
From Gaze to Rebel: A Study of Female Figures in Art History
- 1 University of California, Berkeley
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Abstract
This paper discusses the evolution of women's portrayal in art, from objectified figures in early history to empowered subjects in modern times. Initially, women were depicted through the male gaze, embodying idealized beauty or fulfilling societal roles. During the Renaissance, this trend continued with artists like Raffaello Santi, who focused on physical beauty but often overlooked real-life women's experiences. The paper then highlights a shift to representing everyday women, as seen in works like Jean François Millet's "The Gleaners," yet these portrayals still echoed traditional gender norms. The narrative progresses with the emergence of female artists challenging these conventional depictions. Figures like Kathe Kollwitz and Sylvia Sleigh reversed the male gaze, empowering women as active subjects in art. The paper concludes by emphasizing the transformation in art from objectifying women to portraying them as autonomous and influential, mirroring societal shifts in gender roles and perceptions.
Keywords
Art History, Gender Studies, Western modern art, Theology
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Cite this article
Ma,Y. (2024). From Gaze to Rebel: A Study of Female Figures in Art History. Lecture Notes in Education Psychology and Public Media,50,98-102.
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Volume title: Proceedings of the 2nd International Conference on Social Psychology and Humanity Studies
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