References
[1]. Bishop, C. (2020). Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention. TDR: The Drama Review, 64(2), 22–35. https://doi.org/10.1162/dram_a_00920
[2]. Hann, R. (2020). Beyond Scenography. Routledge (London, UK; New York, NY).
[3]. Goudouna, S. (2021). Beckett’s Breath: Anti-theatricality and the Visual Arts. Edinburgh University Press (Edinburgh, UK).
[4]. Hannah, D. (2020). Event-Space: Theatre Architecture and the Historical Avant-Garde. Routledge (London, UK; New York, NY).
[5]. Dirmoser, G. (2020). Performance Art Kontext. Transcript Verlag (Bielefeld, Germany).
[6]. Filmer, A. (2020). The Way We Perform Now. TDR: The Drama Review, 64(3), 10–25.
[7]. Ernst, W.-D. (2020). Mapping Intermediality in Performance. Routledge (London, UK; New York, NY).
[8]. Bay-Cheng, S. (2020). Virtual Realisms: Dramatic Forays into the Future. ResearchGate. https://www.researchgate.net/publication/
[9]. Hassabi, M. (2020). PLASTIC: Live Installation at MoMA. Museum of Modern Art (New York, NY).
[10]. Milev, Y. (2020). A.O.B.B.M.E. – Microtopic Enterprise. Edition Eigen+Art (Leipzig, Germany).
[11]. Bishop, C. (2020). Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention. TDR: The Drama Review, 64(2), 22–35. https://doi.org/10.1162/dram_a_00920
[12]. Chukhrov, K. (2021). The Postdramatic Theater's Misadventures in the Age of Contemporary Art. e-flux Journal, (120). https://www.e-flux.com/journal/120/415768/the-postdramatic-theater-s-misadventures-in-the-age-of-contemporary-art/
[13]. Ho, C. (2022). Black Cube: The Stage for Performance in Singapore, 1995–96. Theatre Research International, 47(1), 21–35. https://doi.org/10.1017/S0307883321000439
[14]. Guy, T. J. (2021). Theatre as Installation in the Syndemic Architectures of Rimini Protokoll's “Black Box”. Performance Research, 26(7), 12–20. https://doi.org/10.1080/13528165.2021.1987987
[15]. Van Baarle, K. (2019). Cally Spooner: Between Language and Body. The Theatre Times. https://thetheatretimes.com/cally-spooner-between-language-and-body/
Cite this article
Ren,Z. (2025). When the black box meets the white cube: spatial shifts and postdramatic aesthetics in performance art. Advances in Humanities Research,12(2),118-122.
Data availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
Disclaimer/Publisher's Note
The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.
About volume
Journal：Advances in Humanities Research
© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and
conditions of the Creative Commons Attribution (CC BY) license. Authors who
publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons
Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this
series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published
version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial
publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and
during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See
Open access policy for details).
References
[1]. Bishop, C. (2020). Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention. TDR: The Drama Review, 64(2), 22–35. https://doi.org/10.1162/dram_a_00920
[2]. Hann, R. (2020). Beyond Scenography. Routledge (London, UK; New York, NY).
[3]. Goudouna, S. (2021). Beckett’s Breath: Anti-theatricality and the Visual Arts. Edinburgh University Press (Edinburgh, UK).
[4]. Hannah, D. (2020). Event-Space: Theatre Architecture and the Historical Avant-Garde. Routledge (London, UK; New York, NY).
[5]. Dirmoser, G. (2020). Performance Art Kontext. Transcript Verlag (Bielefeld, Germany).
[6]. Filmer, A. (2020). The Way We Perform Now. TDR: The Drama Review, 64(3), 10–25.
[7]. Ernst, W.-D. (2020). Mapping Intermediality in Performance. Routledge (London, UK; New York, NY).
[8]. Bay-Cheng, S. (2020). Virtual Realisms: Dramatic Forays into the Future. ResearchGate. https://www.researchgate.net/publication/
[9]. Hassabi, M. (2020). PLASTIC: Live Installation at MoMA. Museum of Modern Art (New York, NY).
[10]. Milev, Y. (2020). A.O.B.B.M.E. – Microtopic Enterprise. Edition Eigen+Art (Leipzig, Germany).
[11]. Bishop, C. (2020). Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention. TDR: The Drama Review, 64(2), 22–35. https://doi.org/10.1162/dram_a_00920
[12]. Chukhrov, K. (2021). The Postdramatic Theater's Misadventures in the Age of Contemporary Art. e-flux Journal, (120). https://www.e-flux.com/journal/120/415768/the-postdramatic-theater-s-misadventures-in-the-age-of-contemporary-art/
[13]. Ho, C. (2022). Black Cube: The Stage for Performance in Singapore, 1995–96. Theatre Research International, 47(1), 21–35. https://doi.org/10.1017/S0307883321000439
[14]. Guy, T. J. (2021). Theatre as Installation in the Syndemic Architectures of Rimini Protokoll's “Black Box”. Performance Research, 26(7), 12–20. https://doi.org/10.1080/13528165.2021.1987987
[15]. Van Baarle, K. (2019). Cally Spooner: Between Language and Body. The Theatre Times. https://thetheatretimes.com/cally-spooner-between-language-and-body/