Research Article
Open access
Published on 30 December 2024
Download pdf
Shi,Y.;Guo,R. (2024). A Study on the Pathways of Red Gene Transmission Through Fine Art Works. Advances in Social Behavior Research,14,51-56.
Export citation

A Study on the Pathways of Red Gene Transmission Through Fine Art Works

Yifeng Shi *,1, Ruoming Guo 2
  • 1 Zhejiang Normal University
  • 2 Zhejiang Normal University

* Author to whom correspondence should be addressed.

https://doi.org/10.54254/2753-7102/2024.19872

Abstract

President Xi Jinping emphasized the need for systematic protection of intangible cultural heritage to better meet the growing spiritual and cultural needs of the people and promote cultural confidence and self-reliance. Red fine art works, as historical relics preserved and formed by the Communist Party of China over time, play a pivotal role in guiding young students to develop a correct understanding of history, oppose historical nihilism, foster patriotism, and establish socialist core values. Therefore, exploring the pathways of transmitting red genes through fine art works is of paramount importance. Taking the Xiuzhou farmer paintings as an example, this study explores the origins and inheritors of these paintings, delves into the depiction of societal changes reflected within them, and examines their role in the transmission of red genes. The research highlights the importance of farmers in China’s development and the necessity of preserving intangible cultural heritage. To address issues such as the challenges of craftsmanship inheritance, difficulties in training and mentoring, potential declines in quality, and sales bottlenecks faced by farmer paintings, several strategies are proposed: Strengthening governmental guidance and regulation to promote the market-oriented development of the red-themed farmer painting industry. Actively organizing “Xiuzhou Farmer Paintings + Red Party History” promotional and exhibition events to foster cultural and tourism integration, develop a unique red farmer painting brand, and expand their reach through e-commerce platforms. Launching “Red Farmer Paintings in Schools” initiatives to subtly integrate them into primary and secondary school labor education through hands-on experiences. Hosting competitions and activities centered on farmer paintings to appreciate the charm and essence of red genes. Providing robust support for inheritors to pursue dynamic heritage practices and empowering red farmer paintings with technological advancements for intelligent development. Focusing on the international exchange of farmer paintings, using platforms like universities and Confucius Institutes to share the century-old history of the Party depicted in farmer paintings with international students and friends, thereby achieving global dissemination.

Keywords

Artistic Works, Red Genes, Xiuzhou Farmer Paintings, Inheritance, Dissemination

[1]. Xue, Q. L. (2021). A review and analysis of farmers’ paintings in China since 1958. China Ethnic Art, 2021, No. 0026(02), 52-55.

[2]. He, K. R., & Xu, J. F. (2019). Exploration of the pathway to industrialization development of Xiuzhou farmers’ paintings. Design, 32(06), 99-101.

[3]. Huang, M., & Zhang, Y. H. L. (2011). Discussion on the yesterday, today, and tomorrow of the industrialization pathway of Xiuzhou farmers’ paintings. Popular Literature, No. 265(07), 188-189.

[4]. Wang, G. H. (2010). Focus on the development of cultural industries in rural areas—Taking Xiuzhou District, Jiaxing City, as an example. Jiangnan Forum, No. 239(07), 54-55.

[5]. Wei, C. Y., & Wang, Y. M. (2020). Research on the design of cultural creative products of Xiuzhou farmers’ paintings. Industrial Design, No. 166(05), 137-138.

[6]. Zhou, P., Fan, Y. J., & Weng, W. W. (2016). The development and current status of rural cultural industries—Based on the study of Xiuzhou farmers’ paintings. Art and Technology, 29(02), 131.

[7]. Sustained development of Xiuzhou farmers’ paintings—Introduction to farmers’ paintings in Xiuzhou District, Jiaxing City, Zhejiang Province. (2010). Jiangnan Forum, No. 239(07), 70.

[8]. Shen, J., Zhang, X. H., & Zhu, Q. Y. (2010). The resurgence of Xiuzhou farmers’ paintings, depicting the unique beauty of water towns. Jiaxing Daily, May 28, 2010(015).

[9]. Xiuzhou Hometown: Farmers’ Paintings Create New Splendor. (2012, November 6). China Cultural Daily, No. 012.

Cite this article

Shi,Y.;Guo,R. (2024). A Study on the Pathways of Red Gene Transmission Through Fine Art Works. Advances in Social Behavior Research,14,51-56.

Data availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

Disclaimer/Publisher's Note

The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.

About volume

Volume title:

Conference website:
ISBN:(Print) / (Online)
Conference date: 1 January 0001
Editor:
Series: Advances in Social Behavior Research
Volume number: Vol.14
ISSN:2753-7102(Print) / 2753-7110(Online)

© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license. Authors who publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open access policy for details).