Research Article
Open access
Published on 24 June 2024
Download pdf
Lin,C. (2024). Exploring the Social Role of Contemporary Women from the Perspective of the Lack of Historical Female Characters. Communications in Humanities Research,44,193-197.
Export citation

Exploring the Social Role of Contemporary Women from the Perspective of the Lack of Historical Female Characters

Chenjing Lin *,1,
  • 1 Nanjing University of Communication

* Author to whom correspondence should be addressed.

https://doi.org/10.54254/2753-7064/44/20240013

Abstract

Historically, women have been underrepresented in literature, the arts, and historical records, and their achievements and roles have often been marginalized or ignored. This phenomenon has led to an intriguing paradox: despite the fact that contemporary women have demonstrated strong abilities and potential in various fields, they are still usually considered to be in a “disadvantaged” position compared to men. This paper aims to explore the complex reasons behind the paradox of women’s underrepresentation in history. To this end, it will review the lack of women’s image in history, analyze the impact of social, cultural, and institutional factors on this lack of representation, and explore the gender issues that exist in contemporary society. The paper discusses in detail women's achievements in contemporary society, the embodiment of women’s power, and the struggle for women’s rights, demonstrating the strong capabilities and potential of contemporary women in many fields. The study concludes that the marginalization of women in historical narratives is a result of social structures, cultural norms, and institutional biases. Despite these challenges, contemporary women have made significant strides in various fields, suggesting that gender should not be a determining factor in assessing competence or potential. This paper argues for a greater awareness of gender equality and calls for a fairer and more inclusive reconstruction of historical narratives to ensure that the contributions of all genders are fairly recognized.

Keywords

Disappearing Women in History, Decline of Female Roles in Contemporary Society, Male Dominance and Female Submissiveness, Stereotype about Female

[1]. Janeene F.W.L.B. Using Images of Women in American History[J]. Social Studies and the Young Learner, 2014, 26 (3): 15-18.

[2]. Abdirajymova A., Zharkynbayeva S.R., Bizhigitova K. The Image of the Kazakh Women in the Works of Russian Authors in the Context of Imperial Policy in the Steppes (The End of the XVIII - Beginning of XX Century) [J]. Procedia-Social and Behavioral Sciences, 2014, 140 (C): 671-676.

[3]. Aranda-Alvarado R. Bodies of Color: Images of Women in the Works of Firelei Báez and Rachelle Mozman [J]. Small Axe: A Caribbean Journal of Criticism, 2017, 21 (152):57-69.

[4]. Yang J. (2010) Artistic Exaggeration from the “plump” female image in Western Painting [D]. Harbin Normal University

[5]. Ashraf M F ,Ling N C T ,Fadzline P T M , et al. Women leadership in higher education: past, present and future trends [J]. Asian Education and Development Studies, 2024, 13 (2): 117-133.

[6]. D’Apice K.H., Song J., Wotipka M.C. A milestone in the pursuit of gender equality: Predicting first women presidents in U.S. higher education institutions, 1980–2018 [J]. Sociology Compass, 2024, 18 (4)

[7]. Tang R.J. Analysis of dilemma and countermeasures of female career development [J]. Shopping Mall Modernization, 2010, (31): 172-173.

Cite this article

Lin,C. (2024). Exploring the Social Role of Contemporary Women from the Perspective of the Lack of Historical Female Characters. Communications in Humanities Research,44,193-197.

Data availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

Disclaimer/Publisher's Note

The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.

About volume

Volume title: Proceedings of the 3rd International Conference on Art, Design and Social Sciences

Conference website: https://2024.icadss.org/
ISBN:978-1-83558-635-8(Print) / 978-1-83558-636-5(Online)
Conference date: 18 October 2024
Editor:Enrique Mallen
Series: Communications in Humanities Research
Volume number: Vol.44
ISSN:2753-7064(Print) / 2753-7072(Online)

© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license. Authors who publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open access policy for details).