
A Study of the Body Narrative in the Film Portrait de la Jeune Fille en Feu from a Feminist Perspective
- 1 Chongqing Technology and Business University
* Author to whom correspondence should be addressed.
Abstract
This article analyses the body narrative in the film Portrait de la Jeune Fille en Feu from a feminist perspective, exploring the gendered power structures implicit in the female characters' bodily expressions and discussing how it constructs and reflects feminist theories. The article reviews the development of feminist theory, emphasises the importance of body narrative theory and its application in film studies, and chooses the film Portrait de la Jeune Fille en Feu as the object of study. Through textual analysis and feminist critical theory, this study dissects the body narratives of the female characters to reveal how visual language and symbols shape the body's position in gendered power relations. It is found that the female body narratives in the film are not only an expression of subjectivity, but also a response to social power structures, demonstrating the deep connection between gender, power and self-identity.
Keywords
body narrative, Portrait de la Jeune Fille en Feu, feminist, female body narrative
[1]. Boyd-Barrett O, Newbold C. Approaches to Media [M]. Wang Kai, Liu Xiaohong, Translation. Beijing: Xinhua Publishing House, 2004: 440.
[2]. Butler J. Performative acts and gender constitution[J]. The performance studies reader, 2004: 154-166.
[3]. Zhou X D. A Study of Female Body Narratives in Zhang Yimou's Films [D]. Hohhot: Inner Mongolia Normal University, 2020.6.
[4]. Fu X Y, Huang P. The Emotional Factor in Literary Critical Thinking[J]. Jiangxi Social Science, 1988(5): 107-112.
[5]. Polanyi M. The tacit dimension[M]. Chicago: University of Chicago Press, 2009:14.
[6]. Song J L. Narratology of Film and Television [M]. Beijing: Communication University of China press, 2007.
[7]. Jia L L. Introduction to Film Linguistics [M]. Shanghai: Fudan University Press, 2011.
[8]. Zhu W X. Zhu wenxiang Chinese opera anthology [M]. China Drama Press, 2004. 423.
[9]. Shusterman R. Body consciousness: A philosophy of mindfulness and somaesthetics[M]. Trans. Cheng Xiangzhan. Beijing: The Commercial Press, 2011.76.
[10]. Merleau-Ponty M, Landes D, Carman T, et al. Phenomenology of perception[M]. Routledge, 2013.
Cite this article
Guo,L. (2024). A Study of the Body Narrative in the Film Portrait de la Jeune Fille en Feu from a Feminist Perspective. Communications in Humanities Research,38,58-62.
Data availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
Disclaimer/Publisher's Note
The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.
About volume
Volume title: Proceedings of the 3rd International Conference on Literature, Language, and Culture Development
© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and
conditions of the Creative Commons Attribution (CC BY) license. Authors who
publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons
Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this
series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published
version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial
publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and
during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See
Open access policy for details).