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The Rise and Assimilation of Western Queer Cinema: Resistance and Dilemma in the Mainstream
- 1 University of Liverpool
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Abstract
Queer cinema has risen to prominence in recent years, frequently featured at major international film festivals and gaining a foothold in the global market. As an extension of queer theory, which highlights the fluidity of gender and sexuality, queer cinema initially aimed to challenge traditional gender norms and heteronormativity through radical narrative structures and visual expressions. Early queer films often subverted mainstream narratives, offering an alternative, politically charged lens to explore marginalized identities. However, as queer cinema has increasingly entered the mainstream market, it has been subjected to assimilation and commodification pressures. This has led to a dilution of its radical and subversive elements, as the narratives are increasingly shaped to fit within heteronormative frameworks. Queer characters, once at the centre of challenging societal norms, are now often marginalized or simplified to meet the expectations of broader, more mainstream audiences. This paper examines how capitalism and patriarchy have contributed to the assimilation and marginalization of queer cinema, limiting its political expression and cultural impact. While Russo highlights how Hollywood perpetuates lazy stereotypes of queer characters, White suggests that cinema, as a tool of capitalist and patriarchal power, helps maintain normative gender and sexual roles. Despite these challenges, queer cinema remains an important cultural tool for breaking down stereotypes and resisting the dominance of heteronormativity. To maintain its relevance and continue its political and cultural resistance, queer cinema must resist commodification and strive for more diverse, authentic representations of queer identities.
Keywords
Queer Cinema, mainstream movie, assimilation, marginalization, Queer theory
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Cite this article
Zhu,Y. (2024). The Rise and Assimilation of Western Queer Cinema: Resistance and Dilemma in the Mainstream. Communications in Humanities Research,52,74-80.
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