Current Research Status on Fan Economy at Home and Abroad

Research Article
Open access

Current Research Status on Fan Economy at Home and Abroad

Weimai Li 1*
  • 1 Department of History, Peking University, 100091 Beijing, China    
  • *corresponding author 2200014521@stu.pku.edu.cn
AEMPS Vol.87
ISSN (Print): 2754-1177
ISSN (Online): 2754-1169
ISBN (Print): 978-1-83558-469-9
ISBN (Online): 978-1-83558-470-5

Abstract

This article conducts an in-depth exploration of the fan economy within the digital age, positioning it as a dynamic and pivotal sector across the vast spectrum of the creative industries, including but not limited to entertainment, sports, and gaming. It articulates how the fan economy, centering on the monetization of fan cultures and enthusiasm, has rapidly ascended to prominence, becoming a focal point for scholarly exploration and debate. The narrative dives deep into the symbiotic relationship between fans and their various passions, unraveling the intricate mechanisms that propel fan engagement and facilitate economic contributions. Furthermore, it scrutinizes the profound implications of these interactions on contemporary business methodologies and consumer patterns. By amalgamating pivotal research outputs from a diverse array of academic disciplines such as media studies, economics, sociology, and marketing, the article endeavors to illuminate the continuously evolving dynamics of consumer-fan practices. It meticulously examines their far-reaching impact on the cultural and economic frameworks of our interconnected global society. The overarching goal is to provide a nuanced understanding of the fan economy, highlighting its growing significance in shaping the contours of modern consumer culture and the broader creative industries.

Keywords:

Fan economy, Entertainment industry, Digital Media

Li,W. (2024). Current Research Status on Fan Economy at Home and Abroad. Advances in Economics, Management and Political Sciences,87,204-213.
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1. Introduction

In the digital age, the concept of fan economy has blossomed into a vibrant and critical area of the creative industries, encompassing a wide array of sectors, including entertainment, sports, gaming, and beyond. Fan economy, fundamentally characterized by the monetization of fandom and enthusiast cultures, has become an increasingly significant topic for academic discourse. This literature review intends to dissect the multifaceted components of the fan economy, delving into the symbiotic relationship between fans and the objects of their enthusiasm, the mechanisms that facilitate fan engagement and economic participation, and the implications of such dynamics on modern business practices and consumer behavior.

Originating from the convergence of media, technology, and participatory culture, the fan economy is propelled by the heightened interactivity and emotional investment of fans in their favored content or personalities. Scholars have explored varying dimensions of the fan economy, with emphasis on elements such as fan labor, brand loyalty, communities of practice, and the celebrification process. This review synthesizes the existing literature, covering seminal works that have shaped our understanding of how fan activities translate into economic value.

As this paper scrutinizes the growth of fan-driven economic models, it is essential to appreciate both its potential for empowering fans and driving innovation in content creation, as well as the challenges and ethical concerns that accompany this unique form of economic engagement. Through an interdisciplinary lens, this review engages with key research findings from media studies, economics, sociology, and marketing, offering a comprehensive overview of the prevailing theories, methodologies, and discussions within the scope of fan economy. The insights garnered from this study aim to elucidate the evolving landscape of consumer-fan practices and its broader impact on the cultural and economic aspects of today’s globalized society.

2. The Concept and Connotation of Fan Economy

2.1. The Concept of Fan Economy

Before delving into academic research on fan economy in China, it is necessary to first define the concept of fan economy. Fan Economy usually refers to economic activities driven by fans, where idol worship, community interaction, and emotional investment by fans become important factors in promoting the exchange of goods and services. This economic form widely exists in various fields such as entertainment, sports, games, literary creation, and art markets. Fan Economy is an economic model based on the consumption behavior of fan groups. It usually refers to the process of transforming the enthusiasm and loyalty of celebrities, artists, influencers, or brands with a loyal fan base into economic benefits through various means.

2.2. The Operation of Fan Economy

On the basis of The operation of fan economy, scholars have also conducted in-depth research on specific phenomena or patterns, forming multiple research branches:

2.2.1. Celebrity Economy and Endorsement Model

As the core of fan economy, celebrities directly drive the sales of goods and services through endorsements, participation in advertisements, and other means. The focus of this branch is to study the commercial value generated by the celebrity economy and how the personal brand of celebrities affects the consumer behavior of fans. With the rise of social media, the interaction between celebrities and fans has become more frequent and closer, and these interaction methods and conversion effects have become hot research topics in this field.

2.2.2. Network Platforms and Community Economy

In the digital era, online platforms such as Weibo, WeChat, Tiktok and so on have become the main venues for fan activities. The fan communities on these platforms have a high degree of organization and mobilization ability, which can have a significant impact on the promotion of goods and services. The core issue of this branch is to study the role of online platforms in promoting fan economy, as well as how to enhance user engagement and brand value by operating fan communities.

2.2.3. Circle Culture and Subcultural Market

The fan economy is closely linked to specific subcultures, generating economic effects from fans pursuing special interests such as anime, games, music, etc. Studying the formation mechanism and influence of circle culture, as well as the business models and profit channels of subcultural markets, is an important content in this field. By analyzing how fans construct cultural identities in social networks, scholars have explored the interrelationship between cultural production and consumption.

2.2.4. Fan Creativity and Secondary Creation

Fans are not only consumers, but also content creators. They express their love for their idols or works through creating fan literature, fan art works, and other forms. These secondary creative activities not only meet the self-expression needs of fans, but also bring new economic opportunities for original authors and copyright holders. Studying the synergistic effects between fan creative activities and the original industry, as well as the copyright issues of fan creations, has gradually become a focus of attention in academia.

3. Current Status of Academic Research

3.1. Economic Perspective

Economists usually study fan economy from aspects such as market mechanisms, consumer behavior, and business models. They focus on the consumption characteristics of their fan base, including demographic characteristics, consumption motivation, willingness to pay, etc., and analyze the impact of these characteristics on economic behaviors such as product pricing, market segmentation, and brand strategy.

3.2. Sociological Perspective

Sociological research focuses on the interaction patterns, organizational structures, and the relationship between fans and society within fan communities. This includes the formation and development of fan culture, the social practice of fan groups, and the social impact of fan participation. Sociologists attempt to understand how fan activities have an impact on social structures and explore the role of fan economy in shaping individual identity and collective behavior.

3.3. Marketing Perspective

Research in the field of marketing focuses on how to utilize emotional bonds in the fan economy to shape and promote brands. By analyzing the psychological characteristics and behavioral patterns of fans, enterprises can develop more effective marketing strategies to enhance brand loyalty and market influence. In addition, research on new marketing models such as content marketing and event marketing is constantly emerging in the fan economy.

3.4. Cultural Research Perspectives

Cultural research tends to explore the fan economy from the perspectives of cultural industries and cultural policies. Scholars have studied how the fan economy spreads and transforms local culture in the context of globalization, as well as how policy makers view and guide the healthy development of the fan economy. In this context, topics such as the value of original content, intellectual property protection, and cultural diversity have also become important research topics.

4. Domestic Academic Research Achievements

As a multidisciplinary research field, fan economy essentially explores how the economic activities of fan groups affect and promote the development of the entertainment industry. In China, with the popularity of the Internet and digital media, the fan economy has changed from a marginal phenomenon to a mainstream business model, attracting widespread attention from academia and the industry. The following are several main research branches and related academic achievements on the fan economy in China.

4.1. The Concept and Scope of Fan Economy

Defining the concept, connotation, and scope of influence of fan economy, and exploring the challenges and opportunities of fan economy to traditional economy, plays a fundamental role in studying fan economy. Papers such as "New Media Research" have rigorously defined the concept of fan economy and analyzed the impact of fan economy development on China's overall cultural and entertainment industry from a macro perspective, laying a foundation for subsequent empirical research and theoretical deepening.

4.2. Research on Fan Consumption Behavior

Explore the consumption characteristics, motivations, and behavioral patterns of fan groups, in order to analyze the decision-making process and influencing factors of fan consumption. The articles published in academic journals such as Management World use quantitative research methods such as questionnaire surveys and behavioral experiments to deeply study the consumer psychology and behavioral characteristics of fans, providing a theoretical basis for fan marketing.

4.3. Fan Marketing and Brand Management

Marketing strategy is an important link in the operation of fan economy. Many domestic studies analyze how brands can use fan economy for market development, and study brand building strategies and effects under fan economy. The empirical study released by "Advertising Outlook" uses case analysis to explore the business model of brand celebrity cooperation, as well as the enhancing effect of fan economy on brand loyalty and market influence.

4.4. Digital Media and Fan Economy

In the digital age, digital media is an indispensable channel for the operation of fan economy. Examining the development characteristics of fan economy in the digital media environment and exploring the role of social media and online platforms in fan economy has also become a focus of research for scholars. The paper on News and Communication Research uses data analysis and network theory to investigate the network characteristics and economic benefits of fan activities on microblog, Tiktok and other platforms, and analyzes the key role of digital platforms in shaping the fan economy.

4.5. Social Psychological Research on Fan Groups

Analyze the formation and maintenance mechanism of fan groups from the perspectives of sociology and psychology, as well as the social and psychological basis of fan behavior. The research published in journals such as Psychological Research uses psychological theoretical models to deeply analyze the group identity, emotional investment, and social behavior of fans, and links them with fan economic activities.

4.6. Law, Ethics, and Fan Economy

Explore the legal regulations and ethical boundaries in fan economic activities, including copyright and privacy protection, as well as the moral and ethical aspects of fan behavior, in order to promote the healthy development of fan economy. Articles published in legal journals, such as the Law Journal, delve into copyright issues related to fan re creation, privacy protection of fan data, and the legality of fan celebrity chasing behavior

5. International Research Status

The essence of fan economy is mutual benefit and win-win, that is, fans can support their favorite idols or brands by purchasing products and services, and idols or brands can increase profits by meeting the needs of fans.

The fan economy has emerged as a dynamic and essential component of various creative industries, spanning entertainment, sports, gaming, and more [1]. This facet of the economy revolves around the commercialization of fan culture and passionate enthusiast communities, signifying a significant focal point for academic exploration [2].

The interplay between fans and their objects of interest, facilitated by advanced media and technology, marks the foundation of the fan economy [3]. In this digital age, the relationship between fans and their interests is facilitated by a myriad of technological avenues, including but not limited to, online forums, fan sites, social networking services, and streaming platforms. These technologies enable fans to access a wealth of content at their fingertips, participate in global fan communities, and directly interact with content creators and fellow fans. The resulting economy is characterized by a vibrant exchange of ideas, artworks, and products, driving both demand and supply in a cycle fueled by fan enthusiasm and creativity.

An illustrative example of this phenomenon is the rise of fan-funded projects through platforms like Kickstarter or Patreon, where fans directly contribute financial resources to support the works of artists, writers, and creators they admire. This model exemplifies the shift towards a more participatory fan culture, where fans are not merely consumers but also patrons and collaborators in the creative process. Through these platforms, fans have the power to fund projects that may not fit traditional commercial models, thus expanding the diversity and richness of creative works available in the marketplace. This participatory model facilitated by advanced media and technology not only empowers fans but also opens new revenue streams and marketing strategies for creators. It highlights a mutual dependency where creators rely on fan engagement and support for the success and sustainability of their projects, while fans gain access to unique content and experiences tailored to their interests. The fan economy, thus, stands on the foundation of this intricate interplay, propelled by the ongoing evolution of media and technology, shaping a future where the boundaries between creators and consumers continue to blur.

The heightened interactivity and emotional investment exhibited by fans in their chosen content or personalities propel this economy, shaping its distinct characteristics. Scholars have delved into diverse aspects of the fan economy, emphasizing elements like fan labor, brand loyalty, communities of practice, and the process of celebrification. Such examinations have unearthed the intricate mechanisms through which fan activities translate into economic value, offering profound insights into the operational dynamics of this unique economy . Notably, the exploration of fan labor and the monetization of fan-created content have sparked debates within the fan community regarding compensation, intellectual property, and adherence to gift culture principles [4]. This scrutiny highlights the evolving nature of the relationship between creativity, economic exchange, and cultural production within fan communities. As the digital landscape evolves, the influence of social media and the rise of internet celebrities have transformed the fan economy, creating new avenues for engaging with fans and leveraging their influence [5]. E-commerce livestreaming, in particular, has reshaped consumer decision-making processes, underscoring the substantial impact of internet celebrity culture on contemporary consumption habits [6]. Many researches delve into the influence of e-commerce livestreaming on consumer purchasing behavior and consumption habits in the era of internet celebrity economy. In this context, the fan economy intersects with broader economic trends, contributing to the development of alternative economic models and marketing strategies [7]. Understanding the underlying mechanisms of the fan economy in the digital age offers valuable insights for businesses seeking to harness the power of fan engagement and cultivate brand loyalty. In conclusion, the fan economy represents a rich tapestry of interactions, emotions, and economic transactions that underpin the modern creative industries. By unpacking the multidimensional layers of fan participation, value creation, and cultural dynamics, researchers delve into a realm where passion, commerce, and technology converge to shape new paradigms of economic and social exchange.

Overall, the focus of international research on fans is mainly on the following aspects:

5.1. Fan Culture Theories

This kind of research delves into the intricate process of fan community formation, closely examining the unique cultural attributes that define these groups and the dynamic ways in which they engage with various media and products. It seeks to unpack the complex tapestry of interactions, behaviors, and social norms that characterize fan communities, shedding light on the mechanisms through which fans collectively celebrate, critique, and contribute to their objects of passion. Central to this exploration is the work of eminent scholars, including the likes of Henry Jenkins, whose seminal contributions to the field, notably his influential book "Textual Poachers," have paved the way for a deeper understanding of fan cultures. Jenkins' work, among others, has been instrumental in framing academic discourse around the participatory nature of fan communities, their creative engagements with media texts, and the implications of these activities for broader cultural and economic systems. This research ambitiously aims to build upon these foundational insights, further exploring the multifaceted relationship between fans and the media landscape, and how this interplay is reshaped in the context of evolving digital platforms and social media networks. By dissecting the characteristics, motivations, and impacts of fan communities, the study aspires to contribute significantly to the ongoing scholarly conversation surrounding media consumption, fan culture, and the participatory dynamics of modern fandom.

5.2. Social Media and Fan Economy

This kind of study meticulously investigates the critical role of social media as a fertile ground for the flourishing fan economy, analyzing in depth how the roots of fan economy embed themselves within the digital soil of social networks. It emphasizes the transformative power of platforms like Facebook, Twitter, Instagram, and TikTok in nurturing and expanding the fan economy, leveraging comprehensive data analysis and a series of illustrative case studies. The research highlights how these digital platforms facilitate unprecedented levels of engagement and interaction among fans, thereby accelerating the monetization of fan cultures and enthusiasm. It examines the various strategies employed by these platforms to harness the dynamic interplay between fans and their passions, creating vibrant communities where shared interests and economic opportunities intersect. Through detailed exploration, the study reveals the nuanced ways in which social media channels serve as catalysts for the fan economy, enabling the dissemination of fan-generated content, fostering community building, and driving fan engagement to new heights. By scrutinizing the mechanisms through which social media platforms contribute to the growth and sustainability of the fan economy, the research aims to offer valuable insights into the evolving landscape of digital fandom and its implications for the creative industries. Scholars' use of empirical evidence and case studies underlines the pivotal role of social media in shaping the contours of the fan economy, illustrating its impact on consumer behavior, marketing strategies, and the broader cultural ecosystem.

5.3. Fan Engagement and Interaction Economy

This field of research meticulously examines the transformative role of fans in shaping market dynamics and industry landscapes through their interactive participation. It delves into how fan-driven activities, including content creation, crowdfunding, and direct engagement, exert a significant influence on the financial and popular success of movies, TV dramas, and other creative works. The study explores the multifaceted impact of fan involvement, from boosting box office revenues and television ratings to altering the trajectory of media products and brands. It considers a broad spectrum of fan engagement forms, encompassing spontaneous brand endorsements, social media sharing, and various forms of interactive behaviors that amplify the visibility and appeal of entertainment offerings.

Scholars in this area have dedicated efforts to understanding and documenting the myriad ways in which fan communities mobilize to support their favorite content, leveraging their collective power to fund projects, elevate media visibility, and even rescue shows from cancellation. The research sheds light on the dynamics of fan engagement, revealing how passionate audiences contribute to shaping industry trends and decision-making processes. By analyzing different examples of fan engagement, including the viral spread of content through fan networks and the strategic use of crowdfunding platforms to finance fan-favored projects, the study provides insights into the evolving relationship between fan bases and the entertainment industry.

This body of work aims to bridge the gap between academic inquiry and practical implications, offering a nuanced perspective on the economic and cultural impact of fan activities. Through the investigation of case studies and empirical data, the research contributes to a deeper understanding of how fan participation transcends mere consumption, embodying a form of collaborative production that influences market outcomes and industry standards. By spotlighting the power of fan engagement, the study enriches the discourse on the participatory culture in the digital age, highlighting its significance for creators, marketers, and policymakers in the entertainment sector.

5.4. Business Models in Fan Economy

International research extends its analytical lens to thoroughly scrutinize and critique the ways in which various business models capitalize on fan culture, as well as the resultant impacts of these models on the creative industries at large. This encompasses a deep dive into the efficacy and repercussions of practices like offering fan customization services, marketing limited edition merchandise, and promoting exclusive fan club memberships. These models are identified as significant research hotspots due to their direct engagement with the dynamics of fan culture and their substantial influence on consumer behavior, brand loyalty, and revenue streams within the creative sectors.

The studies aim to unpack the complex interplay between consumer demand driven by fan engagement and the strategic responses of businesses operating within the entertainment and related industries. By examining the nuances of these business models, researchers endeavor to reveal how they not only benefit from the fervent support of fans but also contribute to shaping the fan culture itself through creating avenues for deeper interaction and personalization of the fan experience.

This body of research highlights the strategic importance of these models in fostering a closer connection between fans and the objects of their fandom, whether these be artists, franchises, or specific creative works. It assesses the implications of such business strategies for the sustainability and evolution of the creative industries, considering both the opportunities and challenges they present. Through this analysis, scholars aim to provide insights into how fan culture-driven business models can lead to innovative revenue generation methods, enhance fan engagement, and potentially transform traditional approaches to marketing and product development within the creative sectors.

The investigation into these business models is critical for understanding the current landscape of the creative industries and for anticipating future trends. It offers a comprehensive overview of how fan engagement is harnessed commercially, while also raising important questions about the impact of these practices on artistic integrity, fan autonomy, and the overall health of the creative ecosystem. By situating fan culture at the heart of their inquiry, these studies contribute to a richer understanding of the symbiotic relationship between fans and the creative industries, illuminating the ways in which fan-driven economic activities are reshaping the contours of creativity and commerce.

5.5. Legal and Ethical Issues in Fan Economy

As the fan economy continues to burgeon, it has given rise to a plethora of legal and ethical dilemmas, prominently including the protection of intellectual property rights associated with fan-generated content, as well as concerns surrounding the privacy and security of fan data. These issues have become increasingly complex in the digital age, where fan creations and personal information circulate widely on the internet. International scholars dedicated to this field are vigorously exploring viable solutions to navigate these intricate challenges.

This kind of research ambitiously seeks to delineate and address the multifaceted nature of the legal frameworks and ethical considerations that govern fan activities and their outputs. Intellectual property laws, traditionally designed to safeguard the interests of original creators, are being scrutinized for their applicability and fairness in contexts where fans remix, reinterpret, or otherwise engage with existing works in ways that potentially enrich the cultural landscape. Scholars are probing into the nuanced intersections between copyright law, fair use provisions, and the rights of fans as creators in their own right, aiming to propose balanced approaches that respect the rights of all stakeholders.

Simultaneously, the explosion of fan data generated through online platforms, social media, and fan communities raises significant privacy and security concerns. This aspect of fan culture poses questions about the ethical handling of personal data by entities that profit from fan engagement, including media companies, platform providers, and fan-oriented businesses. Researchers are delving into the ethical obligations of these actors to protect fan privacy, prevent data breaches, and ensure transparency in data usage practices.

The scholarly efforts in this domain are geared towards fostering a legal and ethical ecosystem that supports the vibrant exchange of ideas and creations among fans, while safeguarding the rights and interests of original creators and ensuring the privacy and security of fan participants. By exploring legislative reforms, policy recommendations, and best practices for ethical conduct, these studies aim to contribute to a sustainable and equitable fan economy. This ongoing dialogue between academia, industry stakeholders, and fan communities is crucial for crafting solutions that accommodate the evolving landscapes of creativity, technology, and law.

5.6. Academic Contributions and Development Trends

Existing academic research on fan economy abroad indicates that fans are not only consumers, but also co creators of content and promoters of brands. They have a significant impact on the media and entertainment industry, especially in the digital economy era. The in-depth exploration of this topic in the academic community provides theoretical support for understanding the current development trend of fan economy, and also provides guidance for the commercial practice of related industries. Moreover, with the deepening of globalization and the rapid development of digital technology, international research on fan economy is expected to further focus on issues such as cross-border cultural interaction, global network construction of fan communities, and innovation of new business models in the digital economy.

Additionally, research emphasizing fan behaviors such as fanbinding sheds light on the contentious nature of monetizing fan creations, showcasing how fans navigate between for-profit enterprises and sustaining their crafts within gift economies [8]. These investigations bring to the forefront the intricate social and economic dynamics embedded in modern fan practices across different cultural contexts. Furthermore, exploring the participatory culture perspective in transmedia science fiction unveils the substantial impact of reader engagement on the creation of narrative universes, emphasizing the evolving nature of fan involvement in content co-creation [9]. As the digital economy continues to shape creative industries, research on the link between digital advancements and creative development emphasizes the pivotal role of innovation efficiency in driving industry growth [10]. By synthesizing insights across various disciplines, including media studies, economics, sociology, and marketing, scholars are gaining a richer understanding of consumer-fan practices and their profound influence on contemporary global society. The evolving landscape of the fan economy underscores the need for interdisciplinary research that captures the multidimensional nature of fan cultures and their economic implications.

6. Conclusion

In conclusion, the exploration of the fan economy within this article underscores its burgeoning significance in the digital age, illustrating how it spans across multiple sectors of the creative industries. The monetization of fan cultures and enthusiasm not only serves as a pivotal point of academic interest but also as a crucial element in the evolution of modern business practices and consumer behavior. By examining the intricate relationship between fans and their objects of passion, alongside the mechanisms that foster engagement and economic participation, this study highlights the dual potential of the fan economy: to empower fans and innovate content creation, while also navigating the accompanying ethical challenges and concerns. The interdisciplinary approach adopted in this review, incorporating insights from media studies, economics, sociology, and marketing, provides a comprehensive understanding of the fan economy. This investigation reveals the dynamic and complex nature of fan-based economic models, offering valuable perspectives on their role in shaping the cultural and economic landscapes of our globalized society. The article ultimately demonstrates the transformative power of the fan economy, emphasizing its importance in driving forward the creative industries in an increasingly digital world.


References

[1]. Kennedy, K.A., Buchsbaum, S.B. (2022). Reframing Monetization: Compensatory Practices and Generating a Hybrid Economy in Fanbinding Commissions. Humanities.

[2]. Carter, O. (2018) Fan Enterprise as an Alternative Economy. Making European Cult Cinema.

[3]. Yang, Y. (2023). Contending fan engagement strategies in China's translocal economy: The case of Tibetan cyber star Ding Zhen. China Information, 37, 363-381.

[4]. Fang, B., Zheng, Z., Ye, Q., Góes, P.B. (2019) Social Influence and Monetization of Freemium Social Games. Journal of Management Information Systems, 36, 730-754.

[5]. Huérfano, E.H., Caballero, F.S., Rojas, C.D. (2016) Hacia una Epistemología del Sur. Decolonialidad del saber-poder informativo y nueva Comunicología Latinoamericana. Una lectura crítica de la mediación desde las culturas indígenas.

[6]. Jiang, S. (2023) Research on the Impact of E-commerce Livestreaming on Consumer Decision Making in the Era of Internet Celebrity Economy. Academic Journal of Management and Social Sciences.

[7]. Zhou, R. (2023) Research on “Fan Economy” and Marketing Strategy in the social media Era. BCP Business & Management.

[8]. Kennedy, K.A., Buchsbaum, S.B. (2022) Reframing Monetization: Compensatory Practices and Generating a Hybrid Economy in Fanbinding Commissions. Humanities.

[9]. Xu, H., González-Patiño, J., Linaza, J.L. (2023) Reader influence on the creation of transmedia science fiction: a participatory culture perspective. Humanities and Social Sciences Communications, 10, 1-14.

[10]. Zhao, X., Shen, L., Jiang, Z. (2024) The impact of the digital economy on creative industries development: Empirical evidence based on the China. PLOS ONE, 19.


Cite this article

Li,W. (2024). Current Research Status on Fan Economy at Home and Abroad. Advances in Economics, Management and Political Sciences,87,204-213.

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Volume title: Proceedings of the 2nd International Conference on Management Research and Economic Development

ISBN:978-1-83558-469-9(Print) / 978-1-83558-470-5(Online)
Editor:Canh Thien Dang
Conference website: https://www.icmred.org/
Conference date: 30 May 2024
Series: Advances in Economics, Management and Political Sciences
Volume number: Vol.87
ISSN:2754-1169(Print) / 2754-1177(Online)

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References

[1]. Kennedy, K.A., Buchsbaum, S.B. (2022). Reframing Monetization: Compensatory Practices and Generating a Hybrid Economy in Fanbinding Commissions. Humanities.

[2]. Carter, O. (2018) Fan Enterprise as an Alternative Economy. Making European Cult Cinema.

[3]. Yang, Y. (2023). Contending fan engagement strategies in China's translocal economy: The case of Tibetan cyber star Ding Zhen. China Information, 37, 363-381.

[4]. Fang, B., Zheng, Z., Ye, Q., Góes, P.B. (2019) Social Influence and Monetization of Freemium Social Games. Journal of Management Information Systems, 36, 730-754.

[5]. Huérfano, E.H., Caballero, F.S., Rojas, C.D. (2016) Hacia una Epistemología del Sur. Decolonialidad del saber-poder informativo y nueva Comunicología Latinoamericana. Una lectura crítica de la mediación desde las culturas indígenas.

[6]. Jiang, S. (2023) Research on the Impact of E-commerce Livestreaming on Consumer Decision Making in the Era of Internet Celebrity Economy. Academic Journal of Management and Social Sciences.

[7]. Zhou, R. (2023) Research on “Fan Economy” and Marketing Strategy in the social media Era. BCP Business & Management.

[8]. Kennedy, K.A., Buchsbaum, S.B. (2022) Reframing Monetization: Compensatory Practices and Generating a Hybrid Economy in Fanbinding Commissions. Humanities.

[9]. Xu, H., González-Patiño, J., Linaza, J.L. (2023) Reader influence on the creation of transmedia science fiction: a participatory culture perspective. Humanities and Social Sciences Communications, 10, 1-14.

[10]. Zhao, X., Shen, L., Jiang, Z. (2024) The impact of the digital economy on creative industries development: Empirical evidence based on the China. PLOS ONE, 19.