Research Article
Open access
Published on 20 November 2023
Download pdf
Zhang,Y. (2023). The Violent Aesthetic Embodiment of the Charm of the Villains in the Films. Communications in Humanities Research,15,18-24.
Export citation

The Violent Aesthetic Embodiment of the Charm of the Villains in the Films

Yifan Zhang *,1,
  • 1 Nankai University Affiliated High School

* Author to whom correspondence should be addressed.

https://doi.org/10.54254/2753-7064/15/20230530

Abstract

The aesthetics of violence are mainly in the sense that violence is presented in an aesthetic way, and poetic pictures and even imaginary shots are used to express the violence and violence of human nature. Viewers themselves are often amazed at the artistic expression and have no specific discomfort with the content. This paper mainly analyzes the three films from many aspects. The three films have different backgrounds and plots, and their commonalities are bright aesthetic expressions and rich lens language. This paper analyzes the aesthetic embodiment of the unique charm of the villain in the film from many angles, interprets the aesthetic language of the film by means of violence aesthetics, and studies it by means of examples. This paper finds that violence aesthetics is presented in an artistic way in the senses and a deeper understanding of the definition of violence aesthetics.

Keywords

violence aesthetics, lens language, aesthetic analysis, sensory stimulation

[1]. Qi, T. (2021) On the Application of Violence Aesthetics in Commercial Films - Taking Quentin Tino’s Works as an Example [J] west china broadcasting tv, vol. 42, no18, pp.103-105.

[2]. Su, L. (2023) On the Application of Japanese Cultural Elements in Hollywood Movies [J] Tianjin University of Technology Language and Culture College, vol217, pp.172-174.

[3]. Tong, L. & Yi, Z. (2020) Feminist expression in Kun-style violence aesthetics [J] Social science series 2, vol.8, pp.119-121.

[4]. Tong, L. & Yi, Z. (2020) Feminist expression in Kun-style violence aesthetics [J] Social science series 2, vol8, pp.122-123.

[5]. Yang, L. (2012) Research on the Art of Film Color Composition [D] Philosophy and Humanities in Chongqing University, vol01, pp.8-10.

[6]. Xin, X. (2001) Research on the Application of Color in Film Language [D] Full-text Database of Excellent Master’s Dissertations in China, 2001, pp.39-41.

Cite this article

Zhang,Y. (2023). The Violent Aesthetic Embodiment of the Charm of the Villains in the Films. Communications in Humanities Research,15,18-24.

Data availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

Disclaimer/Publisher's Note

The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.

About volume

Volume title: Proceedings of the International Conference on Global Politics and Socio-Humanities

Conference website: https://www.icgpsh.org/
ISBN:978-1-83558-119-3(Print) / 978-1-83558-120-9(Online)
Conference date: 13 October 2023
Editor:Javier Cifuentes-Faura, Enrique Mallen
Series: Communications in Humanities Research
Volume number: Vol.15
ISSN:2753-7064(Print) / 2753-7072(Online)

© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license. Authors who publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open access policy for details).