Volume 77

As a core element of cinematic expression, film editing has evolved from early technical operations to an essential artistic practice, closely intertwined with film styles, narrative needs, and audience aesthetics since the birth of cinema. Against this backdrop, this study focuses on exploring the relationships between film editing techniques, style, narrative, and audience experience. The research centers on three interrelated dimensions: the influence of film styles on the selection of editing techniques, the role of editing in shaping narrative structures, and the shaping of audience experience by the artistic functions of editing. Adopting an analytical approach, it examines the artistic logic of editing techniques through these three perspectives, with support from specific film cases. The findings reveal that distinct film styles, driven by their unique artistic pursuits, determine the underlying logic for selecting editing techniques. Additionally, editing directly affects the audience’s emotional engagement and reception effects by regulating narrative rhythm and reconstructing time and space This research clarifies the mediating role of editing among "style-narrative-audience," providing a theoretical reference for film creation and interpretation.

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This study focuses on improving the increasingly homogeneous market of idol training talent shows. It is based on multiple academic papers and employs the method of literature analysis, comparatively analyzes the innovative aspects of the attraction mechanisms of Chinese idol training talent shows compared to those of other types of talent shows in China in the early years, make a systematical research on development history of Chinese idol training talent shows, and it takes“Produce101” for instance, make a contrast analysis of the attraction mechanisms of Chinese idol training talent shows before and after 2018 from five aspects: competition system design, audio-visual language, narrative techniques, business models and fan participation. The study found that Chinese idol training talent shows have undergone a development process from imitation and introduction to localization and innovation, several programs, such as “Produce101” and “Idol Producer” were produced. They attract audiences by enhancing fan engagement, creatively and rationally designing the competition system, enriching audio-visual techniques, applying companion-style narrative strategies, and promoting the systematization and diversification of business models. This article focuses on the development history and innovation points of idol training talent shows, analyzes the attraction mechanisms for their successful viewership, and conducts research on issues such as how they survive and develop, in order to promote related academic research and apply it more deeply in guiding practice.

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