References
[1]. Yao, Yingting. (1995). Culture History of Song, p. 605.
[2]. Tong, Wene. (2009) Kesi in Song Dynasty: Flower and Bird Exhibition collection, p. 58-60.
[3]. Xu, Shucheng. (2000). Painting History of Song Dynasty, p. 69-104.
[4]. Zhu Xinyu, ed. (2009) Theory of Chinese Silk, p. 51
[5]. Loewe, Michael and Edward L. Shaughnessy. (1999) The Cambridge History of China: From the Origins of Civilization to 221 BC, p. 581.
[6]. Liu Xinru. (1998) Silk and Religion: an exploration of material life and the thought of people AD 600-1200.
[7]. Zhao Feng. (1999) Treasures in silk, p. 153.
[8]. Bray, Francesca. (1997) Technology and Gender: Fabrics of Power in Late Imperial China, Retrieved from https://www.jstor.org/stable/jj.5232966
[9]. Liu, Heping and Artibus, Asiae. (2003) Empress Liu’s Icon of Maitreya: Portraiture and Privacy at the Early Song Court, Artibus Asiae 63, no 2 (2003): 129-190.
Cite this article
Wu,Y.;Wang,C. (2024). Exploring the Impact of Neo-Confucianism on Material Art Through the Artistic Characteristics of Kesi in Song Dynasty. Lecture Notes in Education Psychology and Public Media,51,249-255.
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The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
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References
[1]. Yao, Yingting. (1995). Culture History of Song, p. 605.
[2]. Tong, Wene. (2009) Kesi in Song Dynasty: Flower and Bird Exhibition collection, p. 58-60.
[3]. Xu, Shucheng. (2000). Painting History of Song Dynasty, p. 69-104.
[4]. Zhu Xinyu, ed. (2009) Theory of Chinese Silk, p. 51
[5]. Loewe, Michael and Edward L. Shaughnessy. (1999) The Cambridge History of China: From the Origins of Civilization to 221 BC, p. 581.
[6]. Liu Xinru. (1998) Silk and Religion: an exploration of material life and the thought of people AD 600-1200.
[7]. Zhao Feng. (1999) Treasures in silk, p. 153.
[8]. Bray, Francesca. (1997) Technology and Gender: Fabrics of Power in Late Imperial China, Retrieved from https://www.jstor.org/stable/jj.5232966
[9]. Liu, Heping and Artibus, Asiae. (2003) Empress Liu’s Icon of Maitreya: Portraiture and Privacy at the Early Song Court, Artibus Asiae 63, no 2 (2003): 129-190.