References
[1]. Yiran Wang. (2017). Resistance and Compromise under Power Structures of Sexuality: A Case Study on Real Person Slash Fans in China. Lund University.
[2]. Bacon-Smith, Camille. (1986). Spock Among the Women. Retrieved From: https://www.nytimes.com/1986/11/16/books/spock-among-the-women.htm
[3]. N Bryson, MA Holly, K Moxey. (1994). Visual Culture: Images and Interpretations. Wesleyan University Press.
[4]. Döring, Nicola. (2020). Erotic Fan Fiction. In Lykins, AD (Eds.), Encyclopedia of Sexuality and Gender. Springer.
[5]. Tang Leshui. (2013). The research of FUJYOSHI Group. Southwest Jiao tong University.
[6]. Ágnes Zsila and Zsolt Demetrovics. (2017). The boys’ love phenomenon: A literature review. Retrieved From: https://www.jprstudies.org/2017/04/the-boys-love-phenomenon-a-literature-reviewby-agnes-zsila-and-zsolt-demetrovics/
[7]. Sun Ye. (2014). Chinese women crave Tanbi lit. Retrieved From: https://www.chinadaily.com.cn/culture/2014-06/25/content_17613453.htm#:~:text=In%20the%20literary%20world%20of,wants%20in%20love%20and%20life.
[8]. Overview symbolic exchange. Retrieved on Sep. 25, 2022 From: https://www.oxfordreference.com/view/10.1093/oi/authority.20110803100546755
[9]. Zhang Jingyi. (2015). Carrion female: “male beauty” consumption era and girls utopia. Masterpieces Review, 19, 87-91.
[10]. Shi Wanjun. (2016). Reproduction and interpretation of the phenomenon of “pretending to be gay” of reality shows called “Extreme Challenge” in bilibili. New Media and Society, 1, 242-257.
[11]. Peng Shuai. (2021). A Study on the Doujin Culture Spread Driven by Tanbi Adapted TV Series. Xi’An Polytechnic University.
[12]. Tao Dongfeng. (2009). Fan Cultures: A Reader. Beijing: Peking University Press.
[13]. Wang Nan. (2020). The Tanbi fandom and the attack of Tanbi subculture from the perspective of post-subculture theory. Shaanxi Normal University.
[14]. American Psychological Association. APA Dictionary of Psychology. Retrieved on September 25, 2022 from: https://dictionary.apa.org/rationalization
[15]. Stanford Encyclopedia of Philosophy. (2004). Feminist Aesthetics. Retrieved From: https://plato.stanford.edu/entries/feminism-aesthetics/
[16]. Łuczyńska-Hołdys, Małgorzata. (2013). Soft-Shed Kisses: Re-visioning the Femme Fatale in English Poetry of the 19th Century. Cambridge Scholars Publishing, Cambridge.
[17]. Eaton, A.W. (2008). Feminist Philosophy of Art. Philosophy Compass, 3 (5), 873–893.
[18]. Shen Jiachen. (2018). Male sex consumption -- A carnival of female aesthetics in the context of film and television entertainment. Art Science and Technology, 31(02), 198.
[19]. Shen Sheng. (2019). Reconstruction of women’s rights behind the production of Tanbi culture in the Internet era. Journal of News Research, 10(17),219-220.
[20]. Huang Ziyang. (2018). Gender Practice and Reflection on Boys' Love Subculture under the New Media. Jinan University.
Cite this article
Cong,R. (2023). Analysis of the Flourish of RPS in China. Communications in Humanities Research,4,225-230.
Data availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
Disclaimer/Publisher's Note
The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.
About volume
Volume title: Proceedings of the International Conference on Interdisciplinary Humanities and Communication Studies (ICIHCS 2022), Part 2
© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and
conditions of the Creative Commons Attribution (CC BY) license. Authors who
publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons
Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this
series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published
version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial
publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and
during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See
Open access policy for details).
References
[1]. Yiran Wang. (2017). Resistance and Compromise under Power Structures of Sexuality: A Case Study on Real Person Slash Fans in China. Lund University.
[2]. Bacon-Smith, Camille. (1986). Spock Among the Women. Retrieved From: https://www.nytimes.com/1986/11/16/books/spock-among-the-women.htm
[3]. N Bryson, MA Holly, K Moxey. (1994). Visual Culture: Images and Interpretations. Wesleyan University Press.
[4]. Döring, Nicola. (2020). Erotic Fan Fiction. In Lykins, AD (Eds.), Encyclopedia of Sexuality and Gender. Springer.
[5]. Tang Leshui. (2013). The research of FUJYOSHI Group. Southwest Jiao tong University.
[6]. Ágnes Zsila and Zsolt Demetrovics. (2017). The boys’ love phenomenon: A literature review. Retrieved From: https://www.jprstudies.org/2017/04/the-boys-love-phenomenon-a-literature-reviewby-agnes-zsila-and-zsolt-demetrovics/
[7]. Sun Ye. (2014). Chinese women crave Tanbi lit. Retrieved From: https://www.chinadaily.com.cn/culture/2014-06/25/content_17613453.htm#:~:text=In%20the%20literary%20world%20of,wants%20in%20love%20and%20life.
[8]. Overview symbolic exchange. Retrieved on Sep. 25, 2022 From: https://www.oxfordreference.com/view/10.1093/oi/authority.20110803100546755
[9]. Zhang Jingyi. (2015). Carrion female: “male beauty” consumption era and girls utopia. Masterpieces Review, 19, 87-91.
[10]. Shi Wanjun. (2016). Reproduction and interpretation of the phenomenon of “pretending to be gay” of reality shows called “Extreme Challenge” in bilibili. New Media and Society, 1, 242-257.
[11]. Peng Shuai. (2021). A Study on the Doujin Culture Spread Driven by Tanbi Adapted TV Series. Xi’An Polytechnic University.
[12]. Tao Dongfeng. (2009). Fan Cultures: A Reader. Beijing: Peking University Press.
[13]. Wang Nan. (2020). The Tanbi fandom and the attack of Tanbi subculture from the perspective of post-subculture theory. Shaanxi Normal University.
[14]. American Psychological Association. APA Dictionary of Psychology. Retrieved on September 25, 2022 from: https://dictionary.apa.org/rationalization
[15]. Stanford Encyclopedia of Philosophy. (2004). Feminist Aesthetics. Retrieved From: https://plato.stanford.edu/entries/feminism-aesthetics/
[16]. Łuczyńska-Hołdys, Małgorzata. (2013). Soft-Shed Kisses: Re-visioning the Femme Fatale in English Poetry of the 19th Century. Cambridge Scholars Publishing, Cambridge.
[17]. Eaton, A.W. (2008). Feminist Philosophy of Art. Philosophy Compass, 3 (5), 873–893.
[18]. Shen Jiachen. (2018). Male sex consumption -- A carnival of female aesthetics in the context of film and television entertainment. Art Science and Technology, 31(02), 198.
[19]. Shen Sheng. (2019). Reconstruction of women’s rights behind the production of Tanbi culture in the Internet era. Journal of News Research, 10(17),219-220.
[20]. Huang Ziyang. (2018). Gender Practice and Reflection on Boys' Love Subculture under the New Media. Jinan University.