The Image of Green Snake on Screens in China over the Past 30 Years

Research Article
Open access

The Image of Green Snake on Screens in China over the Past 30 Years

Meng Zhang 1*
  • 1 School of Literature, Capital Normal University, Beijing, China, 100089    
  • *corresponding author 2736519942@qq.com
CHR Vol.3
ISSN (Print): 2753-7072
ISSN (Online): 2753-7064
ISBN (Print): 978-1-915371-29-4
ISBN (Online): 978-1-915371-30-0

Abstract

The Legend of the White Snake is a well-known traditional story in China. The love between Xu Xian and white snake has always been praised by people. Among them, the supporting role "Green snake" has not been marginalized again and again because of the identity of the supporting role in the evolution of the text. On the contrary, she has become a soul character that cannot be ignored, and has even become the protagonist in some adaptations. In the era when popular Culture is faddish, film and television adaptation of traditional works is a topic worthy of attention. In the adaptation of the story The Legend of the White Snake, Green snake's image has undergone a series of changes, reflecting the spiritual pursuit of people in different eras. This study adopts the case analysis method, taking texts such as Green Snake, The legend of Green Snake, White Snake 2 and White Snake: Love as the research objects. From the four aspects of the text's own vitality, the audience's preferences in the era of popular culture, and the particularity of film and television texts, the reasons for the evolution of the image of the green snake on the screens of Hong Kong, Taiwan and mainland China in the past three decades have been drawn.

Keywords:

The Legend of the White Snake, Green Snake, Image Research, Literature, Film and Television

Zhang,M. (2023). The Image of Green Snake on Screens in China over the Past 30 Years. Communications in Humanities Research,3,462-467.
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References

[1]. Wu Hao. Inheritance and innovation of folklore under the adaptation of film and television: Taking the image transformation of the white lady in "The Legend of the White Snake" as an example. Cultural Industry. 2020, (27)

[2]. Zhao Jing: A preliminary study on the evolution and interpretation of the image of the green snake in "The Legend of the White Snake". Southwest Jiaotong University. 2007.11

[3]. Wang Yali. The Recreation of Folk Art in "White Snake: Origin". Film Literature. 2019,(19)

[4]. Hu Yuzhi. An Analysis of the Phenomenon of "Joking" in Film and Television. Journal of Yichun Teachers College. 1995. Issue 6

[5]. Zeng Yan. Mass Consumption and the Evolution of "The Legend of the White Snake". New Literature Review. 2016,5(04)

[6]. Li Xingke. Research on the phenomenon of Qing Dynasty TV dramas at the turn of the century. Sichuan University. 2005.3

[7]. Wang Yibing. A New Path to Explore the Value of the Cultural Community of the "National Tide" in the Opera Film: A Comment on the Cantonese Opera Film "The Legend of the White Snake·Love". Art Review. 2021, (09)

[8]. Chen Shuchao. Emotional Concepts in Movies and TV Works themed "The Legend of the White Snake" in recent years. Sichuan Drama. 2020, (01)

[9]. Xu Chen: Modern Communication of the Story of "White Snake" - "The Legend of White Snake" in Film and Television. Liaoning University. 2015.5

[10]. Wang Qi: The Cross-Media Rewriting of "The Legend of the White Snake"—Taking the adaptations in Hong Kong and Taiwan since the 1970s as the object. Fudan University. 2013.5

[11]. Shao Yang: Three Rebirths in Drama: On the Rationality of "Deconstructed" Film and Television Adaptation of Classical Novels, Art Wide Angle, 2014.01

[12]. Weng Zihan and Li Ruiwen: Exploration on the Film and Television Path of Traditional Opera——Taking "The Legend of the White Snake" as an example. School of Culture and Media, Central University of Finance and Economics. Shenhua (Part 2). 2022, (06)

Cite this article

Zhang,M. (2023). The Image of Green Snake on Screens in China over the Past 30 Years. Communications in Humanities Research,3,462-467.

Data availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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About volume

Volume title: Proceedings of the International Conference on Interdisciplinary Humanities and Communication Studies (ICIHCS 2022), Part 1

ISBN：978-1-915371-29-4(Print) / 978-1-915371-30-0(Online)
Editor：Faraz Ali Bughio, David T. Mitchell
Conference website: https://www.icihcs.org/
Conference date: 18 December 2022
Series: Communications in Humanities Research
Volume number: Vol.3
ISSN：2753-7064(Print) / 2753-7072(Online)

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References

[1]. Wu Hao. Inheritance and innovation of folklore under the adaptation of film and television: Taking the image transformation of the white lady in "The Legend of the White Snake" as an example. Cultural Industry. 2020, (27)

[2]. Zhao Jing: A preliminary study on the evolution and interpretation of the image of the green snake in "The Legend of the White Snake". Southwest Jiaotong University. 2007.11

[3]. Wang Yali. The Recreation of Folk Art in "White Snake: Origin". Film Literature. 2019,(19)

[4]. Hu Yuzhi. An Analysis of the Phenomenon of "Joking" in Film and Television. Journal of Yichun Teachers College. 1995. Issue 6

[5]. Zeng Yan. Mass Consumption and the Evolution of "The Legend of the White Snake". New Literature Review. 2016,5(04)

[6]. Li Xingke. Research on the phenomenon of Qing Dynasty TV dramas at the turn of the century. Sichuan University. 2005.3

[7]. Wang Yibing. A New Path to Explore the Value of the Cultural Community of the "National Tide" in the Opera Film: A Comment on the Cantonese Opera Film "The Legend of the White Snake·Love". Art Review. 2021, (09)

[8]. Chen Shuchao. Emotional Concepts in Movies and TV Works themed "The Legend of the White Snake" in recent years. Sichuan Drama. 2020, (01)

[9]. Xu Chen: Modern Communication of the Story of "White Snake" - "The Legend of White Snake" in Film and Television. Liaoning University. 2015.5

[10]. Wang Qi: The Cross-Media Rewriting of "The Legend of the White Snake"—Taking the adaptations in Hong Kong and Taiwan since the 1970s as the object. Fudan University. 2013.5

[11]. Shao Yang: Three Rebirths in Drama: On the Rationality of "Deconstructed" Film and Television Adaptation of Classical Novels, Art Wide Angle, 2014.01

[12]. Weng Zihan and Li Ruiwen: Exploration on the Film and Television Path of Traditional Opera——Taking "The Legend of the White Snake" as an example. School of Culture and Media, Central University of Finance and Economics. Shenhua (Part 2). 2022, (06)

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