Research Article
Open access
Published on 20 November 2023
Download pdf
He,Z. (2023). The Current Situation and Future Development of Female Images in the Network Media. Communications in Humanities Research,12,58-62.
Export citation

The Current Situation and Future Development of Female Images in the Network Media

Zhixian He *,1,
  • 1 Capital Normal University High School

* Author to whom correspondence should be addressed.

https://doi.org/10.54254/2753-7064/12/20230038

Abstract

The progress of the Internet has brought faster and wider dissemination of information, and brought a communication platform for women to show their charm. But the Internet, as a more efficient medium of communication, has also deepened the dilemma of the male gaze for women. The author used summarizing literature as a method, and summarized the current situation, problems and future development of female images on the Internet based on the survey results. The research purpose of this paper is to discover the presentation of female images on the Internet in the current Internet era, discover the existing problems and challenges faced by the current female images on the Internet, and explore the future female images that promote the development of feminism. The problem, according to the study, is that network media focuses on women’s appearance and body, imprisoning women in the male gaze, and women are objectified and lose their own value. In order to further promote the development of feminism, the author believes that women should use the Internet media to spread feminist ideas, the government should strengthen the supervision of the Internet, and culture and education should be improved.

Keywords

male gaze, objectivation of women, network media, influencers, female image

[1]. Chang-qiu zeng & li bin. (2015). Gender and spread, network media to “see” the image of women. Journal of lanzhou (03), 188-191.

[2]. Qu Yajun. (1994). “Women are the faces of those who Please Themselves” -- Female Criticism of male Films. Contemporary Film (06).

[3]. Yang Xia. (2017). Female Image Presentation and Discourse Construction from the perspective of New Media. Modern Communication (Journal of Communication University of China) (09),159-161.

[4]. Wang Lei. (2011). Network Media Communication from the perspective of feminism: A Case Study of female expression by Online female Celebrities. Journal of Henan University (Social Sciences Edition) (02),110-116.

[5]. John Berger. Ways of Seeing. Ways of seeing. London: British Broadcasting Corporation and Penguin Books, 1972: 47.

[6]. Laura Mulvey. Visual Pleasure and Narrative Cinema. Visual pleasure and narrative cinema. Screen, 1975:6-18.

[7]. Nicholas D. Kristof & Sheryl WuDunn. Half the sky. 2018.13.

[8]. Qiao Xinsheng, “Internet Regulation Should have innovative Thinking”, Youth Reporter, 2016-15-109.

[9]. Zhang Yanhong. (2009). Media Criticism from the Perspective of Feminism (Ph. D. Dissertation, Wuhan University).

[10]. Xun Jie. (2017). Research on Online Female Images from the perspective of Cultural Criticism (Doctoral Dissertation, Soochow University).

Cite this article

He,Z. (2023). The Current Situation and Future Development of Female Images in the Network Media. Communications in Humanities Research,12,58-62.

Data availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

Disclaimer/Publisher's Note

The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.

About volume

Volume title: Proceedings of the International Conference on Global Politics and Socio-Humanities (ICGPSH 2023)

Conference website: https://www.icgpsh.org/
ISBN:978-1-83558-113-1(Print) / 978-1-83558-114-8(Online)
Conference date: 13 October 2023
Editor:Enrique Mallen, Javier Cifuentes-Faura
Series: Communications in Humanities Research
Volume number: Vol.12
ISSN:2753-7064(Print) / 2753-7072(Online)

© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license. Authors who publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open access policy for details).