References
[1]. Tatsenko, Polina, and Nataliia Tatsenko. 2022. “A Journey through the Female Gaze: Media and Art Perspective. British and American Studies 28 (May): 233–40. https://doi.org/10.35923/bas.28.24.
[2]. “Anatomy of a Fall.” 2023. Les Films Pelléas. August 23, 2023. https://lesfilmspelleas.com/en/film/anatomy-of-a-fall-en.
[3]. Ton Msc, J. 2018. “Judith Butler’s Notion of Gender Performativity to What Extent Does Gender Performativity Exclude a Stable Gender Identity?” https://studenttheses.uu.nl/bitstream/handle/20.500.12932/30880/JTTON_BScThesis_Judith_Butler_Gender_Performativity_FINAL.pdf?sequence=2.
[4]. Kumar, Arjun M., Jasmine Y. Q. Goh, Tiffany H. H. Tan, and Cynthia S. Q. Siew. 2022. “Gender Stereotypes in Hollywood Movies and Their Evolution over Time: Insights from Network Analysis.” Big Data and Cognitive Computing 6 (2): 50. https://doi.org/10.3390/bdcc6020050.
[5]. Afcinema. 2024. “Simon Beaufils Speaks about Image and the Directing of ‘Anatomy of a Fall’, de Justine Triet – Afcinema.” Afcinema. Afcinema. https://www.afcinema.com/Simon-Beaufils-speaks-about-image-and-the-directing-of-Anatomy-of-a-Fall-de-Justine-Triet.html?lang=fr.
[6]. Les Films Pelleas & Les Films des Pierre.2023. Anatomy of a Fall Press Notes. Interview with Justine Triet - Director
[7]. Taylor, Dianna. Review of Butler and Arendt on Appearance, Performativity, and Collective Political Action, by Judith Butler. Arendt Studies 1 (2017): 171–76. https://www.jstor.org/stable/48511468.
[8]. Haris, M.J., Upreti, A., Kurtaran, M. et al. Identifying gender bias in blockbuster movies through the lens of machine learning. Humanit Soc Sci Commun 10, 94 (2023). https://doi.org/10.1057/s41599-023-01576-3
[9]. Coyne, Sarah M., Jennifer Ruh Linder, Eric E. Rasmussen, David A. Nelson, and Victoria Birkbeck. 2016. “Pretty as a Princess: Longitudinal Effects of Engagement with Disney Princesses on Gender Stereotypes, Body Esteem, and Prosocial Behavior in Children.” Child Development 87 (6): 1909–25.https://www.jstor.org/stable/44250044.
[10]. Schep, Dennis. 2012. “The Limits of Performativity: A Critique of Hegemony in Gender Theory.” Hypatia 27 (4): 864–80.https://www.jstor.org/stable/23352299.
[11]. Lepkowski, Christine, and Rebecca Ropers-Huilman. 2014. “Gender, Performativity, and Leadership: Department Chairs in Research Universities a Dissertation Submitted to the Faculty of the Graduates School of the University of Minnesota by in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy.”https://conservancy.umn.edu/server/api/core/bitstreams/8b1d7385-a54f-4c90-8e15-780c0befd0c4/content.
[12]. Tamanaha, Brian Z. 2001. “The Law-Society Framework.” Oxford University Press EBooks, July, 1–10. https://doi.org/10.1093/acprof:oso/9780199244676.003.0001.
[13]. Moss, Leonard. 1988. “The Critique of the Female Stereotype in Greek Tragedy.” Soundings: An Interdisciplinary Journal 71 (4): 515–32. http://www.jstor.org/stable/41178448.
[14]. Mulvey, Laura. 1975. “Visual Pleasure and Narrative Cinema.” Screen 16 (3): 6–18. https://doi.org/10.1093/screen/16.3.6.
[15]. Euripides. The Heracleidae. THE UNIVERSITY PRESS (Cambridge), 1881.
[16]. De meco, Lucina, and Alcy MacKay. 2022. “Social Media, Violence and Gender Norms: The Need for a New Digital Social Contract.” Align Platform. January 19, 2022. https://www.alignplatform.org/resources/blog/social-media-violence-and-gender-norms-need-new-digital-social-contract.
[17]. Hesiod. c. 8th–7th centuries BC. “Theogony.” Tufts.edu, 1914. https://www.perseus.tufts.edu/hopper/text?doc=urn:cts:greekLit:tlg0020.tlg001.perseus-eng1:585-616.
[18]. Ng, Sik Hung, and Fei Deng. 2017. “Language and Power.” Oxford Research Encyclopedia of Communication, August. https://doi.org/10.1093/acrefore/9780190228613.013.436.
[19]. Heckmann, Chris. 2022. “Mockumentaries Explained — Definition, Examples & History.” StudioBinder. November 13, 2022. https://www.studiobinder.com/blog/what-is-a-mockumentary-definition/.
Cite this article
Qi,Q.;Huang,Y.;Chai,Z. (2025). Challenging Stereotype in Marriage and Societal System from a Film Analysis of Anatomy of a Fall. Communications in Humanities Research,70,209-220.
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References
[1]. Tatsenko, Polina, and Nataliia Tatsenko. 2022. “A Journey through the Female Gaze: Media and Art Perspective. British and American Studies 28 (May): 233–40. https://doi.org/10.35923/bas.28.24.
[2]. “Anatomy of a Fall.” 2023. Les Films Pelléas. August 23, 2023. https://lesfilmspelleas.com/en/film/anatomy-of-a-fall-en.
[3]. Ton Msc, J. 2018. “Judith Butler’s Notion of Gender Performativity to What Extent Does Gender Performativity Exclude a Stable Gender Identity?” https://studenttheses.uu.nl/bitstream/handle/20.500.12932/30880/JTTON_BScThesis_Judith_Butler_Gender_Performativity_FINAL.pdf?sequence=2.
[4]. Kumar, Arjun M., Jasmine Y. Q. Goh, Tiffany H. H. Tan, and Cynthia S. Q. Siew. 2022. “Gender Stereotypes in Hollywood Movies and Their Evolution over Time: Insights from Network Analysis.” Big Data and Cognitive Computing 6 (2): 50. https://doi.org/10.3390/bdcc6020050.
[5]. Afcinema. 2024. “Simon Beaufils Speaks about Image and the Directing of ‘Anatomy of a Fall’, de Justine Triet – Afcinema.” Afcinema. Afcinema. https://www.afcinema.com/Simon-Beaufils-speaks-about-image-and-the-directing-of-Anatomy-of-a-Fall-de-Justine-Triet.html?lang=fr.
[6]. Les Films Pelleas & Les Films des Pierre.2023. Anatomy of a Fall Press Notes. Interview with Justine Triet - Director
[7]. Taylor, Dianna. Review of Butler and Arendt on Appearance, Performativity, and Collective Political Action, by Judith Butler. Arendt Studies 1 (2017): 171–76. https://www.jstor.org/stable/48511468.
[8]. Haris, M.J., Upreti, A., Kurtaran, M. et al. Identifying gender bias in blockbuster movies through the lens of machine learning. Humanit Soc Sci Commun 10, 94 (2023). https://doi.org/10.1057/s41599-023-01576-3
[9]. Coyne, Sarah M., Jennifer Ruh Linder, Eric E. Rasmussen, David A. Nelson, and Victoria Birkbeck. 2016. “Pretty as a Princess: Longitudinal Effects of Engagement with Disney Princesses on Gender Stereotypes, Body Esteem, and Prosocial Behavior in Children.” Child Development 87 (6): 1909–25.https://www.jstor.org/stable/44250044.
[10]. Schep, Dennis. 2012. “The Limits of Performativity: A Critique of Hegemony in Gender Theory.” Hypatia 27 (4): 864–80.https://www.jstor.org/stable/23352299.
[11]. Lepkowski, Christine, and Rebecca Ropers-Huilman. 2014. “Gender, Performativity, and Leadership: Department Chairs in Research Universities a Dissertation Submitted to the Faculty of the Graduates School of the University of Minnesota by in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy.”https://conservancy.umn.edu/server/api/core/bitstreams/8b1d7385-a54f-4c90-8e15-780c0befd0c4/content.
[12]. Tamanaha, Brian Z. 2001. “The Law-Society Framework.” Oxford University Press EBooks, July, 1–10. https://doi.org/10.1093/acprof:oso/9780199244676.003.0001.
[13]. Moss, Leonard. 1988. “The Critique of the Female Stereotype in Greek Tragedy.” Soundings: An Interdisciplinary Journal 71 (4): 515–32. http://www.jstor.org/stable/41178448.
[14]. Mulvey, Laura. 1975. “Visual Pleasure and Narrative Cinema.” Screen 16 (3): 6–18. https://doi.org/10.1093/screen/16.3.6.
[15]. Euripides. The Heracleidae. THE UNIVERSITY PRESS (Cambridge), 1881.
[16]. De meco, Lucina, and Alcy MacKay. 2022. “Social Media, Violence and Gender Norms: The Need for a New Digital Social Contract.” Align Platform. January 19, 2022. https://www.alignplatform.org/resources/blog/social-media-violence-and-gender-norms-need-new-digital-social-contract.
[17]. Hesiod. c. 8th–7th centuries BC. “Theogony.” Tufts.edu, 1914. https://www.perseus.tufts.edu/hopper/text?doc=urn:cts:greekLit:tlg0020.tlg001.perseus-eng1:585-616.
[18]. Ng, Sik Hung, and Fei Deng. 2017. “Language and Power.” Oxford Research Encyclopedia of Communication, August. https://doi.org/10.1093/acrefore/9780190228613.013.436.
[19]. Heckmann, Chris. 2022. “Mockumentaries Explained — Definition, Examples & History.” StudioBinder. November 13, 2022. https://www.studiobinder.com/blog/what-is-a-mockumentary-definition/.