References
[1]. Carey, J. W. (2005). Communication as cultural: Essays on Media and Society (W. Ding, Trans.). Beijing: Huaxia House. (Original work published 1989).
[2]. Chen, H. M., & Zhang, P. Y. (2023). Innovation Path of Traditional TV Cultural Programs — Taking Henan TVs “Chinese Festivals” series as an example. National Art Forest, (01), n.p.
[3]. Chinese culture in Ne Zha 2. (2025). Prosecution Storm, 06.
[4]. Guo, Z. Z., & Su, J. B. (2012). Contemporary Radio and Television Studies. Fudan University Press.
[5]. Gong, X. Y. (2024). Research on the Integration and Innovation of Dramatic Expression Mode of Cultural Variety Shows. Master’s thesis, Shandong Normal University.
[6]. Guo, T., & Ouyang, P. N. (2021). Finding resonance in the spiritual level of Chinese Aesthetics — Analysis of Henan TVs “Chinese Festival” series. China Television, (07), n.p.
[7]. Hu, Z. F. (2012). Introduction to Film and Television Art. Beijing: Higher Education Press.
[8]. Hartley, J. (2002). Communication, Cultural and Media Studies: The Key Concepts. Taylor & Francis Classics.
[9]. Liu, J., & Li, G. S. (2013). Research on College Students Cultural Confidence under the Perspective of Multiculturalism. Educational Theory and Practice, (03), 12-13.
[10]. Lin, H., & Wang, X. (2020). Construction of Cultural Community and Reconstruction of Cultural Confidence in Cultural Variety TV Programs — Taking “China Place Name Conference” as an Example. Communication Practice, (12), 84-87.
[11]. Peng, J. X. (2019). Introduction to Art Studies (6th Edition). Peking University Press.
[12]. Shi, W. Z. (2017). Cultural Confidence: Basic connotation, basis and source and improvement path. Research on Ideological Education, (5), 47-51.
[13]. Shi, H. (2022). Literary Creative Expression and Cross-Cultural Media Communication from the Perspective of Cultural Universality — Taking Western Film and Television Literature Creation as an Example. Media Forum, 5(04), 69-71.
[14]. Wei, L. H. (2025, February 14). Spring Festival 2025, Chinese films deepen cultural confidence. Peoples Political Consultative Conference Daily, 011.
[15]. Xu, N., & Liu, R. X. (2025). Research on the Dissemination and Reception of Film and Television Works from the Perspective of Cross-Culture. Drama Home, 05.
[16]. Xu, L. H. (2020). The value connotation of excellent traditional Chinese culture. Jiangxi Social Sciences, (5), 226-232.
[17]. Yun, S. (2010). Cultural Awareness, Cultural Confidence and Cultural Self-strengthening — Thoughts on the Prosperity and Development of Chinese Socialist Culture with Chinese Characteristics (Part I). Red Flag Manuscript, (15), n.p.
[18]. Zhang, H. (2014). Construction of Communication and Cultural Community: Raymond Williams on Communication. Literary Theory and Criticism, (5), 86-91.
Cite this article
Deng,Y. (2025). The manifestation of cultural confidence under the spread of multicultural culture. Advances in Humanities Research,12(2),68-71.
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References
[1]. Carey, J. W. (2005). Communication as cultural: Essays on Media and Society (W. Ding, Trans.). Beijing: Huaxia House. (Original work published 1989).
[2]. Chen, H. M., & Zhang, P. Y. (2023). Innovation Path of Traditional TV Cultural Programs — Taking Henan TVs “Chinese Festivals” series as an example. National Art Forest, (01), n.p.
[3]. Chinese culture in Ne Zha 2. (2025). Prosecution Storm, 06.
[4]. Guo, Z. Z., & Su, J. B. (2012). Contemporary Radio and Television Studies. Fudan University Press.
[5]. Gong, X. Y. (2024). Research on the Integration and Innovation of Dramatic Expression Mode of Cultural Variety Shows. Master’s thesis, Shandong Normal University.
[6]. Guo, T., & Ouyang, P. N. (2021). Finding resonance in the spiritual level of Chinese Aesthetics — Analysis of Henan TVs “Chinese Festival” series. China Television, (07), n.p.
[7]. Hu, Z. F. (2012). Introduction to Film and Television Art. Beijing: Higher Education Press.
[8]. Hartley, J. (2002). Communication, Cultural and Media Studies: The Key Concepts. Taylor & Francis Classics.
[9]. Liu, J., & Li, G. S. (2013). Research on College Students Cultural Confidence under the Perspective of Multiculturalism. Educational Theory and Practice, (03), 12-13.
[10]. Lin, H., & Wang, X. (2020). Construction of Cultural Community and Reconstruction of Cultural Confidence in Cultural Variety TV Programs — Taking “China Place Name Conference” as an Example. Communication Practice, (12), 84-87.
[11]. Peng, J. X. (2019). Introduction to Art Studies (6th Edition). Peking University Press.
[12]. Shi, W. Z. (2017). Cultural Confidence: Basic connotation, basis and source and improvement path. Research on Ideological Education, (5), 47-51.
[13]. Shi, H. (2022). Literary Creative Expression and Cross-Cultural Media Communication from the Perspective of Cultural Universality — Taking Western Film and Television Literature Creation as an Example. Media Forum, 5(04), 69-71.
[14]. Wei, L. H. (2025, February 14). Spring Festival 2025, Chinese films deepen cultural confidence. Peoples Political Consultative Conference Daily, 011.
[15]. Xu, N., & Liu, R. X. (2025). Research on the Dissemination and Reception of Film and Television Works from the Perspective of Cross-Culture. Drama Home, 05.
[16]. Xu, L. H. (2020). The value connotation of excellent traditional Chinese culture. Jiangxi Social Sciences, (5), 226-232.
[17]. Yun, S. (2010). Cultural Awareness, Cultural Confidence and Cultural Self-strengthening — Thoughts on the Prosperity and Development of Chinese Socialist Culture with Chinese Characteristics (Part I). Red Flag Manuscript, (15), n.p.
[18]. Zhang, H. (2014). Construction of Communication and Cultural Community: Raymond Williams on Communication. Literary Theory and Criticism, (5), 86-91.