The Aesthetics in the Age of Artificial Intelligence

Research Article
Open access

The Aesthetics in the Age of Artificial Intelligence

Mengru Xia 1*
  • 1 Hong Kong Baptist Univerisity    
  • *corresponding author 954903449@qq.com
Published on 20 November 2023 | https://doi.org/10.54254/2753-7048/21/20230060
LNEP Vol.21
ISSN (Print): 2753-7056
ISSN (Online): 2753-7048
ISBN (Print): 978-1-83558-121-6
ISBN (Online): 978-1-83558-122-3

Abstract

This article mainly discusses the current development situation of the intelligent era, and the comparison between the beauty of the intelligent era and the beauty at the traditional degree. It discusses whether the beauty created by artificial intelligence and other high-tech means is meaningful in the intelligent era. It will be discussed from three aspects: first, the development of intelligent robots and their relationship with aesthetics; second, taking 4D holographic projection as an example, this section will introduce the better display aesthetics of modern high-tech skills, as well as the advantages and disadvantages of this product; third, it will introduce virtual digital people, especially virtual idols, taking Luo Tianyi and Liu Yexi as examples.

Keywords:

artificial intelligence, aesthetics, holographic projection

Xia,M. (2023). The Aesthetics in the Age of Artificial Intelligence. Lecture Notes in Education Psychology and Public Media,21,81-86.
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References

[1]. Wen X. Research on Technical Aesthetics in the Era of Artificial Intelligence [J].Information Recording Materials, 2020,21 (06): 73-74. DOI: 10.16009/j.cnki.cn13-1295/tq.2020.06.043.

[2]. Arcas Y A B. Art in the Age of Machine Intelligence[J]. Arts,2017,6(4).

[3]. Cao Y, Luo Y, Zhang T.et al. Commercial value mining based on virtual cultural and creative holographic projection technology [J]. Business Observation, 2022 (29): 29-32.

[4]. Yang W. The Effect of Science and Technology Ethics on Science and Technology Innovation[C]//International Science and Culture Center for Academic Contacts (Russia),Russian State Specialized Academy of Arts(Russia),Shandong Women’s University(China),Zhengzhou Yingchun Conference Planning Co. Ltd.(China),Henan University Minsheng College(China).Proceedings of the 2nd International Conference on Culture, Education and Economic Development of Modern Society(ICCESE 2018)(Advances in Social Science, Education and Humanities Research,VOL.205).Atlantis Press,2018:955-959.

[5]. Hong C, Wang K. From “debut” to “out of the circle”: A multidimensional perspective of virtual idol Liu Yexi [J]. Cultural Soft Power Research, 2022, 7 (06): 107-115. DOI: 10.19468/j.cnki.2096-1987.2022.06.010.

[6]. Mai H, Peng X, Zhao G. Virtual Marketing of the Entertainment Industry in the Information Age: Building and Promotion of IPs——A Case Study of Luo Tianyi[C]//Wuhan Zhicheng Times Cultural Development Co., Ltd. Proceedings of 2023 International Conference on Advances in Internet Marketing and Business Management (ICAMM 2023).BCP Business & Management,2023:109-115.DOI:10.26914/c.cnkihy.2023.008083.

Cite this article

Xia,M. (2023). The Aesthetics in the Age of Artificial Intelligence. Lecture Notes in Education Psychology and Public Media,21,81-86.

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The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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About volume

Volume title: Proceedings of the International Conference on Global Politics and Socio-Humanities

ISBN：978-1-83558-121-6(Print) / 978-1-83558-122-3(Online)
Editor：Javier Cifuentes-Faura, Enrique Mallen
Conference website: https://www.icgpsh.org/
Conference date: 13 October 2023
Series: Lecture Notes in Education Psychology and Public Media
Volume number: Vol.21
ISSN：2753-7048(Print) / 2753-7056(Online)

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References

[1]. Wen X. Research on Technical Aesthetics in the Era of Artificial Intelligence [J].Information Recording Materials, 2020,21 (06): 73-74. DOI: 10.16009/j.cnki.cn13-1295/tq.2020.06.043.

[2]. Arcas Y A B. Art in the Age of Machine Intelligence[J]. Arts,2017,6(4).

[3]. Cao Y, Luo Y, Zhang T.et al. Commercial value mining based on virtual cultural and creative holographic projection technology [J]. Business Observation, 2022 (29): 29-32.

[4]. Yang W. The Effect of Science and Technology Ethics on Science and Technology Innovation[C]//International Science and Culture Center for Academic Contacts (Russia),Russian State Specialized Academy of Arts(Russia),Shandong Women’s University(China),Zhengzhou Yingchun Conference Planning Co. Ltd.(China),Henan University Minsheng College(China).Proceedings of the 2nd International Conference on Culture, Education and Economic Development of Modern Society(ICCESE 2018)(Advances in Social Science, Education and Humanities Research,VOL.205).Atlantis Press,2018:955-959.

[5]. Hong C, Wang K. From “debut” to “out of the circle”: A multidimensional perspective of virtual idol Liu Yexi [J]. Cultural Soft Power Research, 2022, 7 (06): 107-115. DOI: 10.19468/j.cnki.2096-1987.2022.06.010.

[6]. Mai H, Peng X, Zhao G. Virtual Marketing of the Entertainment Industry in the Information Age: Building and Promotion of IPs——A Case Study of Luo Tianyi[C]//Wuhan Zhicheng Times Cultural Development Co., Ltd. Proceedings of 2023 International Conference on Advances in Internet Marketing and Business Management (ICAMM 2023).BCP Business & Management,2023:109-115.DOI:10.26914/c.cnkihy.2023.008083.

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