
A Preliminary Analysis of the Progressiveness and Limitations of "The Wall Mounted Horseman" from a Feminist Perspective
- 1 Shenyang Normal University
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Abstract
This paper provides a feminist critique of the Chinese opera "The Wall Mounted Horseman" by Bai Park, delving into the characterisation of Li Qianjin and the social forces that shape her tragic narrative. The opera is set in a feudal society and outlines the struggle for love and freedom amidst repressive norms. The analysis emphasises that the character of Li Qianjin symbolises the awakening of women's consciousness and resistance to feudal strictures, while also exploring the internal and external factors that led to her tragic fate. The thesis emphasises the crucial nature of women's intellectual and spiritual independence as the key to true freedom. Through a comparative analysis of ‘wall’ imagery with other literary works, the study reveals the universal theme of emotional obstacles and the courage required to overcome them. The conclusion highlights the continuing relevance of the opera's themes to modern feminist discourse, noting that while progress has been made, the quest for gender equality and the recognition of women's dignity remain relevant issues. The paper appeals for the continued exploration of women's rights and the promotion of feminist ideas, advocating that society support and encourage women in their quest for freedom and equality.
Keywords
feminism, "The Wall Mounted Horseman", Li Qianjin, feudal society
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Cite this article
Xu,X. (2025). A Preliminary Analysis of the Progressiveness and Limitations of "The Wall Mounted Horseman" from a Feminist Perspective. Advances in Humanities Research,11,31-35.
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