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Published on 22 December 2023
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Zhou,Z. (2023).Trying to Discuss the Important Significance of Semiotics in Film Criticism.Advances in Humanities Research,4,12-17.
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Trying to Discuss the Important Significance of Semiotics in Film Criticism

Ziluo Zhou *,1,
  • 1 Communication University of China

* Author to whom correspondence should be addressed.

https://doi.org/10.54254/2753-7080/4/2023027

Abstract

Symbols are representative and symbolic signs that carry information that can be accepted and perceived. Modern semiotics emerged at the beginning of the 20th century, pioneered by Saussure and Peirce, and further developed and extended with the rise of structuralism. Film semiotics, a newly born methodology, has had profound effects on film criticism and film studies. This paper, based on the semiotic perspective, explores the origins and applications of film semiotics theory, examining its significance and contemporary value in film criticism.

Keywords

film semiotics, film criticism, symbols

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[2]. Barthes, R. (1999). Elements of Semiology. Beijing: Life·Reading·New Knowledge Joint Publishing, 21.

[3]. Wu, Q. (2001). Contemporary Film Theory and Speculative Film Creation. Beijing: Beijing Hope Electronic Publishing House, 131.

[4]. Barthes, R. (1999). Elements of Semiology. Beijing: Life·Reading·New Knowledge Joint Publishing, 53.

[5]. Metz, M. (2006). Film Language. Beijing: China Film Press, 5.

[6]. Zhou, Q. P. (2010). The Achilles' Heel of Film Semiotics: Criticism of "Film and Method: A Selection of Semiological Texts." China Book Review, 07, 44.

Cite this article

Zhou,Z. (2023).Trying to Discuss the Important Significance of Semiotics in Film Criticism.Advances in Humanities Research,4,12-17.

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About volume

Journal:Advances in Humanities Research

Volume number: Vol.4
ISSN:2753-7080(Print) / 2753-7099(Online)

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