelan’s distinctive timbres and rhythmic intricacies into a Western piano repertoire. Through the juxtaposition of resonant tones and percussive elements, “Pagodas” becomes intriguing cross-cultural encounter. It invites listeners to navigate an intricate weave of Javanese musical influence within Debussy’s impressionistic language. This musical dialogue progresses organically while Debussy navigates East and West intersections. This creates a sonic tapestry that resonates with the mystique of Gamelan traditions and the haunting expression of Debussy’s artistic vision. “Pagodas” is a testament to the transformative power of cross-cultural musical conversations. In this piece, Debussy’s mastery transcends borders to shape a harmonious synthesis of diverse musical worlds.

Keywords

cross-cultural, Debussy, Pagodas, analysis, Gamelan, Eastern Colors

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References

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Cite this article

Lin,P. (2024). A Gamelan Palette: Examining the Integration of Indonesian Javanese Gamelan Elements in Debussy’s Piano Work. Advances in Humanities Research,6,37-42.

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About volume

Journal：Advances in Humanities Research

Volume number: Vol.6

ISSN：2753-7080(Print) / 2753-7099(Online)

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