About CHRThe proceedings series Communications in Humanities Research (CHR) is an international peer-reviewed open access series, which publishes conference proceedings on a wide range of methodological and disciplinary topics related to the humanities. CHR is published irregularly. By offering a public forum for discussion and debate about human and artistic issues, the series seeks to provide a high-level platform for humanity studies. Research-focused articles are published in the series, which also accepts empirical and theoretical articles on micro, meso, and macro phenomena. Proceedings that are appropriate for publication in the CHR cover topics on different linguistic, literary, artistic, historical, philosophical perspectives and their influence on people and society. |
Aims & scope of CHR are: ·Community, Society & Culture ·Literature ·Art ·Philosophy |
Article processing charge
A one-time Article Processing Charge (APC) of 450 USD (US Dollars) applies to papers accepted after peer review. excluding taxes.
Open access policy
This is an open access journal which means that all content is freely available without charge to the user or his/her institution. (CC BY 4.0 license).
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These licenses afford authors copyright while enabling the public to reuse and adapt the content.
Peer-review process
Our blind and multi-reviewer process ensures that all articles are rigorously evaluated based on their intellectual merit and contribution to the field.
Editors View full editorial board
United States
United Kingdom
Urbino, Italy
vharrison@umac.mo
Lancaster, United Kingdom
o.afitska@lancaster.ac.uk
Latest articles View all articles
Amid the relentless rise of algorithmic platforms and on-demand cultures, traditional media confront simultaneous erosion of their audiences, advertisers, and century-old business architectures. This paper interrogates that crisis through a systematic review of current scholarship and market evidence, tracing how user migration to personalised social video (e.g., TikTok) and subscription streaming has accelerated after COVID-19, and how targeted, data-rich digital advertising has drained legacy revenue pools. Against this backdrop, the study distils best-practice responses from incumbent giants—Disney’s vertically integrated streaming stack built on Fox assets and original IP, Warner Bros.’ hybrid HBO Max strategy balancing exclusivity and syndication, and transnational experiments in cultural adaptation across China’s mobile-first entertainment economy. Four strategic imperatives emerge: (1) re-platforming content via proprietary or partnered streaming channels; (2) co-financing and co-producing originals with global platforms to share risk and reach; (3) deploying AI recommendation engines, VR/AR immersion, and voice interfaces to deepen engagement; and (4) granular localisation of narratives, formats, and pricing to unlock emerging-market middle-class demand. These moves, however, must negotiate entrenched cultural preferences and ferocious local competition. The paper concludes that survival is contingent on treating digital transformation not as an episodic upgrade but as an open-ended process of technological, organisational, and cultural reinvention.
With the development of network technology, China is moving towards a sports power. Especially in the 2024 Paris Olympic Games, fans of athletes of different events on social media will have an impact on the network order, which is gradually said to be 'sports fans circle'. The theme of this study is the research on the transformation and development of the Chinese sports fans circle and retired athletes, and the research is carried out by means of data collection and literature search. Research shows that China's sports fan circle is not a disadvantage, to introducing relevant policies to guide. It mainly affects how to realize the flow of the sports fans circle to make retired athletes transform in a variety of ways to choose. Future research should focus more on how to make good use of the form of new media to help retired athletes develop better. How to make good use of the sports fans circle is a very important issue. Making good use of the flow can be realized, so that more people can participate in the activities of the national fitness, and can also better solve the problem of the transformation of retired athletes.
With the rise of social media, the body shaming has evolved from occurring in personal interactions and traditional forms of media to being amplified by algorithm-driven social media platforms. The surge in self-image and beauty-centric social media platforms, such as Instagram and TikTok, fueled by big data recommendation algorithms, significantly impacts users’ self-esteem and the construction of self-image by enforcing rigid beauty standards. This paper focuses on the effects of big data recommendation algorithms and beauty-obsessed and centric social media on body shaming and its psychological and social impacts, seeking solutions to counter the negative impacts of body shaming. The review integrates concepts from media studies, psychology, and computer science to analyze the impact of social media algorithm designs on user behavior and social norms. The findings underscore the need for an intentional shift in social media design, policy frameworks, and public discourse to foster social equity and combat discrimination in the digital environment.
Horror is the primitive psychology inherent to humans. Centering on the contemporary development of the body horror film, this study applies a method combining theoretical criticism and textual analysis, taking Titane (2021) and The Substance (2024) as two case studies, to conduct an ecofeminist investigation into the body horror film. This study points out that the two films effectively evoke the audience’s pain empathy by depicting the lesions, alienation and violent experiences of the female body; through the semiotic metaphors of female bodies, they complete the female narrative of pain and resistance, exploring the female existential predicament filled with struggles; by means of the artistic form of extreme body horror, they reveal and criticize how patriarchy in the “post-human age” achieves the double control and violent colonization of women’s bodily nature and spiritual ecology through collusion with technology and abuse of biomedicine, thereby accomplishing a profound ecofeminist critical interpretation of the body horror film.
Volumes View all volumes
Volume 76August 2025
Find articlesProceedings of ICADSS 2025 Symposium: Art, Identity, and Society: Interdisciplinary Dialogues
Conference website: https://2025.icadss.org/Lincoln.html
Conference date: 22 August 2025
ISBN: 978-1-80590-146-4(Print)/978-1-80590-284-3(Online)
Editor: Ioannis Panagiotou, Yanhua Qin
Volume 75August 2025
Find articlesProceedings of ICADSS 2025 Symposium: Consciousness and Cognition in Language Acquisition and Literary Interpretation
Conference website: https://2025.icadss.org/Huntsville.html
Conference date: 17 September 2025
ISBN: 978-1-80590-317-8(Print)/978-1-80590-318-5(Online)
Editor: Yanhua Qin, Enrique Mallen
Volume 74August 2025
Find articlesProceedings of ICADSS 2025 Symposium: Art, Identity, and Society: Interdisciplinary Dialogues
Conference website: https://www.icadss.org/Lincoln.html
Conference date: 22 August 2025
ISBN: 978-1-80590-301-7(Print)/978-1-80590-302-4(Online)
Editor: Yanhua Qin, Ioannis Panagiotou
Volume 73August 2025
Find articlesProceedings of the 4th International Conference on Art, Design and Social Sciences
Conference website: https://2025.icadss.org/
Conference date: 20 October 2025
ISBN: 978-1-80590-267-6(Print)/978-1-80590-268-3(Online)
Editor: Yanhua Qin
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