Research Article
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Published on 29 September 2024
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Zhang,T. (2024). Hong Kong through the “Infernal” Mirror: An Analysis of Urban Space Imagery and Cultural Implications in Infernal Affairs. Advances in Social Behavior Research,11,19-22.
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Hong Kong through the “Infernal” Mirror: An Analysis of Urban Space Imagery and Cultural Implications in Infernal Affairs

Tianzi Zhang *,1,
  • 1 Hebei Finance University

* Author to whom correspondence should be addressed.

https://doi.org/10.54254/2753-7102/11/2024098

Abstract

With the acceleration of globalization and urbanization, films, as a cultural medium, not only reflect social realities but also construct a unique imagery of urban spaces. As an international metropolis, Hong Kong’s urban image has been extensively portrayed in films. Infernal Affairs, a classic of Hong Kong cinema, not only tells the story of an undercover struggle between the police and the triads but also, through its distinctive depiction of urban spaces, reveals cultural connotations unique to Hong Kong.

Keywords

urban imagery, urban space, cultural implications

[1]. Marchetti, G. (2007). Andrew Lau and Alan Mak’s Infernal Affairs: The Trilogy. Hong Kong: Hong Kong University Press.

[2]. Lau, W., & Mak, A. (2002). Infernal Affairs: A Visual Collection. Hong Kong: Film Biweekly Publishing Company.

[3]. Li, Y. (2014). Analysis of contemporary undercover films in Hong Kong. Journal of Suzhou University of Education, 31(1), 13-17.

[4]. Jia, L. (2004). Infernal Affairs: “Iconic spaces” and visual semiotics. Contemporary Film, 2, 99-101.

[5]. Li, D. (2007). Temporal experiences and historical concepts in post-1997 Hong Kong cinema. Contemporary Film, 3, 34-38.

Cite this article

Zhang,T. (2024). Hong Kong through the “Infernal” Mirror: An Analysis of Urban Space Imagery and Cultural Implications in Infernal Affairs. Advances in Social Behavior Research,11,19-22.

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About volume

Journal:Advances in Social Behavior Research

Volume number: Vol.11
ISSN:2753-7102(Print) / 2753-7110(Online)

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