Download pdf
Kramer vs. Kramer in China -- The Innovation and Deficiency of Local Adaptation of Western Classic Plays
- 1 Basis International School Guangzhou
* Author to whom correspondence should be addressed.
Abstract
Local adaptations of Western countries’ plays are common in China; different theaters have various ways of making Western plays locally adapted to Chinese society. The explicit ways and disadvantages are what people are curious about; these may inspire future directors to direct productions. This research Identifies how the Guangzhou Dramatic Art Center made the Western classic play Kramer vs. Kramer locally adapted in Guangzhou and analyzes the innovation and deficiencies of the local adaptation based on an interview with an anonymous repertoire coordinator in the Guangzhou Dramatic Art Center. The result is that the disadvantages led to criticisms related to how this local adaptation did not show feminism, but the overall changes achieved the goal of local adaptation. The audience developed empathy for the characters and plots, and they understood the overall play with reflections and special opinions. The result is due to the changes of the setting, texts in the script, and the names, elements, and belief of characters.
Keywords
Local adaptation, Kramer vs. Kramer, interview, the Guangzhou Dramatic Art Center
[1]. Zhang, SQ. (2022) New Play in The Guangzhou Dramatic Art Center! The Original Repertoire of The Premiere of Thirty Days Fills the Theater with Vitality by Allowing The Audience to Empathize with It. Guangzhou Daily News A14, 01.
[2]. Xu, Y. (2019) A Brief Analysis of Contemporary And Ancient Cultural Creation: Reflections on Feminism And Self-worth in Kramer vs. Kramer. Youth Years 03, 27-28.
[3]. Liu, HR. (2021) The Midlife Crisis From The Perspective of Jung’s Personality Theory ——Interpretation of The Movie Kramer vs. Kramer. JinGu Creative Literature 47, 97-99.
[4]. Yue, JJ. (2018) Choice And Abandonment: Brief Discussion On The Character of Mrs. Kramer in The Classic Film Kramer vs. Kramer. Art Science and Technology 08, 110.
[5]. Huang, YC. (2016) Research on American Drama from The 1960s to The 1970s. Journal of Hubei Institute for Nationalities(Philosophy and Social Sciences) 03, 90-93.
[6]. Fan, XM. (2017) The Linguistic Motivation And Cultural Connotation of The Naming of Guangzhou Streets. Journal of Guangdong University of Foreign Studies 02, 119-124.
[7]. He, HY. (2022) KFC And Pizzahut's "Money Saving Technique". 21st Century Business Herald 011, 1-2.
[8]. National Popular Anime Rankings. (2022) Toy Industry 05, 68.
[9]. Why Is Neing Fired Called ' Fried Squids '. Elementary School Reading Guide (Advanced Edition) 11, 18 (2019).
[10]. Wang, Y. (2021) The Change And Development of Chinese Square Dance Fitness Culture, Sports Culture Development Center of State General Administration of Sport, Sports History Branch of Chinese Sports Science Society. Abstract Of 2021“The Belt And Road” Sports Culture Academic Conference, 597-598.
[11]. Li, B., Huang, RK. (2019) A Study on The Historical And Cultural Form of Chinese Square Dance And Its Contemporary Transformation. China Sports Science Institute. The eleventh National Sports Science Congress paper abstracts compilation, 6568-6569.
[12]. Zhang, S. (2018) The Disruption of Traditional Chinese Culture in The Film Kramer vs. Kramer. Bulletin of Chinese Language Teaching·D (Academic Journal) 02, 76-77.
[13]. Tang, XH. (2017) The Harm of Traditional Ideal Family View from The Film Kramer vs. Kramer. Journal of Hunan University of Science And Engineering 11, 48-49.
Cite this article
Xu,Z. (2024). Kramer vs. Kramer in China -- The Innovation and Deficiency of Local Adaptation of Western Classic Plays. Communications in Humanities Research,24,173-178.
Data availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
Disclaimer/Publisher's Note
The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.
About volume
Volume title: Proceedings of the 2nd International Conference on Interdisciplinary Humanities and Communication Studies
© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and
conditions of the Creative Commons Attribution (CC BY) license. Authors who
publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons
Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this
series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published
version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial
publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and
during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See
Open access policy for details).