
Study on the Communication Strategy of Macao Music Culture——Taking the Interaction Design of “City Walk” as an Example
- 1 Macao Polytechnic University
- 2 City University of Macau
* Author to whom correspondence should be addressed.
Abstract
As a city where East meets West, Macau has a rich historical and cultural heritage, and its music culture, based on its historical background, has a long history of development, with colourful and diverse genres. However, as a tourist city, the public’s understanding of Macau is basically confined to the gaming industry. The dissemination of its music is faced with the problems of small scope of dissemination and lack of popularity, etc. Therefore, how to better inherit and protect the music culture of Macau? Therefore, how to better pass on and protect Macau’s local culture has become an issue of wide concern to the Macau society nowadays. With the development of the Internet and the changing needs of the public, interactive design came into being, the interactivity of this design can provide a better user experience and increase the attractiveness of the project. As a popular way of travelling nowadays, city walking can make the public feel the city culture better. This design study will conduct fieldwork research on Macao’s music culture through fieldwork method, literature research method and data collection method, analyse the form of its integration with urban micro-tourism, and finally design it interactively. In this way, the dissemination of Macau’s music culture will be increased and the cultural participation of the public will be strengthened. In addition, the form of city walk can attract tourists of all ages, which is a good guide for the dissemination of Macau’s music culture. Moreover, this design can provide the public with a vivid understanding of Macau’s music culture, enhance Macau’s cultural attractiveness, promote socialisation and interaction in the city, and improve the public’s physical and mental health and quality of life. Therefore, this study aims to provide methodological ideas for the communication strategy of Macau’s music culture and to provide innovative perspectives for the inheritance of Macau’s excellent traditional culture.
Keywords
Macau music, city walk, interaction design, cultural communication
[1]. Wang, X. X. (2020). Overview of Macau music research on the 20th anniversary of its return. Yuefu Xinsheng (Journal of Shenyang Conservatory of Music), 38(01), 110-115.
[2]. Dai, D. C. (2022). Research on Macau urban music culture (2nd ed.). Shanghai Conservatory of Music Press, 2.
[3]. Liu, S. P. (2018). Overview of domestic music tourism research and development. Tourism Overview (Second Half Month), (12), 35-36.
[4]. Guo, H., & Peng, K. J. (2021). Knowledge map analysis of the development of music tourism in China from 1984 to 2019—Based on CiteSpace visualization analysis. Market Forum, (01), 38-45.
[5]. Liang, X. B. (2023). The tourism boom sparked by citywalk. Xiaokang, (30), 72.
[6]. Gao, Y. (2023). Citywalk boom: How brands can leverage marketing. International Brand Observation, (17), 22-24.
[7]. Zhou, Y. D., & Chen, H. Q. (2014). Systematic development issues of Lijiang cultural tourism products under service design concepts. Design Arts Research, 4(02), 6-10.
[8]. Xie, J. (2020). Research on the interactive design of tourist attraction guidance systems. Juye, (02), 50+52.
[9]. Yuan, J. (2021). Analysis and key points of interaction design for tourism apps. Science and Technology Vision, (30), 68-70.
Cite this article
Huang,J.;Huang,R. (2024). Study on the Communication Strategy of Macao Music Culture——Taking the Interaction Design of “City Walk” as an Example. Advances in Humanities Research,7,27-36.
Data availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
Disclaimer/Publisher's Note
The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.
About volume
Journal:Advances in Humanities Research
© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and
conditions of the Creative Commons Attribution (CC BY) license. Authors who
publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons
Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this
series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published
version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial
publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and
during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See
Open access policy for details).