
Modern and Contemporary Architecture in Datong, Shanxi Province - Brief Introduction to Datong Planning Exhibition Hall
- 1 China University of Mining&Technology (Beijing)
* Author to whom correspondence should be addressed.
Abstract
This study focuses on the history and cultural heritage of the Datong Exhibition Hall , a representative building constructed in 1969 during the Cultural Revolution period. Initially established as the "Mao Zedong Thought Forever Memorial Hall," the exterior design of the Datong Exhibition Hall resembles the Great Hall of the People, reflecting the architectural characteristics and achievements of that time. The exhibition hall has undergone multiple transformations, serving as a political exhibition venue, commercial space, cultural exhibition hall, community center, party activity center, and talent employment center. Through chronological narration and diverse research methods, this study meticulously traces its historical evolution, architectural features, cultural heritage, and social impact. The findings highlight its aesthetic value and significant historical importance for studying the history and culture of that period. Furthermore, as a cultural heritage site, the Datong Exhibition Hall bears witness to the social environment and political backdrop of the Cultural Revolution, embodying the historical memory and traditional culture of Datong City. In the future, it will continue to provide cultural experiences for citizens and serve as an important window for researching the architecture and culture of the Cultural Revolution period.
Keywords
Hundred-Year-Old Hall, Small People's Congress Hall, Datong
[1]. Tang, Yun. Research on the Symbolism and Contradiction of “Cultural Revolution Architecture”[D].Hunan University, 2008.
[2]. Wu, Guangtian. “Hall of Eternity”--The History Embodied in a Building[J]. Historical and Cultural Gems, 2004, (10): 32-39.
[3]. Niu, Yanling. Analysis on the Foundation Processing Technology of Building Group Monolithic Movement[J] Engineering Design of the Ground., 2017(24): 27-28.
[4]. Yin, Tianjun. Reconstruction Technology of Split Translation and Rotation Closing Project of Datong Exhibition Hall[J]. Construction Technology, 2020, 49(14): 110-113.
[5]. Lin, Nan. Zhou Enlai and the Construction of the Great Hall of the People[J].Overview of Party History, 2023(02): 7-9. Ren, Zhong. An Analysis of Zhou Enlai’s Architectural Thought in the Early Days of the Foudningof the People’s Republic of China[J]. Maozedong Thought Study, 2006(06): 66-69.
[6]. Ren, Zhong. An Analysis of Zhou Enlai’s Architectural Thought in the Early Days of the Foudningof the People’s Republic of China[J]. Maozedong Thought Study, 2006(06): 66-69.
[7]. Tu, Jianbo, and Zheng, Yanling. The Influence of Cultural Heritage Tourism on the City Brand Image of Datong[J]. National Circulation Economy, 2022(14): 137-140.
Cite this article
Zhang,Y. (2024). Modern and Contemporary Architecture in Datong, Shanxi Province - Brief Introduction to Datong Planning Exhibition Hall. Communications in Humanities Research,62,7-13.
Data availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
Disclaimer/Publisher's Note
The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.
About volume
Volume title: Proceedings of the 4th International Conference on Literature, Language, and Culture Development
© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and
conditions of the Creative Commons Attribution (CC BY) license. Authors who
publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons
Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this
series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published
version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial
publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and
during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See
Open access policy for details).