A Study on Leonardo Da Vinci’s Renaissance and the Influence on His Way of Painting
- 1 Yellowstone of Beijing Mingcheng Acadamy, 1 Xiedao Street, Chaoyang District, Beijing, China
* Author to whom correspondence should be addressed.
Abstract
In the fourteenth century, the era of Medieval governance came to an end. The exploration of ancient Roman and Greek literature and art inspired artists to replicate those glories. By no means a mere reproduction, this advanced the Renaissance by deepening the artists' awareness of the world and their all-encompassing humanistic appreciation of the leading personalities of the day. Among the most influential Renaissance leaders was Leonardo di ser Piero da Vinci. The High Renaissance’s Italian polymath Leonardo was an architect, sculptor, theorist, scientist, engineer, draftsman, and painter. Along with his recognition as a famous painter, he also made his name due to his manuscripts, where he made notes and drawings on various subjects, such as paleontology, painting, cartography, botany, astronomy, and anatomy. Leonardo is normally considered as an intellectual individual, who personified the humanist ideal of the Renaissance, and his collective pieces have inspired artists of the later generations. This study analyses Leonardo di ser Piero da Vinci and his influence on his way of painting.
Keywords
Renaissance, Leonardo Da Vinci, western art
[1]. Kemp, Martin (2011). Leonardo (Revised ed.). Oxford, England: Oxford University Press. ISBN 978-0-19-280644-4.
[2]. Tyler C. (2021). Sources of Inspiration in the Early Life of Leonardo da Vinci. Journal of Research in Philosophy and History, 4(3)
[3]. Edubirdie. Retrieved, (2022). “Many Influences of Leonardo da Vinci on Today’s Society. ” September 12, 2022, from https://edubirdie.com/examples/many-influences-of-leonardo-da-vinci-on-todays-society/
[4]. Catani M. and Mazzarello P. (2019). Grey Matter Leonardo da Vinci: a genius driven to distraction. NLC, 142(6), doi: 10.1093/brain/awz131
[5]. Davinci, Leonardo (2011). The Notebooks of Leonardo Da Vinci. Lulu. p. 736. ISBN 978-1-105-31016-4.
[6]. Alastair Sooke, Daily Telegraph, 28 July 2013, "Leonardo da Vinci: Anatomy of an artist", accessed 29 July 2013.
[7]. Joseph Kellardhttps，Leonardo da vinci be walter isaacson http://theobjectivestandard.com/2019/05/leonardo-da-vinci-by-walter-isaacson/
[8]. Veltman (2008). Leonardo da Vinci: A Review. MIT Press, (41)4.
[9]. Gan, V. (2013). Flight of fancy. Smithsonian, 44(5), 84. Retrieved from https://link-gale-com.ledproxy2.uwindsor.ca/apps/doc/A344212148/AONE?u=wind05901&sid=AONE&xid=b2887c51
[10]. Richardson, P. (2017). Da Vinci’s observations of soaring birds. Physics Today, 70(11), 78–79. https://doi.org/10.1063/PT.3.3773
[11]. From da Vinci to voyager. (2014). Aviation History, 24(3), 12. Retrieved from https://link-gale-com.ledproxy2.uwindsor.ca/apps/doc/A349720054/CPI?u=wind05901&sid=CPI&xid=8839b653.
Cite this article
Wang,Y. (2023). A Study on Leonardo Da Vinci’s Renaissance and the Influence on His Way of Painting. Communications in Humanities Research,3,420-425.
Data availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
Disclaimer/Publisher's Note
The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.
About volume
Volume title: Proceedings of the International Conference on Interdisciplinary Humanities and Communication Studies (ICIHCS 2022), Part 1
© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and
conditions of the Creative Commons Attribution (CC BY) license. Authors who
publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons
Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this
series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published
version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial
publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and
during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See
Open access policy for details).