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Analyzing the Characteristics of Buddhist Art in Japan’s Asuka Period: A Case Study of Horyu-ji Temple
- 1 Xi'an International Studies University
- 2 Beijing Shuren Private School
* Author to whom correspondence should be addressed.
Abstract
In the 6th century AD, Buddhism was introduced to Japan from China through the kingdoms of Baekje, Silla, and Goguryeo. Concurrently, the distinctive artistic styles of the Northern and Southern Dynasties of China, which combined traditional Chinese elements with influences from the Western Regions, also made their way into Japan. This had a profound impact on the development of Buddhist art during the Asuka period, establishing itself as a dominant force in Japanese cultural aesthetics. The artistry of the Asuka period, with its classical charm and exquisite craftsmanship, continues to be admired today. This paper takes Horyu-ji Temple as a case study to explore the characteristics of Buddhist art in Japan’s Asuka period and the influence of Chinese culture on it. The research primarily focuses on three aspects: the architecture of Horyu-ji Temple, the sculptural representations of Buddha, and the paintings. As an emblematic representation of early Buddhist art in Japan, Horyu-ji Temple also stands as a significant testament to the influence of Chinese culture on Japanese art, contributing significantly to the cultural development of Japan.
Keywords
Horyu-ji Temple, Japanese Buddhism, Buddhist art, Asuka period
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Cite this article
Chen,K.;Xu,J. (2023). Analyzing the Characteristics of Buddhist Art in Japan’s Asuka Period: A Case Study of Horyu-ji Temple. Communications in Humanities Research,20,76-80.
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Volume title: Proceedings of the 2nd International Conference on Interdisciplinary Humanities and Communication Studies
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