References
[1]. Office of National Statistics (2021) Gender pay gap in the UK 2021, Available at: https://www.ons.gov.uk/employmentandlabourmarket/peopleinwork/earningsandworkinghours/bulletins/genderpaygapintheuk/2021 [Accessed 19 October 2022].
[2]. Molina-Guzmán, Isabel (2016) ‘#OscarsSoWhite: how Stuart Hall explains why nothing changes in Hollywood and everything is changing’, Critical Studies in Media Communication, 33:5, pp.438-454.
[3]. Banet-Weiser, S. and Miltner, K.M. (2016) ‘Masculinity So Fragile: culture, structure, and networked misogyny’, Feminist media studies, 16(1), pp. 171–174. doi:10.1080/14680777.2016.1120490.
[4]. Taylor-Johnson, S. (2015) Fifty Shades of Gray, Available at: https://www.netflix.com/gb/title/80013872 [Accessed 20 October 2022].
[5]. Rajasakran, T. et al. (2017) ‘Muslim male segmentation: the male gaze and girl power in Malaysian vampire movies’, Journal of Islamic marketing, 8(1), pp. 95–106.
[6]. Mead, G.H. and Silva, Filipe Carreira da (2011) G.H. Mead : a reader. Abingdon, Oxon ; New York: Routledge.
[7]. Goffman, E. (1959) The presentation of self in everyday life. Garden City, N.Y.: Doubleday.
[8]. Mitchell, C. (2000) A short course in international business culture. Novato, CA: World Trade Press.
[9]. McKinnon, S. (2017) ‘Straight disasters: the (hetero)sexual geographies of Hollywood disaster movies’, GeoJournal, 82(3), pp. 503–515.
[10]. Hakvag, H. (2009) ‘Does Yes Mean Yes?: Exploring Sexual Coercion in Normative Heterosexuality’, Canadian woman studies, 28(1), p. 121.
[11]. Peng, AY (2020) Alipay adds “beauty filters” to face-scan payments: a form of patriarchal control over women’s bodies, Feminist Media Studies, 20(4), pp.582-585.
[12]. Adobe.com (2022) An introduction to camera shot types. Available at: https://www.adobe.com/uk/creativecloud/video/discover/types-of-shots-in-films.html[Accessed 19 October 2022].
Cite this article
Zhou,X. (2023). Beyond Gender and Media: The Study of the Impact of Movie Industries on People’s Ideas about Gender —Take Fifty Shades of Gray as an Example. Lecture Notes in Education Psychology and Public Media,6,980-985.
Data availability
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References
[1]. Office of National Statistics (2021) Gender pay gap in the UK 2021, Available at: https://www.ons.gov.uk/employmentandlabourmarket/peopleinwork/earningsandworkinghours/bulletins/genderpaygapintheuk/2021 [Accessed 19 October 2022].
[2]. Molina-Guzmán, Isabel (2016) ‘#OscarsSoWhite: how Stuart Hall explains why nothing changes in Hollywood and everything is changing’, Critical Studies in Media Communication, 33:5, pp.438-454.
[3]. Banet-Weiser, S. and Miltner, K.M. (2016) ‘Masculinity So Fragile: culture, structure, and networked misogyny’, Feminist media studies, 16(1), pp. 171–174. doi:10.1080/14680777.2016.1120490.
[4]. Taylor-Johnson, S. (2015) Fifty Shades of Gray, Available at: https://www.netflix.com/gb/title/80013872 [Accessed 20 October 2022].
[5]. Rajasakran, T. et al. (2017) ‘Muslim male segmentation: the male gaze and girl power in Malaysian vampire movies’, Journal of Islamic marketing, 8(1), pp. 95–106.
[6]. Mead, G.H. and Silva, Filipe Carreira da (2011) G.H. Mead : a reader. Abingdon, Oxon ; New York: Routledge.
[7]. Goffman, E. (1959) The presentation of self in everyday life. Garden City, N.Y.: Doubleday.
[8]. Mitchell, C. (2000) A short course in international business culture. Novato, CA: World Trade Press.
[9]. McKinnon, S. (2017) ‘Straight disasters: the (hetero)sexual geographies of Hollywood disaster movies’, GeoJournal, 82(3), pp. 503–515.
[10]. Hakvag, H. (2009) ‘Does Yes Mean Yes?: Exploring Sexual Coercion in Normative Heterosexuality’, Canadian woman studies, 28(1), p. 121.
[11]. Peng, AY (2020) Alipay adds “beauty filters” to face-scan payments: a form of patriarchal control over women’s bodies, Feminist Media Studies, 20(4), pp.582-585.
[12]. Adobe.com (2022) An introduction to camera shot types. Available at: https://www.adobe.com/uk/creativecloud/video/discover/types-of-shots-in-films.html[Accessed 19 October 2022].