Research Article
Open access
Published on 20 November 2023
Download pdf
Lyu,R. (2023). Exploring the Influence of Visual Elements in Corporate Communication: A Case Study of the Luxury Brand Industry. Communications in Humanities Research,13,233-238.
Export citation

Exploring the Influence of Visual Elements in Corporate Communication: A Case Study of the Luxury Brand Industry

Ruochen Lyu *,1,
  • 1 Nanjing Agricultural University

* Author to whom correspondence should be addressed.

https://doi.org/10.54254/2753-7064/13/20230339

Abstract

This study investigates the impact of visual elements in corporate communication, with a specific focus on the luxury brand industry. The research aims to understand how visual design elements influence the effectiveness of corporate communication. The study begins with a comprehensive literature review, analyzing works by prominent scholars in the field, including Meggs, Bakker, Shirai, Marsh, Wheeler, Budelmann, Farrelly, and Nakanishi. The literature review explores the significance of visual design concepts, such as logos, colors, typography, and visual style, in creating a strong brand identity. It also examines the use of visual hierarchy and color psychology to enhance communication effectiveness. Furthermore, the research delves into various brand communication strategies employed by luxury brands, including storytelling, experiential marketing, influencer partnerships, personalization, and digital marketing. The study highlights the role of visual elements in conveying exclusivity, elegance, and aspiration associated with luxury brands. Based on the literature review, the study draws conclusions regarding the importance of visual elements in luxury brand communication. Effective visual design and communication strategies can enhance brand recognition, foster consumer loyalty, and create a lasting impression in a competitive market.

Keywords

luxury brand, visual elements, corporate communication

[1]. TechRadar Pro. (December 24, 2021). “Navigating a forever changed communications landscape Features.” Retrieved August 2.

[2]. Visual communication of luxury fashion brands on social media: effects of visual complexity and brand familiarity, September (2018), Journal of Brand Management 25,4.

[3]. Okat, Özen & Solak, Bahadır. (2019). Visuality in Corporate Communication. 10.4018/978-1-7998-1041-4.ch003.

[4]. Resnick E. (2003) Design for communication: Conceptual graphic design basics. John Wiley & Sons.

[5]. Cyr D, Head M, Larios H. (2010) Colour appeal in website design within and across cultures: A multi-method evaluation. International journal of human-computer studies, 68,1-2,1-21.

[6]. Cheriyan L B. (2017) The Psychological and Physiological Relevance of Bharathamuni’s Theory of Rasa: A Study on the Basis of Colorgenics. Marthoma College, UGC Project. http://marthomacollege. org/wp/wp content/uploads/2018/01/Leena_Minor. pdf.

[7]. Gage J. (1999) Color and meaning: Art, science, and symbolism. Univ of California Press.

[8]. Thu E. (2023) Understanding Brand and Design Aesthetics: An Exploration of Color, Design and Typography. University of Agder.

[9]. Tourky M, Foroudi P, Gupta S, et al. (2020) Conceptualizing corporate identity in a dynamic environment. Qualitative Market Research: An International Journal, 24,2,113-142.

[10]. Universal design (2013) Principles and models. CRC Press.

[11]. Palacio B G, Vit A. (2011) Graphic design, referenced: a visual guide to the language, applications, and history of graphic design. Rockport Publishers.

[12]. Dawley, L. (2009). Social network knowledge construction: Emerging virtual world pedagogy. On the Horizon 17,2,109–121.

[13]. Bakker W. (2023) The Future Sign Language: A Critical History of Aicher’s Ideas About Signs and Pictograms for the 1972 Munich Olympics. Journal of Design History.

[14]. Kimbell, L. (2011) “Rethinking design thinking: Part I.” Design and culture 3.3,285-306.

[15]. Wheeler, Alina. (2017) Designing brand identity: an essential guide for the whole branding team. John Wiley & Sons.

[16]. Hurek, Brygida. (2018) “The Communication of Luxury: A Semiotic Analysis of a Luxury Brand’s Perfume Commercial.” Polish Journal of English Studies,7.

[17]. Mitterfellner, Olga. (2023) Luxury Fashion Brand Management: Unifying Fashion with Sustainability. Taylor & Francis.

[18]. Anantharramu, Gurruraj, and Pascal Kaiser. (2020) “Understanding the design and delivery of customer experience from multiple perspectives: A case study within luxury travel industry.”.

[19]. Wallace, Brandon Tyler. (2019) Consuming the (postmodern) self: Sneaker customization and the symbolic creation of meaning and identity. Diss. University of Maryland, College Park.

[20]. Van Riel, Cees BM, and Charles J. (2007) Fombrun. Essentials of corporate communication: Implementing practices for effective reputation management. Routledge.

[21]. Mauthe, Andreas, and Peter Thomas. (2004) Professional content management systems: handling digital media assets. John Wiley & Sons.

Cite this article

Lyu,R. (2023). Exploring the Influence of Visual Elements in Corporate Communication: A Case Study of the Luxury Brand Industry. Communications in Humanities Research,13,233-238.

Data availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

Disclaimer/Publisher's Note

The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.

About volume

Volume title: Proceedings of the International Conference on Global Politics and Socio-Humanities

Conference website: https://www.icgpsh.org/
ISBN:978-1-83558-115-5(Print) / 978-1-83558-116-2(Online)
Conference date: 13 October 2023
Editor:Javier Cifuentes-Faura, Enrique Mallen
Series: Communications in Humanities Research
Volume number: Vol.13
ISSN:2753-7064(Print) / 2753-7072(Online)

© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license. Authors who publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open access policy for details).