Recognizing the Impact of Daoism on Song Dynasty’s Landscape Painting

Research Article
Open access

Recognizing the Impact of Daoism on Song Dynasty’s Landscape Painting

Yueqin Chao 1*
  • 1 Union College, 807 Union St, Schenectady, NY, 12308, U.S.A.    
  • *corresponding author Chaoy@union.edu
CHR Vol.4
ISSN (Print): 2753-7072
ISSN (Online): 2753-7064
ISBN (Print): 978-1-915371-31-7
ISBN (Online): 978-1-915371-32-4

Abstract

Daoism, as one of the major Chinese ideologies in Chinese history, devoted in finding the way to build harmony between society and nature. This paper investigates Daoism’s impact to Song Dynasty Landscape paintings. The paper is going to compare two representative Song Dynasty landscape paintings, and combining the Daoism’s classic Laozi and other documents to analyze Daoism’s ideology’s impact to Song Dynasty Landscape paintings and its painting skills. By determining the Taoism’s influence to the Song Dynasty’s landscape paintings, it can help us to understand the influence of religious culture and philosophical thought on artistic artifacts in ancient China, and in turn, to some extent, the influence of recent iterations of Chinese thought on art and even literature. As a result, we find that Daoism has significant and imperceptibly impact in forming the Song Landscape painting style, this could be seen as an example of determine the philosophical ideology impact to the art in ancient China, and might been used as an analogy to examplify the impact of religion and philosophical ideology to modern Chinese arts and literature.

Keywords:

Daoism, Song Dynasty Landscape painting, Mi Style, Level Distance, Mi youren, Cloudy Mountains

Chao,Y. (2023). Recognizing the Impact of Daoism on Song Dynasty’s Landscape Painting. Communications in Humanities Research,4,662-667.
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References

[1]. Ames, T. Roger,and David L.Hall, trans. Daodejing, Making this life significant, A Philosophical Translation.New York: Ballantine Books Press, 2010. Accessed https://bookshelf.vitalsource.com/reader/books/9780307755308/epubcfi/6/24%5B%3B vnd.vst.idref%3Dc05%5D!/4/378/18/3:0%5B%2C%5E.

[2]. Fan Kuan,Travelers Among Mountains and Streams, inks and colours on silk, National Palace Museum. Accessed September 18, 2022.

[3]. Foong, Ping. “Guo Xi’s Intimate Landscapes and the Case of ‘Old Trees, Level Distance’ in Metropolitan Museum Journal, 2000,Vol.35(2000).87- 115.

[4]. Guo Xi , Old Trees, Level Distance Handscroll, ink and light color on silk, 35.9 x 104.8 cm. The Metropolitan Museum of Art, Gift of John

[5]. Guo Si , Lin quan gao zhi ji, Zhonghua Book Company Press, 2010. Accessed September 18, 2022.

[6]. Mi Youren, Cloudy Mountains, ink and light color on silk，21.4 * 105.5cm, Beijing Palace Museum. Accessed September 18, 2022.

[7]. Wen, Fang. Xinyin, images of the Mind. Li weikun, eds. Shanghai: Shanxi Renming Meishu publication Press, 2016.

[8]. Yu Zicai, and Zhou Yanggao, Shan Shui Hua Cun Fa Shi Yao. Shanghai Painting and Calligraphy Publishing House Press, 1989. 58-65.

[9]. Zhong shu, Dong.”Heaven, Earth, and Man” in Chinese Civilization, A Sourcebook. Partricia Buckley Ebrey, eds. New York: The free press,1981.57-59.

Cite this article

Chao,Y. (2023). Recognizing the Impact of Daoism on Song Dynasty’s Landscape Painting. Communications in Humanities Research,4,662-667.

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About volume

Volume title: Proceedings of the International Conference on Interdisciplinary Humanities and Communication Studies (ICIHCS 2022), Part 2

ISBN：978-1-915371-31-7(Print) / 978-1-915371-32-4(Online)
Editor：Faraz Ali Bughio, David T. Mitchell
Conference website: https://www.icihcs.org/
Conference date: 18 December 2022
Series: Communications in Humanities Research
Volume number: Vol.4
ISSN：2753-7064(Print) / 2753-7072(Online)

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References

[1]. Ames, T. Roger,and David L.Hall, trans. Daodejing, Making this life significant, A Philosophical Translation.New York: Ballantine Books Press, 2010. Accessed https://bookshelf.vitalsource.com/reader/books/9780307755308/epubcfi/6/24%5B%3B vnd.vst.idref%3Dc05%5D!/4/378/18/3:0%5B%2C%5E.

[2]. Fan Kuan,Travelers Among Mountains and Streams, inks and colours on silk, National Palace Museum. Accessed September 18, 2022.

[3]. Foong, Ping. “Guo Xi’s Intimate Landscapes and the Case of ‘Old Trees, Level Distance’ in Metropolitan Museum Journal, 2000,Vol.35(2000).87- 115.

[4]. Guo Xi , Old Trees, Level Distance Handscroll, ink and light color on silk, 35.9 x 104.8 cm. The Metropolitan Museum of Art, Gift of John

[5]. Guo Si , Lin quan gao zhi ji, Zhonghua Book Company Press, 2010. Accessed September 18, 2022.

[6]. Mi Youren, Cloudy Mountains, ink and light color on silk，21.4 * 105.5cm, Beijing Palace Museum. Accessed September 18, 2022.

[7]. Wen, Fang. Xinyin, images of the Mind. Li weikun, eds. Shanghai: Shanxi Renming Meishu publication Press, 2016.

[8]. Yu Zicai, and Zhou Yanggao, Shan Shui Hua Cun Fa Shi Yao. Shanghai Painting and Calligraphy Publishing House Press, 1989. 58-65.

[9]. Zhong shu, Dong.”Heaven, Earth, and Man” in Chinese Civilization, A Sourcebook. Partricia Buckley Ebrey, eds. New York: The free press,1981.57-59.

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