
A Study of the Literary Nonsense in Lewis Carroll’s Through the Looking-Glass and What Alice Found There
- 1 School of English Studies, Dalian University of Foreign Languages, Dalian,116041, China
* Author to whom correspondence should be addressed.
Abstract
Nonsense Literature has always been an obscure viewpoint of literature studies. Through the Looking-Glass and What Alice Found There (referred to as Through the Looking-Glass hence) witnessed Lewis Carroll bring this peculiar genre into the spotlight. He designed a series of fictional characters and devised several poems on which he endowed the united characteristic of “talking nonsense”. This essay aims at analyzing the nonsensical discourse in Through the Looking-Glass, which includes nonsensical utterances, nonsensical poems, and illogical narrations. Starting with skepticisms from the proposals on implicature, the essay proceeds onto the Language Game theory of Wittgenstein, followed by the life story of Carroll himself and the analysis of a typical nonsensical poem. As the existing studies of Nonsensical Literature fails to merge the work with the man, this essay intends to establish a new method of cross referencing in order to achieve a more profound understanding of said literature as well as Lewis Carroll.
Keywords
Literary Nonsense, Lewis Carroll, Language Game theory
[1]. Tigges, W. (1988). An anatomy of literary nonsense. Vol. 67. Rodopi.
[2]. Wohlwend, K.E., et al. (2017). Making sense and nonsense: Comparing mediated discourse and agential realist approaches to materiality in a preschool makerspace. Journal of Early Childhood Literacy 17.3: 444-462.
[3]. Majdik, Z. (2012). Reply to Derek Ross’“Ambiguous Weighting and Nonsensical Sense”. Social Epistemology Review and Reply Collective: 1-5.
[4]. Lakoff, Robin. (1993). Lewis Carroll: Subversive Pragmatist. Pragmatics; Vol 3, No 4 (1993). 3. 10.1075/prag.3.4.01lak.
[5]. Ede, L.S. (1975). The nonsense literature of Edward Lear and Lewis Carroll. The Ohio State University.
[6]. Lemos, M. (2009). Language-games in Alice's adventures in Wonderland or: How language operates in Carroll's text to produce nonsensical meanings in common-sense references. E-fabulations: e-journal of children's literature= E-fabulações: revista electrónica de literatura infantil, vol. 5, Dez. 2009, p. 23-34.
[7]. May, L.S. (2007). Language-Games and Nonsense: Wittgenstein's Reflection in Carroll's Looking-Glass. Philosophy and Literature 31.1: 79-94.
[8]. Carroll, Lewis. (2010). Alice’s Adventures in Wonderland and Through the Looking-Glass. Beijing Yanshan Press, Beijing.
[9]. Collingwood, Stuart Dodgson. (1898). The Life and Letters of Lewis Carroll (Rev. CL Dodgson). TF Unwin.
[10]. Nancy Goldfarb (1999). Carroll's Jabberwocky. The Explicator,57:2, 86-88
[11]. Rose, Adam. (1995). Lewis Carroll’s ‘Jabberwocky’: Non-sense not nonsense. Language and Literature 4.1: 1-15.
Cite this article
Tian,P. (2023). A Study of the Literary Nonsense in Lewis Carroll’s Through the Looking-Glass and What Alice Found There. Communications in Humanities Research,2,404-409.
Data availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
Disclaimer/Publisher's Note
The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.
About volume
Volume title: Proceedings of the 3rd International Conference on Educational Innovation and Philosophical Inquiries (ICEIPI 2022), Part III
© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and
conditions of the Creative Commons Attribution (CC BY) license. Authors who
publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons
Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this
series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published
version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial
publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and
during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See
Open access policy for details).