References
[1]. Showalter, E. (2012). A literature of their own: From Brontë to Lessing (Y. Dai, Trans.). Zhejiang University Press. https://zh.101ml.si/book/11635095 (Original work published 1977)
[2]. Gilbert, S., & Gubar, S. (2015). The madwoman in the attic: The woman writer and the nineteenth-century literary imagination (Y. Liu & Y. Cheng, Trans.). Shanghai People's Publishing House. https://zh.101ml.si/book/14013760 (Original work published 1979)
[3]. Spivak, G. C. (1985). Three women's texts and a critique of imperialism. Critical Inquiry, 12(1), 243–261. https://doi.org/10.1086/448328
[4]. Sunderland, J. (2023). Canine agency and its mitigation in the characterization of dogs in the novels by Charlotte, Emily and Anne Brontë. Brontë Studies, 48(3), 189–206. https://doi.org/10.1080/14748932.2023.2215829
[5]. Hobbs, K. (2024). ‘Odd and incorrect’: Convention and Jane Eyre’s feminist legacy. Brontë Studies, 49(1–2), 6–23. https://doi.org/10.1080/14748932.2024.2308841
[6]. Gharib, S. (2024). ‘A morsel of real solid joy’ and a ‘knot of hardness’: Solidity in the works of Charlotte Brontë and Virginia Woolf. Brontë Studies, 49(3), 225–237. https://doi.org/10.1080/14748932.2024.2335333
[7]. Chen, S. (2002). On gender ideology in Jane Eyre. Foreign Literature Studies, 25(4), 79–83, 173. https://doi.org/10.3969/j.issn.1003-7519.2002.04.015
[8]. Zhou, Y. (2012). The pain of imagination and reality: Governesses in British women writers’ works (1800–1850). Foreign Literature Review, 26(1), 94–108. https://kns.cnki.net/kcms2/article/abstract
[9]. Cheng, W. (2015). Charlotte Brontë: Opium, the “Orient,” and the 1851 Great Exhibition. Foreign Literature Review, 29(4), 64–120. https://kns.cnki.net/kcms2/article/abstract
[10]. Shi, R. (2004). The absence of the mother and the presence of maternal love: An interpretation of Jane Eyre. Journal of Shandong University (Philosophy and Social Sciences Edition), 54(2), 38–42. https://kns.cnki.net/kcms2/article/abstract
[11]. Zhou, S. (2007). An analysis of Jane Eyre’s dual personality. Film Literature, 29(2), 94–95. https://doi.org/10.16583/j.cnki.52-1014/j.2007.02.002
[12]. Ge, L. (1999). Id, ego, and superego: A brief discussion of the “3+1” system in Jane Eyre. Foreign Literature, 19(4), 69–74. https://doi.org/10.16345/j.cnki.cn11-1562/i.1999.04.013
[13]. Zhang, L., & Liu, X. (2019). Interpreting Jane Eyre through Maslow’s hierarchy of needs. Chongqing Social Sciences, 2019(2), 119–127. https://doi.org/10.19631/j.cnki.css.2019.02.013
[14]. Steele, S. (2024). The ‘personal museum’: Letters as relic collection in Charlotte Brontë’s Villette. Brontë Studies, 49(4), 281–292. https://doi.org/10.1080/14748932.2024.2373139
[15]. Uhara, M. (2024). Symbolic meanings of violets in Villette. Brontë Studies, 49(1–2), 116–128. https://doi.org/10.1080/14748932.2024.2317158
[16]. Baldacchino, R. (2024). Gothic introspection: How Villette nurtures empathy and reader identity. Brontë Studies, 49(3), 165–180. https://doi.org/10.1080/14748932.2024.2319192
[17]. Newbold, A. (2024). Prospect and refuge in Villette’s forbidden garden. Brontë Studies, 49(3), 193–206. https://doi.org/10.1080/14748932.2024.2347392
[18]. Wang, C. (2017). A study of female themes in Villette. Language Planning, 62(14), 39–40. https://doi.org/10.16412/j.cnki.1001-8476.2017.14.019
[19]. Chen, L. (2013). Surveillance and counter-surveillance: Visual tensions in Lucy Snowe’s identity in Villette. Foreign Literature, 33(1), 79–85. https://doi.org/10.16345/j.cnki.cn11-1562/i.2013.01.008
[20]. Zhang, Q. (2017). Ghosts, hallucinations, and intertextuality in Charlotte Brontë’s later novels. Foreign Literature Studies, 39(6), 141–150. https://doi.org/10.19915/j.cnki.fls.2017.06.016
[21]. Soja, E. (2005). Thirdspace (Aidehua Suoya, Trans.). Shanghai Education Press. https://zh.101ml.si/book/18221221
[22]. Brontë, C. (2000). Villette (Xia Bolangte, Trans.). Shanghai Translation Publishing House. https://zh.101ml.si/book/33460999
[23]. Lefebvre, H. (2021). The production of space (Hengli Liefufu, Trans.). The Commercial Press. https://zh.101ml.si/book/21625050
[24]. Kristeva, J. (2001). Powers of horror (Zhuliyia Kelisitiwa, Trans.). SDX Joint Publishing Company. https://zh.101ml.si/book/16675495
[25]. Silver, A. K. (2002). Victorian literature and the anorexic body. Cambridge University Press. https://zh.101ml.si/book/2604554
[26]. Zhang, J. F. (2019). The body. Foreign Language Teaching and Research Press. https://zh.101ml.si/book/85915151
[27]. Butler, J. (2009). Gender trouble: Feminism and the subversion of identity (Zhudisi Batelai, Trans.). Shanghai SDX Joint Publishing Company. https://zh.101ml.si/book/5299046
[28]. Bachelard, G. (2013). The poetics of space (Jiasidong Bashila, Trans.). Shanghai Translation Publishing House. https://zh.101ml.si/book/5433496
[29]. Foucault, M. (1999). Discipline and punish: The birth of the prison (Mishe’er Fukou, Trans.). SDX Joint Publishing Company. https://zh.101ml.si/book/16411491
[30]. Freud, S. (1922). Mourning and melancholia. Journal of Nervous and Mental Disease, 56(5), 543–545. https://doi.org/10.1097/00005053-192211000-00066
[31]. Keefe, R. (1979). Charlotte Brontë’s world of death. University of Texas Press. https://zh.101ml.si/book/25961861
[32]. Soja, E. (2006). Postmetropolis: Critical studies of cities and regions (Aidehua Suoya, Trans.). Shanghai Education Press. https://zh.101ml.si/book/36381125
[33]. Yang, J. Y. (1983). A study of the Brontë sisters. China Social Sciences Press. https://zh.101ml.si/book/27836384
[34]. Byron, G. G. (2021). Childe Harold's pilgrimage (Bailun, Trans.). Guangxi Normal University Press. https://zh.101ml.si/book/11925567
[35]. de Certeau, M. (2009). The practice of everyday life (Mishe’er De Setuo, Trans.). Nanjing University Press. https://zh.101ml.si/book/19190064
[36]. Zhang, J. B. (2014). Villette: A journey of self-identity discovery for women. Hubei Social Sciences, 28(11), 147–151. https://doi.org/10.13660/j.cnki.42-1112/c.012934
[37]. Fu, Y. H. (2018). "Virtue is rewarded": Self-sacrifice and self-construction of women in the Victorian era. Foreign Literature, 39(5), 32–42. https://doi.org/10.16430/j.cnki.fl.2018.05.004
Cite this article
Yang,Q. (2025). Anorexia, self-repression, and neurasthenia: Lucy’s psychological characteristics from the perspective of spatial theory. Advances in Humanities Research,12(2),61-67.
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References
[1]. Showalter, E. (2012). A literature of their own: From Brontë to Lessing (Y. Dai, Trans.). Zhejiang University Press. https://zh.101ml.si/book/11635095 (Original work published 1977)
[2]. Gilbert, S., & Gubar, S. (2015). The madwoman in the attic: The woman writer and the nineteenth-century literary imagination (Y. Liu & Y. Cheng, Trans.). Shanghai People's Publishing House. https://zh.101ml.si/book/14013760 (Original work published 1979)
[3]. Spivak, G. C. (1985). Three women's texts and a critique of imperialism. Critical Inquiry, 12(1), 243–261. https://doi.org/10.1086/448328
[4]. Sunderland, J. (2023). Canine agency and its mitigation in the characterization of dogs in the novels by Charlotte, Emily and Anne Brontë. Brontë Studies, 48(3), 189–206. https://doi.org/10.1080/14748932.2023.2215829
[5]. Hobbs, K. (2024). ‘Odd and incorrect’: Convention and Jane Eyre’s feminist legacy. Brontë Studies, 49(1–2), 6–23. https://doi.org/10.1080/14748932.2024.2308841
[6]. Gharib, S. (2024). ‘A morsel of real solid joy’ and a ‘knot of hardness’: Solidity in the works of Charlotte Brontë and Virginia Woolf. Brontë Studies, 49(3), 225–237. https://doi.org/10.1080/14748932.2024.2335333
[7]. Chen, S. (2002). On gender ideology in Jane Eyre. Foreign Literature Studies, 25(4), 79–83, 173. https://doi.org/10.3969/j.issn.1003-7519.2002.04.015
[8]. Zhou, Y. (2012). The pain of imagination and reality: Governesses in British women writers’ works (1800–1850). Foreign Literature Review, 26(1), 94–108. https://kns.cnki.net/kcms2/article/abstract
[9]. Cheng, W. (2015). Charlotte Brontë: Opium, the “Orient,” and the 1851 Great Exhibition. Foreign Literature Review, 29(4), 64–120. https://kns.cnki.net/kcms2/article/abstract
[10]. Shi, R. (2004). The absence of the mother and the presence of maternal love: An interpretation of Jane Eyre. Journal of Shandong University (Philosophy and Social Sciences Edition), 54(2), 38–42. https://kns.cnki.net/kcms2/article/abstract
[11]. Zhou, S. (2007). An analysis of Jane Eyre’s dual personality. Film Literature, 29(2), 94–95. https://doi.org/10.16583/j.cnki.52-1014/j.2007.02.002
[12]. Ge, L. (1999). Id, ego, and superego: A brief discussion of the “3+1” system in Jane Eyre. Foreign Literature, 19(4), 69–74. https://doi.org/10.16345/j.cnki.cn11-1562/i.1999.04.013
[13]. Zhang, L., & Liu, X. (2019). Interpreting Jane Eyre through Maslow’s hierarchy of needs. Chongqing Social Sciences, 2019(2), 119–127. https://doi.org/10.19631/j.cnki.css.2019.02.013
[14]. Steele, S. (2024). The ‘personal museum’: Letters as relic collection in Charlotte Brontë’s Villette. Brontë Studies, 49(4), 281–292. https://doi.org/10.1080/14748932.2024.2373139
[15]. Uhara, M. (2024). Symbolic meanings of violets in Villette. Brontë Studies, 49(1–2), 116–128. https://doi.org/10.1080/14748932.2024.2317158
[16]. Baldacchino, R. (2024). Gothic introspection: How Villette nurtures empathy and reader identity. Brontë Studies, 49(3), 165–180. https://doi.org/10.1080/14748932.2024.2319192
[17]. Newbold, A. (2024). Prospect and refuge in Villette’s forbidden garden. Brontë Studies, 49(3), 193–206. https://doi.org/10.1080/14748932.2024.2347392
[18]. Wang, C. (2017). A study of female themes in Villette. Language Planning, 62(14), 39–40. https://doi.org/10.16412/j.cnki.1001-8476.2017.14.019
[19]. Chen, L. (2013). Surveillance and counter-surveillance: Visual tensions in Lucy Snowe’s identity in Villette. Foreign Literature, 33(1), 79–85. https://doi.org/10.16345/j.cnki.cn11-1562/i.2013.01.008
[20]. Zhang, Q. (2017). Ghosts, hallucinations, and intertextuality in Charlotte Brontë’s later novels. Foreign Literature Studies, 39(6), 141–150. https://doi.org/10.19915/j.cnki.fls.2017.06.016
[21]. Soja, E. (2005). Thirdspace (Aidehua Suoya, Trans.). Shanghai Education Press. https://zh.101ml.si/book/18221221
[22]. Brontë, C. (2000). Villette (Xia Bolangte, Trans.). Shanghai Translation Publishing House. https://zh.101ml.si/book/33460999
[23]. Lefebvre, H. (2021). The production of space (Hengli Liefufu, Trans.). The Commercial Press. https://zh.101ml.si/book/21625050
[24]. Kristeva, J. (2001). Powers of horror (Zhuliyia Kelisitiwa, Trans.). SDX Joint Publishing Company. https://zh.101ml.si/book/16675495
[25]. Silver, A. K. (2002). Victorian literature and the anorexic body. Cambridge University Press. https://zh.101ml.si/book/2604554
[26]. Zhang, J. F. (2019). The body. Foreign Language Teaching and Research Press. https://zh.101ml.si/book/85915151
[27]. Butler, J. (2009). Gender trouble: Feminism and the subversion of identity (Zhudisi Batelai, Trans.). Shanghai SDX Joint Publishing Company. https://zh.101ml.si/book/5299046
[28]. Bachelard, G. (2013). The poetics of space (Jiasidong Bashila, Trans.). Shanghai Translation Publishing House. https://zh.101ml.si/book/5433496
[29]. Foucault, M. (1999). Discipline and punish: The birth of the prison (Mishe’er Fukou, Trans.). SDX Joint Publishing Company. https://zh.101ml.si/book/16411491
[30]. Freud, S. (1922). Mourning and melancholia. Journal of Nervous and Mental Disease, 56(5), 543–545. https://doi.org/10.1097/00005053-192211000-00066
[31]. Keefe, R. (1979). Charlotte Brontë’s world of death. University of Texas Press. https://zh.101ml.si/book/25961861
[32]. Soja, E. (2006). Postmetropolis: Critical studies of cities and regions (Aidehua Suoya, Trans.). Shanghai Education Press. https://zh.101ml.si/book/36381125
[33]. Yang, J. Y. (1983). A study of the Brontë sisters. China Social Sciences Press. https://zh.101ml.si/book/27836384
[34]. Byron, G. G. (2021). Childe Harold's pilgrimage (Bailun, Trans.). Guangxi Normal University Press. https://zh.101ml.si/book/11925567
[35]. de Certeau, M. (2009). The practice of everyday life (Mishe’er De Setuo, Trans.). Nanjing University Press. https://zh.101ml.si/book/19190064
[36]. Zhang, J. B. (2014). Villette: A journey of self-identity discovery for women. Hubei Social Sciences, 28(11), 147–151. https://doi.org/10.13660/j.cnki.42-1112/c.012934
[37]. Fu, Y. H. (2018). "Virtue is rewarded": Self-sacrifice and self-construction of women in the Victorian era. Foreign Literature, 39(5), 32–42. https://doi.org/10.16430/j.cnki.fl.2018.05.004