1. Introduction
The Nadam Fair, known as “Naadam” in Mongolian, meaning “games” or “entertainment,” is a cornerstone of Mongolian cultural heritage, blending sports, rituals, and social interactions. While its broad significance is noted in the abstract, this review of prior research identifies gaps in understanding the evolution of its symbolism and social functions. Existing studies provide foundational insights but often lack comprehensive analysis of contemporary adaptations.
Zhang examines Nadam as an ancient yet modern festival, tracing its evolution from religious rituals like oboo worship to independent celebrations in Inner Mongolia after 1947. He concludes that while it emphasizes community cohesion and cultural memory, urbanization has influenced its festive character [1]. In a study focusing on Nadam’s symbolization, Zhang argues that it has been constructed as a key ethnic identifier through elite and political influences, evolving from pastoral activities to urban and tourism-oriented events while also highlighting the risks of commercialization [2]. Xing explores Nadam’s humanistic spirit, linking its symbols (e.g., “three manly arts”) to harmony with nature and collective identity, concluding that globalization has broadened participation while preserving core elements [3]. These works underscore Nadam’s historical depth but underexplore modern challenges like cultural dilution.
This paper addresses two research questions: (1) analyzing the evolution of Nadam Fair’s cultural symbols and social functions from early origins to present-day manifestations; (2) examining current challenges and proposing future developments for sustainability. Methodologically, this study employs a qualitative approach, utilizing literature review and comparative analysis to synthesize historical texts and ethnographic studies, without collecting primary data. The significance of this research lies in its contribution to Mongolian cultural preservation and in offering guidance to other minority ethnic groups navigating modernization pressures, thereby addressing a gap in the literature concerning adaptive strategies for traditional festivals.
2. Evolution of symbols and social functions: from early origins to contemporary forms
The Nadam Fair has undergone a profound evolution of its cultural symbols and social functions, reflecting broader societal shifts in Mongolia from nomadic pastoralism to modern urbanization. Historically documented in inscriptions from Genghis Khan’s era, Nadam originated in the early 13th century as large gatherings (“khuriltai”) that served tribal alliances, military reviews, and resource distribution [1]. During the Yuan and Ming dynasties, it integrated with oboo sacrifices—stone heaps symbolizing natural deities—for praying for rain and prosperity, evolving into fixed summer events in the 6th–7th lunar months [3]. Core symbols like the “three manly arts” (bökh wrestling, horse racing, and archery) embodied masculine valor, ecological adaptation, and communal harmony, functioning socially as rites of passage that strengthened tribal bonds and collective memory [4].
In the Qing Dynasty, Nadam’s scale expanded with official organization at suum (district), flag, and league levels, incorporating trade and entertainment, thus enhancing its economic and social integration functions [1]. Post-1947, with the establishment of Inner Mongolia Autonomous Region, Nadam was formalized and symbolized as a unified ethnic marker, being detached from religious connotations during socialist reforms [2]. This period saw name standardization from “naiyiri” to “Naadam” and content diversification, including chess and shagai games, which adapted to political needs for ethnic unity [5]. Socially, it shifted from exclusive pastoral events to inclusive platforms fostering national cohesion, as seen in multi-ethnic participation in mixed regions [3].
Today, Nadam’s symbols have been reinforced through globalization and media. Visual elements like Mongolian robes, yurts, and music serve as identity markers in urban Nadam events, such as the 1981 Beijing Nadam, which promoted ethnic confidence among diaspora communities [2]. However, evolution includes hybridization; for example, in Yunnan’s dispersed Mongolian areas, Nadam incorporates local dances and three-saint rituals honoring Genghis Khan, Mongke, and Kublai, blending historical memory with regional adaptations [2]. Social functions now encompass tourism promotion and cultural diplomacy, as in “One Belt, One Road” initiatives where Nadam parallels similar festivals in Mongolia and Russia, facilitating cross-cultural exchanges [6]. This symbolization, driven by elites, politics, and economics, has made Nadam a concentrated stage for Mongolian symbols, yet it risks diluting authenticity through commercialization [4]. Overall, from ritualistic origins to modern spectacles, Nadam’s evolution illustrates resilience, with symbols adapting to maintain relevance while social functions expand from community integration to global identity assertion.
3. Challenges in contemporary society and future suggestions
In the current era, Nadam Fair faces multifaceted challenges that threaten its cultural integrity and social vitality, necessitating strategic interventions for sustainable development.
3.1. Contemporary challenges
Globalization and urbanization pose the primary threats. As Mongolian populations migrate to cities, traditional grassland-based Nadam has diminished, leading to “urban Nadam” forms that prioritize spectacle over authenticity [1]. For instance, tourism-oriented Nadam, prevalent since the 1980s, commodifies symbols like the “three manly arts” for economic gain, thereby resulting in performative rather than participatory events, which erodes communal bonds [2]. Chen notes that such intangible heritage, including Nadam under ethnic sports classifications, is vulnerable to rheological changes, where rapid societal shifts cause symbol dilution and loss of bodiness [5].
Additionally, cultural assimilation in multi-ethnic contexts challenges Nadam’s exclusivity; Han and other groups’ involvement, while promoting unity, may homogenize unique symbols [3]. Environmental degradation, such as grassland overgrazing, disrupts seasonal timing and ecological harmony embedded in Nadam rituals [4]. Media representation further complicates this; digital platforms amplify visibility but often sensationalize, reducing profound humanistic spirits to superficial entertainment [6]. These issues highlight a tension between preservation and adaptation, where social functions shift from identity reinforcement to economic tools, potentially weakening ethnic cohesion.
3.2. Future suggestions
To address these, multifaceted strategies are essential. First, policy interventions should integrate Nadam into national intangible heritage frameworks, while providing funding for grassroots events that emphasize traditional participation over tourism [5]. Educational programs in schools could teach Nadam’s historical symbols, fostering youth engagement and countering urbanization’s disconnect [3].
Second, leveraging digital media sustainably: Develop apps and virtual platforms for global diaspora to experience Nadam, preserving symbols like oboo rituals through immersive tech, while ensuring content authenticity [6]. International collaborations, such as joint Nadam festivals with Mongolia and Russia, can enhance cultural diplomacy, reinforcing shared symbols and functions [4].
Finally, community-led initiatives, such as reviving oboo-centered Nadam in rural areas, would help restore ecological ties and social integration [1]. Monitoring mechanisms to assess commercialization impacts, combined with research on adaptive innovations (e.g., women’s divisions in “three arts”), could balance tradition with inclusivity [2]. These suggestions aim to sustain Nadam’s evolution, ensuring it remains a vibrant symbol of Mongolian resilience.
4. Comparative perspectives on nadam in broader ethnic contexts
Comparing Nadam with similar ethnic festivals reveals shared patterns in the evolution of symbols and functional adaptation. For example, akin to Russian Buryat’s Surkharban or Mongolian national Naadam, Nadam shares archery and wrestling symbols that are rooted in Eurasian nomadic heritage [4]. These parallels underscore social functions in fostering regional identity amid globalization [6].
In China, Nadam’s integration into sports intangible heritage, as classified by Chen, aligns with martial arts or dance forms, highlighting its role in cultural resource expansion [5]. However, unlike more static heritages, Nadam’s dynamic nature demands proactive preservation. Yang and Xiong emphasize its unique charm in Yunnan, where economic transitions from self-entertainment to trade fairs mirror national trends, suggesting Nadam as a model for minority festivals [7]. This comparative lens reinforces Nadam’s value in promoting ethnic diversity and social harmony.
5. Conclusion
This study comprehensively examines the evolution of Nadam Fair, tracing its transformation from ancient ritualistic gatherings to multifaceted contemporary events. The research demonstrates that Nadam’s core symbols, particularly the “three manly arts,” have remained remarkably consistent as ethnic identity markers, while its social functions have expanded significantly—from community integration and tribal cohesion to tourism promotion and cultural diplomacy. The analysis reveals that Nadam’s evolution reflects broader societal shifts, from nomadic pastoralism to modern urbanization, with each historical period (Yuan/Ming dynasties, Qing Dynasty, post-1947 reforms, and contemporary globalization) contributing distinct layers to its symbolic meaning and functional purposes. The findings highlight Nadam’s remarkable adaptability, as it has successfully navigated political changes, economic transformations, and cultural exchanges while maintaining its essence. However, the study also identifies critical challenges, including commercialization threats, cultural dilution due to tourism, environmental degradation, and youth disengagement. These challenges threaten the festival’s authenticity and social vitality. The proposed strategies—policy interventions, educational programs, digital media utilization, and community-led initiatives—offer pathways for sustainable development that balance tradition with innovation. By examining Nadam in comparative contexts with similar ethnic festivals, this research underscores its value as a model for minority cultural preservation and demonstrates its potential in promoting ethnic diversity and social harmony in an increasingly globalized world. Despite these insights, the study’s limitations are evident: it relies primarily on literature analysis and lacks empirical fieldwork, which could provide more nuanced contemporary data. Future research might incorporate ethnographic methods or compare more ethnic festivals to broaden perspectives. Exploring digital innovations could further guide preservation for other minority traditions.
References
[1]. Zhang, S. (2011). Naadam: An ancient and modern festival of the Mongols. Journal of Art College of Inner Mongolia University. http: //www.artanthropology.com/show.aspx?id=1024& cid=16
[2]. Zhang, S. (2015). Symbolic development and ethnic identity of Mongolian Naadam. Art Anthropology. http: //www.artanthropology.com/show.aspx?id=1749& cid=7
[3]. Xing, L. (2009). The humanistic spirit of Mongolian Naadam. China Intangible Cultural Heritage Network. https: //www.ihchina.cn/luntan_details/8213.html
[4]. Li, F. (2021). The spread of “Naadam” culture and its cultural influence. Advances in Social Sciences, 10(1), 178–185. https: //doi.org/10.12677/ASS.2021.101029
[5]. Chen, X. (2022). Sports intangible cultural heritage: Concept, characteristics, functions, classification. China Sport Science, 42(4), 14–21. http: //tykx.xml-journal.net/cn/article/pdf/preview/10.16469/j.css.202204002.pdf
[6]. Yang, L., & Xiong, L. (2023). The unique cultural charm of Naadam convention. Yunnan Academy of Social Sciences. https: //www.sky.yn.gov.cn/xsyj/zgsd/4678004864458646988
[7]. Yang, L., & Xiong, L. (2023). Economic and cultural transitions in Naadam festivals: A case study in Yunnan. Journal of Ethnic and Cultural Studies, 10(2), 45–60. https: //doi.org/10.29333/jecs/2023.10.2.45
Cite this article
Sun,Y. (2025). Research on the Evolution of Cultural Symbols and Social Functions of Nadam Fair. Communications in Humanities Research,88,45-48.
Data availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
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References
[1]. Zhang, S. (2011). Naadam: An ancient and modern festival of the Mongols. Journal of Art College of Inner Mongolia University. http: //www.artanthropology.com/show.aspx?id=1024& cid=16
[2]. Zhang, S. (2015). Symbolic development and ethnic identity of Mongolian Naadam. Art Anthropology. http: //www.artanthropology.com/show.aspx?id=1749& cid=7
[3]. Xing, L. (2009). The humanistic spirit of Mongolian Naadam. China Intangible Cultural Heritage Network. https: //www.ihchina.cn/luntan_details/8213.html
[4]. Li, F. (2021). The spread of “Naadam” culture and its cultural influence. Advances in Social Sciences, 10(1), 178–185. https: //doi.org/10.12677/ASS.2021.101029
[5]. Chen, X. (2022). Sports intangible cultural heritage: Concept, characteristics, functions, classification. China Sport Science, 42(4), 14–21. http: //tykx.xml-journal.net/cn/article/pdf/preview/10.16469/j.css.202204002.pdf
[6]. Yang, L., & Xiong, L. (2023). The unique cultural charm of Naadam convention. Yunnan Academy of Social Sciences. https: //www.sky.yn.gov.cn/xsyj/zgsd/4678004864458646988
[7]. Yang, L., & Xiong, L. (2023). Economic and cultural transitions in Naadam festivals: A case study in Yunnan. Journal of Ethnic and Cultural Studies, 10(2), 45–60. https: //doi.org/10.29333/jecs/2023.10.2.45