Design Intention of Scientific Elements in Vitruvian Man

Research Article
Open access

Design Intention of Scientific Elements in Vitruvian Man

Kerui Wang 1*
  • 1 Nanjing Foreign Language School Xianlin Campus, Nanjing, Jiangsu, China    
  • *corresponding author 3320092163@stu.cpu.edu.cn
CHR Vol.3
ISSN (Print): 2753-7072
ISSN (Online): 2753-7064
ISBN (Print): 978-1-915371-29-4
ISBN (Online): 978-1-915371-30-0

Abstract

These great works of art, produced during the Renaissance, in this day and age, has never failed to arouse huge debates among people. In order to create more satisfying fine artworks, some artists started to research science and left abundant related remains. As one representative artist, Leonardo da Vinci did many experiments or drew sketches that had relationships with science. Leonardo da Vinci was one of the most representative and influential artists of the Renaissance who had the most extensive knowledge base. He was not only a painter, cartographer, inventor, anatomist, but also a musician and philosopher. His achievements in anatomy were far greater than his achievements in engineering, invention and architecture. The precise sketch of the human body and related notes were stricter and more accurate than previous achievements in this regard, especially Vitruvian Man which represented the perfect human body. After the publication of the Vitruvian man, the exquisite proportion and harmony displayed have been well-liked by the world and passed down from each generation. Not only that, Vitruvian Man has also become one source of inspiration for modern artists and writers. By clearly analyzing this painting through anatomy and geometry, more conclusions could be derived. Vitruvian man points out the meaning of the figure itself is often used as the hidden symbol of the basic symmetrical characteristic of the human body’s structure, and then as the hidden symbol of the whole universe.

Keywords:

Vitruvian Man, geometry, golden ratio

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References

[1]. Michael John Gorman. (2002) Leonardo's Vitruvian Man. Retrieved from https:// leonardodavinci.stanford.edu/submissions/clabaugh/about.html

[2]. The “Vitruvian Man” Da Vinci, Last modified in March 31, 2022

[3]. Peggy Carouthers. (2020) The History and Influence of Da Vinci’s Vitruvian Man.

[4]. M H Morgan., Herbert Langford Warren. (1914) Vitruvius Pollio. Ten books on Architecture, In Cambridge: Harvard University Press.

[5]. Da Vinci L. (2015) Vitruvian Man. Fotografia por Luc Viatour.

[6]. Leno L. Mascia, (2018). Observations on the Geometry Behind the Design of the 'Vitruvian Man’ by Leonardo da Vinci, Loughborough University, Loughborough, UK.

[7]. Farthing J P., Zehr E P. (2014) Restoring Symmetry: Clinical Applications of Cross-education. Exercise and Sport Sciences Reviews, 42, 2, 70-75.

[8]. Xue Fan. (2022) Leonardo Da Vinci: the Most Perfect Body.

[9]. Mascia LL. (2016) A Vitruvius Inspired Criterion for the Construction of Polygons, Nexus Network Journal, 18, 2, 533-545.

[10]. JMS Pearce. (2009)Leonardo’s Vitruvian Man. journal@hektoeninternational.org


Cite this article

Wang,K. (2023). Design Intention of Scientific Elements in Vitruvian Man. Communications in Humanities Research,3,262-267.

Data availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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About volume

Volume title: Proceedings of the International Conference on Interdisciplinary Humanities and Communication Studies (ICIHCS 2022), Part 1

ISBN:978-1-915371-29-4(Print) / 978-1-915371-30-0(Online)
Editor:Faraz Ali Bughio, David T. Mitchell
Conference website: https://www.icihcs.org/
Conference date: 18 December 2022
Series: Communications in Humanities Research
Volume number: Vol.3
ISSN:2753-7064(Print) / 2753-7072(Online)

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References

[1]. Michael John Gorman. (2002) Leonardo's Vitruvian Man. Retrieved from https:// leonardodavinci.stanford.edu/submissions/clabaugh/about.html

[2]. The “Vitruvian Man” Da Vinci, Last modified in March 31, 2022

[3]. Peggy Carouthers. (2020) The History and Influence of Da Vinci’s Vitruvian Man.

[4]. M H Morgan., Herbert Langford Warren. (1914) Vitruvius Pollio. Ten books on Architecture, In Cambridge: Harvard University Press.

[5]. Da Vinci L. (2015) Vitruvian Man. Fotografia por Luc Viatour.

[6]. Leno L. Mascia, (2018). Observations on the Geometry Behind the Design of the 'Vitruvian Man’ by Leonardo da Vinci, Loughborough University, Loughborough, UK.

[7]. Farthing J P., Zehr E P. (2014) Restoring Symmetry: Clinical Applications of Cross-education. Exercise and Sport Sciences Reviews, 42, 2, 70-75.

[8]. Xue Fan. (2022) Leonardo Da Vinci: the Most Perfect Body.

[9]. Mascia LL. (2016) A Vitruvius Inspired Criterion for the Construction of Polygons, Nexus Network Journal, 18, 2, 533-545.

[10]. JMS Pearce. (2009)Leonardo’s Vitruvian Man. journal@hektoeninternational.org