Anorexia, self-repression, and neurasthenia: Lucy’s psychological characteristics from the perspective of spatial theory

Research Article
Open access

Anorexia, self-repression, and neurasthenia: Lucy’s psychological characteristics from the perspective of spatial theory

Qiumei Yang 1*
  • 1 Beijing Normal University at Zhuhai, Zhuhai, China    
  • *corresponding author 202211109073@mail.bnu.edu.cn
AHR Vol.12 Issue 2
ISSN (Print): 2753-7099
ISSN (Online): 2753-7080

Abstract

In Charlotte Brontë studies, Villette has received comparatively limited scholarly attention, with most existing research focusing narrowly on women’s issues while neglecting the relationship between spatial dimensions and character psychology. This paper draws on the spatial theories of Henri Lefebvre and Edward Soja to explore the psychological characteristics of Lucy Snowe in Villette. Across three layers of space—bodily, private, and urban—Lucy displays symptoms of anorexia, self-repression, and neurasthenia, respectively. Her psychological predicament stems from the disciplinary nature of social space. The interrelation between her neurasthenia, anorexia, and self-repression is one of mutual causality, highlighting the broader dilemma of Victorian women in their pursuit of self-worth.

Keywords:

Villette, spatial theory, Charlotte Brontë, neurasthenia

Yang,Q. (2025). Anorexia, self-repression, and neurasthenia: Lucy’s psychological characteristics from the perspective of spatial theory. Advances in Humanities Research,12(2),61-67.
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References

[1]. Showalter, E. (2012). A literature of their own: From Brontë to Lessing (Y. Dai, Trans.). Zhejiang University Press. https://zh.101ml.si/book/11635095 (Original work published 1977)

[2]. Gilbert, S., & Gubar, S. (2015). The madwoman in the attic: The woman writer and the nineteenth-century literary imagination (Y. Liu & Y. Cheng, Trans.). Shanghai People's Publishing House. https://zh.101ml.si/book/14013760 (Original work published 1979)

[3]. Spivak, G. C. (1985). Three women's texts and a critique of imperialism. Critical Inquiry, 12(1), 243–261. https://doi.org/10.1086/448328

[4]. Sunderland, J. (2023). Canine agency and its mitigation in the characterization of dogs in the novels by Charlotte, Emily and Anne Brontë. Brontë Studies, 48(3), 189–206. https://doi.org/10.1080/14748932.2023.2215829

[5]. Hobbs, K. (2024). ‘Odd and incorrect’: Convention and Jane Eyre’s feminist legacy. Brontë Studies, 49(1–2), 6–23. https://doi.org/10.1080/14748932.2024.2308841

[6]. Gharib, S. (2024). ‘A morsel of real solid joy’ and a ‘knot of hardness’: Solidity in the works of Charlotte Brontë and Virginia Woolf. Brontë Studies, 49(3), 225–237. https://doi.org/10.1080/14748932.2024.2335333

[7]. Chen, S. (2002). On gender ideology in Jane Eyre. Foreign Literature Studies, 25(4), 79–83, 173. https://doi.org/10.3969/j.issn.1003-7519.2002.04.015

[8]. Zhou, Y. (2012). The pain of imagination and reality: Governesses in British women writers’ works (1800–1850). Foreign Literature Review, 26(1), 94–108. https://kns.cnki.net/kcms2/article/abstract

[9]. Cheng, W. (2015). Charlotte Brontë: Opium, the “Orient,” and the 1851 Great Exhibition. Foreign Literature Review, 29(4), 64–120. https://kns.cnki.net/kcms2/article/abstract

[10]. Shi, R. (2004). The absence of the mother and the presence of maternal love: An interpretation of Jane Eyre. Journal of Shandong University (Philosophy and Social Sciences Edition), 54(2), 38–42. https://kns.cnki.net/kcms2/article/abstract

[11]. Zhou, S. (2007). An analysis of Jane Eyre’s dual personality. Film Literature, 29(2), 94–95. https://doi.org/10.16583/j.cnki.52-1014/j.2007.02.002

[12]. Ge, L. (1999). Id, ego, and superego: A brief discussion of the “3+1” system in Jane Eyre. Foreign Literature, 19(4), 69–74. https://doi.org/10.16345/j.cnki.cn11-1562/i.1999.04.013

[13]. Zhang, L., & Liu, X. (2019). Interpreting Jane Eyre through Maslow’s hierarchy of needs. Chongqing Social Sciences, 2019(2), 119–127. https://doi.org/10.19631/j.cnki.css.2019.02.013

[14]. Steele, S. (2024). The ‘personal museum’: Letters as relic collection in Charlotte Brontë’s Villette. Brontë Studies, 49(4), 281–292. https://doi.org/10.1080/14748932.2024.2373139

[15]. Uhara, M. (2024). Symbolic meanings of violets in Villette. Brontë Studies, 49(1–2), 116–128. https://doi.org/10.1080/14748932.2024.2317158

[16]. Baldacchino, R. (2024). Gothic introspection: How Villette nurtures empathy and reader identity. Brontë Studies, 49(3), 165–180. https://doi.org/10.1080/14748932.2024.2319192

[17]. Newbold, A. (2024). Prospect and refuge in Villette’s forbidden garden. Brontë Studies, 49(3), 193–206. https://doi.org/10.1080/14748932.2024.2347392

[18]. Wang, C. (2017). A study of female themes in Villette. Language Planning, 62(14), 39–40. https://doi.org/10.16412/j.cnki.1001-8476.2017.14.019

[19]. Chen, L. (2013). Surveillance and counter-surveillance: Visual tensions in Lucy Snowe’s identity in Villette. Foreign Literature, 33(1), 79–85. https://doi.org/10.16345/j.cnki.cn11-1562/i.2013.01.008

[20]. Zhang, Q. (2017). Ghosts, hallucinations, and intertextuality in Charlotte Brontë’s later novels. Foreign Literature Studies, 39(6), 141–150. https://doi.org/10.19915/j.cnki.fls.2017.06.016

[21]. Soja, E. (2005). Thirdspace (Aidehua Suoya, Trans.). Shanghai Education Press. https://zh.101ml.si/book/18221221

[22]. Brontë, C. (2000). Villette (Xia Bolangte, Trans.). Shanghai Translation Publishing House. https://zh.101ml.si/book/33460999

[23]. Lefebvre, H. (2021). The production of space (Hengli Liefufu, Trans.). The Commercial Press. https://zh.101ml.si/book/21625050

[24]. Kristeva, J. (2001). Powers of horror (Zhuliyia Kelisitiwa, Trans.). SDX Joint Publishing Company. https://zh.101ml.si/book/16675495

[25]. Silver, A. K. (2002). Victorian literature and the anorexic body. Cambridge University Press. https://zh.101ml.si/book/2604554

[26]. Zhang, J. F. (2019). The body. Foreign Language Teaching and Research Press. https://zh.101ml.si/book/85915151

[27]. Butler, J. (2009). Gender trouble: Feminism and the subversion of identity (Zhudisi Batelai, Trans.). Shanghai SDX Joint Publishing Company. https://zh.101ml.si/book/5299046

[28]. Bachelard, G. (2013). The poetics of space (Jiasidong Bashila, Trans.). Shanghai Translation Publishing House. https://zh.101ml.si/book/5433496

[29]. Foucault, M. (1999). Discipline and punish: The birth of the prison (Mishe’er Fukou, Trans.). SDX Joint Publishing Company. https://zh.101ml.si/book/16411491

[30]. Freud, S. (1922). Mourning and melancholia. Journal of Nervous and Mental Disease, 56(5), 543–545. https://doi.org/10.1097/00005053-192211000-00066

[31]. Keefe, R. (1979). Charlotte Brontë’s world of death. University of Texas Press. https://zh.101ml.si/book/25961861

[32]. Soja, E. (2006). Postmetropolis: Critical studies of cities and regions (Aidehua Suoya, Trans.). Shanghai Education Press. https://zh.101ml.si/book/36381125

[33]. Yang, J. Y. (1983). A study of the Brontë sisters. China Social Sciences Press. https://zh.101ml.si/book/27836384

[34]. Byron, G. G. (2021). Childe Harold's pilgrimage (Bailun, Trans.). Guangxi Normal University Press. https://zh.101ml.si/book/11925567

[35]. de Certeau, M. (2009). The practice of everyday life (Mishe’er De Setuo, Trans.). Nanjing University Press. https://zh.101ml.si/book/19190064

[36]. Zhang, J. B. (2014). Villette: A journey of self-identity discovery for women. Hubei Social Sciences, 28(11), 147–151. https://doi.org/10.13660/j.cnki.42-1112/c.012934

[37]. Fu, Y. H. (2018). "Virtue is rewarded": Self-sacrifice and self-construction of women in the Victorian era. Foreign Literature, 39(5), 32–42. https://doi.org/10.16430/j.cnki.fl.2018.05.004


Cite this article

Yang,Q. (2025). Anorexia, self-repression, and neurasthenia: Lucy’s psychological characteristics from the perspective of spatial theory. Advances in Humanities Research,12(2),61-67.

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Journal:Advances in Humanities Research

Volume number: Vol.12
Issue number: Issue 2
ISSN:2753-7080(Print) / 2753-7099(Online)

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References

[1]. Showalter, E. (2012). A literature of their own: From Brontë to Lessing (Y. Dai, Trans.). Zhejiang University Press. https://zh.101ml.si/book/11635095 (Original work published 1977)

[2]. Gilbert, S., & Gubar, S. (2015). The madwoman in the attic: The woman writer and the nineteenth-century literary imagination (Y. Liu & Y. Cheng, Trans.). Shanghai People's Publishing House. https://zh.101ml.si/book/14013760 (Original work published 1979)

[3]. Spivak, G. C. (1985). Three women's texts and a critique of imperialism. Critical Inquiry, 12(1), 243–261. https://doi.org/10.1086/448328

[4]. Sunderland, J. (2023). Canine agency and its mitigation in the characterization of dogs in the novels by Charlotte, Emily and Anne Brontë. Brontë Studies, 48(3), 189–206. https://doi.org/10.1080/14748932.2023.2215829

[5]. Hobbs, K. (2024). ‘Odd and incorrect’: Convention and Jane Eyre’s feminist legacy. Brontë Studies, 49(1–2), 6–23. https://doi.org/10.1080/14748932.2024.2308841

[6]. Gharib, S. (2024). ‘A morsel of real solid joy’ and a ‘knot of hardness’: Solidity in the works of Charlotte Brontë and Virginia Woolf. Brontë Studies, 49(3), 225–237. https://doi.org/10.1080/14748932.2024.2335333

[7]. Chen, S. (2002). On gender ideology in Jane Eyre. Foreign Literature Studies, 25(4), 79–83, 173. https://doi.org/10.3969/j.issn.1003-7519.2002.04.015

[8]. Zhou, Y. (2012). The pain of imagination and reality: Governesses in British women writers’ works (1800–1850). Foreign Literature Review, 26(1), 94–108. https://kns.cnki.net/kcms2/article/abstract

[9]. Cheng, W. (2015). Charlotte Brontë: Opium, the “Orient,” and the 1851 Great Exhibition. Foreign Literature Review, 29(4), 64–120. https://kns.cnki.net/kcms2/article/abstract

[10]. Shi, R. (2004). The absence of the mother and the presence of maternal love: An interpretation of Jane Eyre. Journal of Shandong University (Philosophy and Social Sciences Edition), 54(2), 38–42. https://kns.cnki.net/kcms2/article/abstract

[11]. Zhou, S. (2007). An analysis of Jane Eyre’s dual personality. Film Literature, 29(2), 94–95. https://doi.org/10.16583/j.cnki.52-1014/j.2007.02.002

[12]. Ge, L. (1999). Id, ego, and superego: A brief discussion of the “3+1” system in Jane Eyre. Foreign Literature, 19(4), 69–74. https://doi.org/10.16345/j.cnki.cn11-1562/i.1999.04.013

[13]. Zhang, L., & Liu, X. (2019). Interpreting Jane Eyre through Maslow’s hierarchy of needs. Chongqing Social Sciences, 2019(2), 119–127. https://doi.org/10.19631/j.cnki.css.2019.02.013

[14]. Steele, S. (2024). The ‘personal museum’: Letters as relic collection in Charlotte Brontë’s Villette. Brontë Studies, 49(4), 281–292. https://doi.org/10.1080/14748932.2024.2373139

[15]. Uhara, M. (2024). Symbolic meanings of violets in Villette. Brontë Studies, 49(1–2), 116–128. https://doi.org/10.1080/14748932.2024.2317158

[16]. Baldacchino, R. (2024). Gothic introspection: How Villette nurtures empathy and reader identity. Brontë Studies, 49(3), 165–180. https://doi.org/10.1080/14748932.2024.2319192

[17]. Newbold, A. (2024). Prospect and refuge in Villette’s forbidden garden. Brontë Studies, 49(3), 193–206. https://doi.org/10.1080/14748932.2024.2347392

[18]. Wang, C. (2017). A study of female themes in Villette. Language Planning, 62(14), 39–40. https://doi.org/10.16412/j.cnki.1001-8476.2017.14.019

[19]. Chen, L. (2013). Surveillance and counter-surveillance: Visual tensions in Lucy Snowe’s identity in Villette. Foreign Literature, 33(1), 79–85. https://doi.org/10.16345/j.cnki.cn11-1562/i.2013.01.008

[20]. Zhang, Q. (2017). Ghosts, hallucinations, and intertextuality in Charlotte Brontë’s later novels. Foreign Literature Studies, 39(6), 141–150. https://doi.org/10.19915/j.cnki.fls.2017.06.016

[21]. Soja, E. (2005). Thirdspace (Aidehua Suoya, Trans.). Shanghai Education Press. https://zh.101ml.si/book/18221221

[22]. Brontë, C. (2000). Villette (Xia Bolangte, Trans.). Shanghai Translation Publishing House. https://zh.101ml.si/book/33460999

[23]. Lefebvre, H. (2021). The production of space (Hengli Liefufu, Trans.). The Commercial Press. https://zh.101ml.si/book/21625050

[24]. Kristeva, J. (2001). Powers of horror (Zhuliyia Kelisitiwa, Trans.). SDX Joint Publishing Company. https://zh.101ml.si/book/16675495

[25]. Silver, A. K. (2002). Victorian literature and the anorexic body. Cambridge University Press. https://zh.101ml.si/book/2604554

[26]. Zhang, J. F. (2019). The body. Foreign Language Teaching and Research Press. https://zh.101ml.si/book/85915151

[27]. Butler, J. (2009). Gender trouble: Feminism and the subversion of identity (Zhudisi Batelai, Trans.). Shanghai SDX Joint Publishing Company. https://zh.101ml.si/book/5299046

[28]. Bachelard, G. (2013). The poetics of space (Jiasidong Bashila, Trans.). Shanghai Translation Publishing House. https://zh.101ml.si/book/5433496

[29]. Foucault, M. (1999). Discipline and punish: The birth of the prison (Mishe’er Fukou, Trans.). SDX Joint Publishing Company. https://zh.101ml.si/book/16411491

[30]. Freud, S. (1922). Mourning and melancholia. Journal of Nervous and Mental Disease, 56(5), 543–545. https://doi.org/10.1097/00005053-192211000-00066

[31]. Keefe, R. (1979). Charlotte Brontë’s world of death. University of Texas Press. https://zh.101ml.si/book/25961861

[32]. Soja, E. (2006). Postmetropolis: Critical studies of cities and regions (Aidehua Suoya, Trans.). Shanghai Education Press. https://zh.101ml.si/book/36381125

[33]. Yang, J. Y. (1983). A study of the Brontë sisters. China Social Sciences Press. https://zh.101ml.si/book/27836384

[34]. Byron, G. G. (2021). Childe Harold's pilgrimage (Bailun, Trans.). Guangxi Normal University Press. https://zh.101ml.si/book/11925567

[35]. de Certeau, M. (2009). The practice of everyday life (Mishe’er De Setuo, Trans.). Nanjing University Press. https://zh.101ml.si/book/19190064

[36]. Zhang, J. B. (2014). Villette: A journey of self-identity discovery for women. Hubei Social Sciences, 28(11), 147–151. https://doi.org/10.13660/j.cnki.42-1112/c.012934

[37]. Fu, Y. H. (2018). "Virtue is rewarded": Self-sacrifice and self-construction of women in the Victorian era. Foreign Literature, 39(5), 32–42. https://doi.org/10.16430/j.cnki.fl.2018.05.004