Big Data-Driven Analysis of Music Learning Behavior: Personalized Teaching Recommendations and Learning Strategy Optimization

Research Article
Open access

Big Data-Driven Analysis of Music Learning Behavior: Personalized Teaching Recommendations and Learning Strategy Optimization

Xiaonan Hou 1*
  • 1 Sichuan Conservatory of Music, Sichuan, China    
  • *corresponding author rara481846778@gmail.com
Published on 19 December 2024 | https://doi.org/10.54254/2755-2721/2025.18472
ACE Vol.118
ISSN (Print): 2755-273X
ISSN (Online): 2755-2721
ISBN (Print): 978-1-83558-803-1
ISBN (Online): 978-1-83558-804-8

Abstract

This paper discusses how big data analytics could revolutionize music education by suggesting pedagogic ideas and shaping learning experiences based on student profiles. Through a combination of practice records, teacher-student dialogue and qualitative feedback, this study builds detailed portraits of music students to inform adaptive, data-informed teaching. It includes collecting, processing and analyzing the data, and applying clustering to classify the learner into Fast Learners, Methodical Learners and Emotionally Driven Learners. Each profile gets personalized practice schedules, feedback, and incentives for improved engagement and skill acquisition. Findings demonstrate that personalized methods deliver considerable improvements in learning and achievement. It also uses adaptive learning pathways and gamification to enhance student progress. Adapting to the new realities through feedback loops and constantly updated adjustments, this big data approach holds the promise of a fresh and flexible music education model. This study not only suggests how big data can drive personalized learning but offers a template for future educational data mining in music and beyond.

Keywords:

Big Data, Music Learning, Personalized Teaching, Learning Strategy, Education Technology

Hou,X. (2024). Big Data-Driven Analysis of Music Learning Behavior: Personalized Teaching Recommendations and Learning Strategy Optimization. Applied and Computational Engineering,118,8-13.
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1. Introduction

Music teaching has long relied on homogenised practices, ignoring individuals’ learning styles, motivation and rates of development. These one-size-fits-all solutions can inhibit student engagement and learning, because they are not sensitive to individual learning needs and preferences. Yet the advent of big data analytics presents promising ways for educators to optimize teaching based on big amounts of data about student behavior and performance. It aims to eliminate this disconnect in personalized music education by harnessing big data to detect and cater to diverse learning styles. Through practice patterns, interaction indices and qualitative feedback, this study builds complete learner profiles that serve as foundations for tailored teaching recommendations and practice regimens. This research addresses three main learning styles: Fast Learners, Methodical Learners and Emotionally Driven Learners — which requires different methods of instruction. The Fast Learners prefer challenging and self-directed material, the Methodical Learners enjoy guidance, and the Emotionally Driven Learners seek emotionally relevant content for continual inspiration. Individualised trainings and feedback mechanisms are incorporated to reinforce these profiles, while adaptive courses and gamified experiences complement the learning process [1]. By monitoring and adjusting at a 24/7 pace, the research illustrates how big data could transform learning music into live, personalized learning. This study demonstrates the potential of data-driven approaches to reshape traditional teaching methods, opening the way for further research on adaptive learning.

2. Methodology

2.1. Data Collection

Three main pieces of data were analyzed to construct a holistic picture of music-learning behaviour: practice logs, interaction scores, and qualitative student evaluation. These practice logs – digitally stored – recorded every student’s practice frequency, time and focus, which made tracking progress even more robust. Each log entry was recorded along with which works were practised, which exercises were performed, and how long each activity took, to allow quantitative measurements of the patterns of practice and skill improvement. Student-teacher interaction metrics added another level of context, recording student responses to various teaching methods and instructor’s real-time tinkering. These statistics provided an overview of the effect of teaching styles on student motivation and learning effectiveness [2]. Furthermore, both survey and open-ended responses were qualitative and reflected the experience, anger and motivation of students. They interpreted this feedback with NLP, to identify the sentiments and patterns that describe students’ moods and motivational factors. These three data sources combined helped the study build a rich and complex picture for each learner and prepare the way for further analysis.

2.2. Data Processing

After being gathered, the data was processed using a process pipeline for quality, consistency, and comparability. At first, data cleaning and normalization cleaned the anomalies and glitches from the raw data so only valid information was left to be analyzed. For comparison between students, all the data were normalised; for example, practice times were standardized in minutes, and feedback scores were normalized to 1-10. Such corrections made all data points comparable between students and created a coherent dataset. Qualitative feedback form data was subjected to NLP sentiment analysis to find keywords, sentiment and patterns. This analysis revealed a rich perspective on students’ learning difficulties and motivations. Through this automated processing pipeline, the study guaranteed all of its elements to be consistent and representative, providing a solid foundation for behavioural analysis. The data processing step is formally described like:

\( Processed Data=Cleaned Data+Normalized Scores+NLP Analysis \) (1)

where each component contributes to a comprehensive dataset prepared for analytical insights into student learning behaviors [ 3].

2.3. Analytical Framework

The algorithm used statistical tools, clustering, and machine learning algorithms to find patterns in the analyzed data. Initial statistical analysis revealed baseline patterns (average practice time, typical challenges), allowing for an overall pattern of learning. From this, clustering algorithms – specifically K-means clustering – were employed to divide students into learning profiles according to behaviour and reaction. This segmentation allowed them to find specific learning needs and cluster similar-inclining students for more specific analysis. Moreover, decision trees and random forests were utilised in machine learning to explore student performance patterns and forecast learning behaviours. Such models helped the research identify the most critical factors that are most relevant to student performance, and reveal data-led insights that support differentiated instruction. This complete analytic machine can be encapsulated by the function:

\( Behavioral Insight=f(Statistical Trends+Clustering Profiles+Machine Learning Predictions \) (2)

where each component of the function contributes to a holistic understanding of musid learning behaviors [4]. This analytical approach informed the creation of tailored teaching recommendations and optimized learning strategies, laying the groundwork for personalized, adaptive education in music.

3. Personalized Teaching Recommendations

3.1. Identifying Learning Profiles

The clustering analysis resulted in three main learning profiles, each having a different needs and learning style: Fast Learners, Methodical Learners, and Emotionally Driven Learners. These profiles also provide insight for fine-tuning instruction to create personalized learning outcomes.

The Fast Learners are fast learners that learn rapidly and adapt quickly. They love grueling content and respond best to autonomy and sophisticated content. These students need little supervision because they’re capable of learning and mastering on their own. Methodical Learners, in contrast, work at a steady pace, and have structured practice timetables and feedback. These children love clear instruction and gradual easing of difficulty levels, and frequent check-ins to reinforce learning. Lastly, Emotionally Driven Learners exhibit varying rates of progress that tend to be related to interest and emotional engagement. For these audiences, empathetic feedback and songs that fit with what they are most interested in will keep them motivated and engaged. The performance of these learner profiles is also corroborated by experimental results listed in Table 1 and shown in Figure 1 [5]. Table 1 represents the rate of progression and learning intensity during a three-month window for each learner group: Fast Learners had high skill retention over the time, whereas Methodical Learners continued their steady structured growth. Emotionally Driven Learners made varying amounts of progress, and often it was determined by how emotionally connected they felt to the practice material. Figure 1 depicts the mean engagement scores and learning rates across each learner profile gives a visual idea of how specific teaching practices affect individual learning styles [6]. Knowing and evaluating these profiles will allow teachers to tailor specific, data-driven changes in their instruction to increase the learning experience and skills growth matched to each student’s learning profile.

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Figure 1: Average Engagement Scores and Progression Rates by Learner Profile

Table 1: Progression Rates and Engagement Levels

Learner Profile

Progression Rate (%)

Engagement Level (1-10)

Fast Learners

85

9

Methodical Learners

70

7

Emotionally Driven Learners

60

8

3.2. Tailored Practice Regimens

Given the distinct traits of each learner profile, individual practice sessions were created in order to facilitate skill development and participation. For Fast Learners, the program consisted of advanced pieces that presented a regular challenge, and longer but shorter practice sessions. This strategy was designed to push these students to a higher level of proficiency and to leave room for new concepts and approaches. The teachers were encouraged to encourage exploratory practice that would allow these students to evolve flexibility and creativity within their playing. Methodical Learners, by contrast, enjoyed a more systematic practice regime built around repetition and slow increase in difficulty. Their practice involved systematically repeated exercises, step-by-step, to rehabilitate foundational abilities [7]. Refreshment breaks and retrospectives were carefully designed so that we didn’t burn ourselves out and keep moving forward. This sequential, ordered way of working was tailored to their desire for consistency and clarity, encouraging them to build self-confidence. For Emotionally Driven Learners, drills were designed around works that touched someone directly or emotionally. Music that they could relate to made it easier for these students to project their feelings into their practice, leading to increased motivation and participation. Detachable objectives gave them the flexibility to learn on their own terms, valuing creativity over technical rigour, keeping them interested and committed. Table 2 summarises the effects of these individually designed practice programs on learning and student retention. This table gives experimental statistics on average skill acquisition and satisfaction for each learner group over three months [8]. From these results we can see that Fast Learners had the highest skill improvement, followed by Methodical Learners, who experienced progressive growth. Emotionally Driven Learners performed moderately well but rated the most satisfied, demonstrating the power of emotionally relevant material to keep them motivated. These findings highlight the value of data-driven, personalized practice plans in improving each learner’s best possible trajectory towards skill acquisition.

Table 2: Skill Acquisition Rates and Satisfaction Levels

Learner Profile

Skill Acquisition Rate (%)

Satisfaction Level (1-10)

Fast Learners

90

8

Methodical Learners

75

7

Emotionally Driven Learners

65

9

3.3. Feedback and Motivation Strategies

For maximizing learning success, specific feedback and motivation methods were used for each learner profile depending on the learners’ learning style and challenges. For Fast Learners, instruction focused on improving technical aspects and infusing advanced musical ideas. They were encouraged by challenging, high-level material that required independent learning. In this way, through an emphasis on autonomy and technical proficiency, teachers were able to keep students motivated and propel them toward greater proficiency. For Methodical Learners, small-scale feedback marked the big wins. Teachers consistently structured praise and positive guidance reinforced each step of learning, and made learning a positive experience. The process helped these students acquire their confidence over time and encouraged them to practice regularly. Emotionally Driven Learners, in contrast, benefited from responses that aligned with the emotional impact of their performance [9]. Teachers paid attention to the personal significance of feedback and the inclusion of emotionally sensitive content, which made students more engaged with the music and kept them motivated. By customising feedback and encouragement for each learner, teachers could develop a deep desire to teach that boosted each student’s interest and commitment to their musical journey.

4. Learning Strategy Optimization

4.1. Adaptive Learning Pathways

Adaptive learning strategies were created to create flexible, personalized learning environments that evolve with each individual student’s learning curve. Course content and difficulty were dynamically updated according to assessment results, so students had problems that were in line with their current ability and speed of learning. As students improved, harder tasks were introduced to keep difficulty as close as possible to the desired degree, ensuring that learning was not hindered by inactivity [10]. This allowed students to learn at their own pace, and content could be adapted to each student’s strengths and weaknesses. Additionally, personalized progress tracking tracked every student’s progress so that it could quickly determine when the student was ready for new challenges or needed more help. It was a personalizing approach to content and assessment that avoided rote retention and foster continued improvement in each student’s path, making it more sensitive to their individual growth and learning objectives.

4.2. Gamification and Engagement Techniques

To engage students, gamification was deliberately embedded in the course, making it interactive and inspiring. Level-based challenges meant students could "level up" by learning new techniques or performing certain tasks, which helped create an aura of achievement and progress. By moving up levels, students could picture themselves progressing, and it felt gratifying to do so. A reward system was also introduced, and points, badges and other incentives were given out for reaching milestones. Such incentives were tailored to each learner’s needs and intended to improve internal motivation through individual accomplishments and work [11]. The gamified model created an open, encouraging environment that engaged students with each and every reward and milestone accomplished reinforcing their commitment to continually getting better at music.

4.3. Ongoing Evaluation and Adjustment

Another essential aspect of optimizing learning programmes was monitoring student outcomes in order to make sure that teaching methods were still productive and responsive to individual learners’ needs. It also used performance metrics such as practice frequency, progression rates and skill level to constantly evaluate whether existing strategies were working. As a result of these assessments, dynamic adjustments were made to practice schedules, feedback techniques and content difficulty to ensure that each student’s experience of learning remained relevant and appropriately challenging. This perpetual feedback loop and tweaking provided a fluid learning environment, where plans could be adjusted on the fly using real-time progress reports. In constantly reviewing and refining strategies, music teachers kept each student’s personalized education plan fresh and effective, allowing them to develop a progressive and enriching musical education.

5. Conclusion

This research reflects the importance of big data analytics in tailoring and optimizing music education. By constructing and modelling different learner profiles, teachers can develop specific lessons that meet each students needs. Fast Learners, Methodical Learners, and Emotionally Driven Learners all received their own practice schedules, feedback, and motivational strategies to generate greater engagement, proficiency and satisfaction. Learning curves and game mechanics further aided individual learning by creating an adaptive, motivating setting. These findings illustrate the efficacy of data-driven, personalized learning and indicate that students are more satisfied and achieve greater outcomes when their individual needs are met. The constant monitoring and tweaking of instructional techniques illustrates the versatility needed for contemporary education, suggesting that continuous data analysis can greatly impact student learning. This study offers a blueprint for the use of big data in the classroom and provides a basis for future research to explore tailored practices across multiple learning environments. Through the use of big data analytics, music teaching can be responsive, inspiring and efficient, and will drive deeper student engagement and mastery.


References

[1]. Rajakumar, Keerthik Dhivya, Jagannath Mohan, and Adalarasu Kanagasabai. "An IoT-based emotion analysis and music therapy." Big Data, Cloud Computing and IoT. Chapman and Hall/CRC, 2023. 215-228.

[2]. Gorgoglione, Michele, et al. "Information Retrieval Technologies and Big Data Analytics to Analyze Product Innovation in the Music Industry." Sustainability 15.1 (2023): 828.

[3]. Le Coze, Jean-Christophe, and Stian Antonsen. "Safety in a digital age: Old and new problems—algorithms, machine learning, Big Data and artificial intelligence." Safety in the Digital Age: Sociotechnical Perspectives on Algorithms and Machine Learning. Cham: Springer Nature Switzerland, 2023. 1-9.

[4]. Shen, Xiuli. "Rapid Integration Algorithm for Music Education Information Resources Based on Data Mining." International Journal of High Speed Electronics and Systems (2024): 2540031.

[5]. Dewi, Christine, Abbott Po Shun Chen, and Henoch Juli Christanto. "Recognizing similar musical instruments with YOLO models." Big Data and Cognitive Computing 7.2 (2023): 94.

[6]. Arastoopour Irgens, Golnaz, et al. "Bop or flop?: Integrating music and data science in an elementary classroom." The Journal of Experimental Education 92.2 (2024): 262-286.

[7]. Obaid, Omar Ibrahim. "From machine learning to artificial general intelligence: A roadmap and implications." Mesopotamian Journal of Big Data 2023 (2023): 81-91.

[8]. Khonzoda, Ibragimova. "Methods of oriental scientists in forming music-rhythmic competencies in future music teachers." International Scientific and Current Research Conferences. 2024.

[9]. Hasan, Ferdous. "Pervasive Computing in Music Education: Creating an IoT-Connected Interactive Music Learning and Practice Platform."

[10]. Kommisetty, P. D. N. K., and Avula Nishanth. "AI-Driven Enhancements in Cloud Computing: Exploring the Synergies of Machine Learning and Generative AI." (2024).

[11]. Zeng, Dajun. "Intelligent Music Wireless Signal Multi-feature Evaluation System Based on ABE Algorithm." 2023 International Conference on Computer Simulation and Modeling, Information Security (CSMIS). IEEE, 2023.


Cite this article

Hou,X. (2024). Big Data-Driven Analysis of Music Learning Behavior: Personalized Teaching Recommendations and Learning Strategy Optimization. Applied and Computational Engineering,118,8-13.

Data availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume title: Proceedings of the 3rd International Conference on Software Engineering and Machine Learning

ISBN:978-1-83558-803-1(Print) / 978-1-83558-804-8(Online)
Editor:Marwan Omar
Conference website: https://2025.confseml.org/
Conference date: 2 July 2025
Series: Applied and Computational Engineering
Volume number: Vol.118
ISSN:2755-2721(Print) / 2755-273X(Online)

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References

[1]. Rajakumar, Keerthik Dhivya, Jagannath Mohan, and Adalarasu Kanagasabai. "An IoT-based emotion analysis and music therapy." Big Data, Cloud Computing and IoT. Chapman and Hall/CRC, 2023. 215-228.

[2]. Gorgoglione, Michele, et al. "Information Retrieval Technologies and Big Data Analytics to Analyze Product Innovation in the Music Industry." Sustainability 15.1 (2023): 828.

[3]. Le Coze, Jean-Christophe, and Stian Antonsen. "Safety in a digital age: Old and new problems—algorithms, machine learning, Big Data and artificial intelligence." Safety in the Digital Age: Sociotechnical Perspectives on Algorithms and Machine Learning. Cham: Springer Nature Switzerland, 2023. 1-9.

[4]. Shen, Xiuli. "Rapid Integration Algorithm for Music Education Information Resources Based on Data Mining." International Journal of High Speed Electronics and Systems (2024): 2540031.

[5]. Dewi, Christine, Abbott Po Shun Chen, and Henoch Juli Christanto. "Recognizing similar musical instruments with YOLO models." Big Data and Cognitive Computing 7.2 (2023): 94.

[6]. Arastoopour Irgens, Golnaz, et al. "Bop or flop?: Integrating music and data science in an elementary classroom." The Journal of Experimental Education 92.2 (2024): 262-286.

[7]. Obaid, Omar Ibrahim. "From machine learning to artificial general intelligence: A roadmap and implications." Mesopotamian Journal of Big Data 2023 (2023): 81-91.

[8]. Khonzoda, Ibragimova. "Methods of oriental scientists in forming music-rhythmic competencies in future music teachers." International Scientific and Current Research Conferences. 2024.

[9]. Hasan, Ferdous. "Pervasive Computing in Music Education: Creating an IoT-Connected Interactive Music Learning and Practice Platform."

[10]. Kommisetty, P. D. N. K., and Avula Nishanth. "AI-Driven Enhancements in Cloud Computing: Exploring the Synergies of Machine Learning and Generative AI." (2024).

[11]. Zeng, Dajun. "Intelligent Music Wireless Signal Multi-feature Evaluation System Based on ABE Algorithm." 2023 International Conference on Computer Simulation and Modeling, Information Security (CSMIS). IEEE, 2023.