Financial Investment Analysis of the Chinese Film Industry in the Post-epidemic Era

Research Article
Open access

Financial Investment Analysis of the Chinese Film Industry in the Post-epidemic Era

Yian Luo 1*
  • 1 Changhe high school    
  • *corresponding author 2930015040@qq.com
Published on 13 September 2023 | https://doi.org/10.54254/2754-1169/12/20230605
AEMPS Vol.12
ISSN (Print): 2754-1177
ISSN (Online): 2754-1169
ISBN (Print): 978-1-915371-67-6
ISBN (Online): 978-1-915371-68-3

Abstract

With the deepening of the reform of China's market economy development system and the establishment of the orientation of cultural industrialization development, China's film industry has gained unprecedented opportunities and opportunities for industrial development. At present, China has become the second largest film market in the world. Based on the pursuit of profits in the film industry, a large amount of capital has flooded into the Chinese film industry, and the scale of film investment and financing has been expanding. At the same time, the economic downturn in China and the world since the pandemic in 2020 has put great pressure on the film industry. Therefore, how to better finance film investment in the post-pandemic era has become a big problem. By literature analysis, this paper analyzes the financial investment environment of China's film industry and the development status of China's film finance, finds out the investment path and effectiveness of China's film and draws some suggestions for the future development of China's film finance.

Keywords:

movie industry, finance, investment, China's movie industry

Luo,Y. (2023). Financial Investment Analysis of the Chinese Film Industry in the Post-epidemic Era. Advances in Economics, Management and Political Sciences,12,95-100.
Export citation

References

[1]. Yang tao, & Jin wei. (2020). Report on the Development of Chinese Culture and Finance. 82–85.

[2]. Yu xiaojian, & Ren zhaozhang. (2011). Analysis of Financial Innovation Mode of Chinese Cultural Industry. 105–108.

[3]. Liu dongmin. (2022). Film Financing Dilemma and Completion Guarantee: Observation and Analysis from the Perspective of Game Theory. 26–33.

[4]. Https://Baike.Baidu.Com/Item/PEST/8169522?Fromtitle=PEST&fromid=10805117&fr=aladdi. (n.d.).

[5]. Wen jiabao. (2009). Program for the Revitalization of Cultural Industries.

[6]. Luo shen. (2010). Concerning Deepening the Reform of the Cultural System and Promoting the Great Development and Prosperity of Socialist Culture.

[7]. Chen qinghua. (2020) Research on Innovation of China’s Cultural Industry Investment Mechanism.

[8]. Fan wentao. (2020). Evolutionary Game Analysis of Venture Capitalist Strategy in IPO Market.

[9]. Zhang jun. (2017). Unveiling the Financing Model of Assembly.

[10]. Chen fengdi. (2019). Mechanism and Countermeasure of Introducing Venture Capital into Cultural Industry.


Cite this article

Luo,Y. (2023). Financial Investment Analysis of the Chinese Film Industry in the Post-epidemic Era. Advances in Economics, Management and Political Sciences,12,95-100.

Data availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

Disclaimer/Publisher's Note

The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.

About volume

Volume title: Proceedings of the 2nd International Conference on Business and Policy Studies

ISBN:978-1-915371-67-6(Print) / 978-1-915371-68-3(Online)
Editor:Javier Cifuentes-Faura, Canh Thien Dang
Conference website: https://2023.confbps.org/
Conference date: 26 February 2023
Series: Advances in Economics, Management and Political Sciences
Volume number: Vol.12
ISSN:2754-1169(Print) / 2754-1177(Online)

© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license. Authors who publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open access policy for details).

References

[1]. Yang tao, & Jin wei. (2020). Report on the Development of Chinese Culture and Finance. 82–85.

[2]. Yu xiaojian, & Ren zhaozhang. (2011). Analysis of Financial Innovation Mode of Chinese Cultural Industry. 105–108.

[3]. Liu dongmin. (2022). Film Financing Dilemma and Completion Guarantee: Observation and Analysis from the Perspective of Game Theory. 26–33.

[4]. Https://Baike.Baidu.Com/Item/PEST/8169522?Fromtitle=PEST&fromid=10805117&fr=aladdi. (n.d.).

[5]. Wen jiabao. (2009). Program for the Revitalization of Cultural Industries.

[6]. Luo shen. (2010). Concerning Deepening the Reform of the Cultural System and Promoting the Great Development and Prosperity of Socialist Culture.

[7]. Chen qinghua. (2020) Research on Innovation of China’s Cultural Industry Investment Mechanism.

[8]. Fan wentao. (2020). Evolutionary Game Analysis of Venture Capitalist Strategy in IPO Market.

[9]. Zhang jun. (2017). Unveiling the Financing Model of Assembly.

[10]. Chen fengdi. (2019). Mechanism and Countermeasure of Introducing Venture Capital into Cultural Industry.