
“People’s Character” and “National Identity”: The Role of the 1955 European Tour of the Chinese Classical Dance and Music Troupe in Promoting New China’s Diplomacy
- 1 National Academy of Chinese Theatre Arts
* Author to whom correspondence should be addressed.
Abstract
In 1955, the Chinese Classical Theatre Troupe toured Europe in two groups, attracting significant interest from local audiences and introducing the art of New Chinese opera to the European media. European newspapers and periodicals consistently reported on the performances of Chinese opera through news articles, special features, and drama reviews, thereby establishing an artistic image of China with distinctive characteristics and illustrating the methods and characteristics of shaping the image of New China. This study, utilizing collections from the troupe’s tour, oral histories, overseas digital newspapers, and archival sources, reconstructs the tour process and related media coverage. It not only provides a comprehensive evaluation of the achievements of the 1955 tour but also examines the construction of Chinese art abroad. Furthermore, it discusses the specific role of Chinese opera in China’s international cultural exchange, offering insights for the contemporary global promotion of Chinese opera.
Keywords
Chinese Classical Theatre Troupe, Peking Opera, Overseas Newspapers and Periodicals
[1]. Zhao, F. (1956). The travel performances of Chinese classical theater in Europe. Drama News, (2), 28.
[2]. Ma, S. (2012). Ma Shaobo recalls the early years of Chinese opera exchange. In Z. Shaohua (Ed.), Golden memories: Oral history of early cultural exchanges in New China (p. 51). Writers Publishing House.
[3]. Chinese Ministry of Culture Party History Materials Collection Committee (Ed.). (2004). When We Meet Again: A one-year anniversary of the Chinese Youth Art Troupe’s visit to nine countries (pp. 267–290). Culture and Art Publishing House.
[4]. A Chinese Company in London. (1955, October 8). The Illustrated London News, 625.
[5]. Queen and Duke enjoy 'Wonderful Evening'. (1955, November 8). Coventry Evening Telegraph, 3.
[6]. Idelius, B. (1955, October 18). Peking opera. Göteborgs-Posten, 23.
[7]. Chinese People’s Association for Cultural Relations with Foreign Countries, Bureau of Foreign Cultural Liaison. (1956). The Chinese Classical Dance and Music Troupe in the Five Nordic Countries (p. 9).
[8]. Chinese acrobatic ballet was enthralling. (1955, November 10). The Stage, 12.
[9]. Paris is diverted by Peiping opera. (1955, July 3). The New York Times, 34.
[10]. Daily Post. (1955, October 25), 4.
[11]. Daily Express. (1955, October 25), 3.
[12]. A 1200-year-old opera. (1955, July 9). The Sphere, 62.
[13]. A city of plays: The drama of many countries. (1955, June 9). The Times, 1.
[14]. Priestley, K. E. (1952, January 23). Stage and film in China. The Manchester Guardian.
[15]. Yun, Y. (1956). Nordic journey. Drama News, (3), 33.
[16]. Telecrit watching. (1955, November 7). Liverpool Echo, 8.
[17]. Brady, T. F. (1955, July 30). U.S.-Peiping trade of shows proposed. The New York Times, 15.
[18]. Swaffer, H. (1955, November 12). On come the dancers... Daily Herald, 4.
Cite this article
Hao,S. (2024). “People’s Character” and “National Identity”: The Role of the 1955 European Tour of the Chinese Classical Dance and Music Troupe in Promoting New China’s Diplomacy. Communications in Humanities Research,64,17-26.
Data availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
Disclaimer/Publisher's Note
The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.
About volume
Volume title: Proceedings of 3rd International Conference on Interdisciplinary Humanities and Communication Studies
© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and
conditions of the Creative Commons Attribution (CC BY) license. Authors who
publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons
Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this
series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published
version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial
publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and
during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See
Open access policy for details).