The Influence of the French New Wave Movement on Contemporary World Art Film Creation

Yifan Zhu

doi:10.54254/2753-7064/3/20220555

References

[1]. What is in the bones of French movies [J] Qiang Xie Contemporary film 2011(03).

[2]. The main force of Korean films - young directors and government support [J] Shen Huishan Contemporary film 2008(06).

[3]. A certain tendency of French films [J] Fu Telufu, Li Zanguang, Cui Junyan World Film 1987(06).

[4]. Intermedial dialogues: the French new wave and the other arts[J]. Morrey Douglas. Modern & Contemporary France,2022,30(2).

[5]. The Films of Éric Rohmer: French New Wave to Old Master ed. by Leah Anderst (review)[J]. Moore Ann Marie. The French Review,2021,89(3).

[6]. Masculine Singular:French New Wave Cinema[M]. Sellier Geneviève. Duke University Press:2020-11-13.

[7]. “New Wave” Spirits and Romantic Urban Fantasy:Lovers on the Bridge[C]//. Duanduan Zhou.Proceedings of 4th International Conference on Modern Management,Education Technology and Social Science(MMETSS 2019)(Advances in Social Science, Education and Humanities Research,VOL.351).,2019:751-755.DOI:10.26914/c.cnkihy.2019.067384.

[8]. Intermedial Dialogues:The French New Wave and the Other Arts[M]. Schmid Marion.Edinburgh University Press:2019-06-14.

[9]. The French new wave[J]. Irish Arts Review (2002-),2016,33(2).

[10]. Six of the best: French New Wave films[J]. Tapper, Daniel. New Statesman,2009,138(4943).

Cite this article

Zhu,Y. (2023). The Influence of the French New Wave Movement on Contemporary World Art Film Creation. Communications in Humanities Research,3,661-665.

Data availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

Disclaimer/Publisher's Note

The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.

About volume

Volume title: Proceedings of the International Conference on Interdisciplinary Humanities and Communication Studies (ICIHCS 2022), Part 1

ISBN：978-1-915371-29-4(Print) / 978-1-915371-30-0(Online)

Editor：Faraz Ali Bughio, David T. Mitchell

Conference website: https://www.icihcs.org/

Conference date: 18 December 2022

Series: Communications in Humanities Research

Volume number: Vol.3

ISSN：2753-7064(Print) / 2753-7072(Online)

© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license. Authors who publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open access policy for details).