Trying to Discuss the Important Significance of Semiotics in Film Criticism
- 1 Communication University of China
* Author to whom correspondence should be addressed.
Abstract
Symbols are representative and symbolic signs that carry information that can be accepted and perceived. Modern semiotics emerged at the beginning of the 20th century, pioneered by Saussure and Peirce, and further developed and extended with the rise of structuralism. Film semiotics, a newly born methodology, has had profound effects on film criticism and film studies. This paper, based on the semiotic perspective, explores the origins and applications of film semiotics theory, examining its significance and contemporary value in film criticism.
Keywords
film semiotics, film criticism, symbols
[1]. Liu, L. L. (2012). The Application of Film Symbols in Film Criticism. Hunan Normal University, 2.
[2]. Barthes, R. (1999). Elements of Semiology. Beijing: Life·Reading·New Knowledge Joint Publishing, 21.
[3]. Wu, Q. (2001). Contemporary Film Theory and Speculative Film Creation. Beijing: Beijing Hope Electronic Publishing House, 131.
[4]. Barthes, R. (1999). Elements of Semiology. Beijing: Life·Reading·New Knowledge Joint Publishing, 53.
[5]. Metz, M. (2006). Film Language. Beijing: China Film Press, 5.
[6]. Zhou, Q. P. (2010). The Achilles' Heel of Film Semiotics: Criticism of "Film and Method: A Selection of Semiological Texts." China Book Review, 07, 44.
Cite this article
Zhou,Z. (2023).Trying to Discuss the Important Significance of Semiotics in Film Criticism.Advances in Humanities Research,4,12-17.
Data availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
Disclaimer/Publisher's Note
The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content
About volume
Journal:Advances in Humanities Research
© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and
conditions of the Creative Commons Attribution (CC BY) license. Authors who
publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons
Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this
series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published
version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial
publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and
during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See
Open access policy for details).