
Comparative Analysis of Object Detection Models for Sheet Music Recognition: A Focus on YOLO and OMR Technologies
- 1 School of Further Technology, South China University of Technology, Guangzhou, Guangdong, 511442, China
* Author to whom correspondence should be addressed.
Abstract
As Artificial Intelligence (AI) technologies are developing rapidly and are widely used in various domains, it is efficient and convenient for composers to make music using AI to convert sheet music to audio. This research aims to compare the performance of different models in identifying individual notes within sheet music. Compared to traditional technologies like Optical Music Recognition (OMR), deep learning models have a significant advantage in processing blurry images with high efficiency. In the research process, three different models are used in searching for musical notes: OMR, You Only Look Once (YOLO)v5, and YOLOv8. The evaluation index consists of recognition accuracy, mean Average Precision (mAP), inference speed, and parameter quantity. After the experiment, it is found that the YOLO model performs best with high accuracy and fast speed. Based on the above analyses, the thesis finds that the YOLO model can be an efficient tool in composing music, with further research.
Keywords
Object detection, optical music recognition, YOLO.
[1]. Shatri, E., & Fazekas, G. (2020). Optical music recognition: State of the art and major challenges. arXiv preprint arXiv:2006.07885.
[2]. Calvo-Zaragoza, J., Jr, J. H., & Pacha, A. (2020). Understanding optical music recognition. ACM Computing Surveys, 53(4), 1-35.
[3]. LeCun, Y., Bengio, Y., & Hinton, G. (2015). Deep learning. nature, 521(7553), 436-444.
[4]. Guo, Y., Liu, Y., Oerlemans, A., Lao, S., Wu, S., & Lew, M. S. (2016). Deep learning for visual understanding: A review. Neurocomputing, 187, 27-48.
[5]. Ríos-Vila, A., Calvo-Zaragoza, J., Rizo, D., & Paquet, T. (2024). Sheet Music Transformer++: End-to-End Full-Page Optical Music Recognition for Pianoform Sheet Music. arXiv preprint arXiv:2405.12105.
[6]. Mayer, J., Straka, M., & Pecina, P. (2024). Practical End-to-End Optical Music Recognition for Pianoform Music. arXiv preprint arXiv:2403.13763.
[7]. Redmon, J., Divvala, S., Girshick, R., & Farhadi, A. (2016). You only look once: Unified, real-time object detection. In Proceedings of the IEEE conference on computer vision and pattern recognition, 779-788.
[8]. Vijayakumar, A., & Vairavasundaram, S. (2024). Yolo-based object detection models: A review and its applications. Multimedia Tools and Applications, 1-40.
[9]. Sapkota, R., Qureshi, R., Calero, M. F., Hussain, M., Badjugar, C., Nepal, U., ... & Karkee, M. (2024). Yolov10 to its genesis: A decadal and comprehensive review of the you only look once series. arXiv preprint arXiv:2406.19407.
[10]. Shatri, E., & Fazekas, G. (2024). Knowledge Discovery in Optical Music Recognition: Enhancing Information Retrieval with Instance Segmentation. arXiv preprint arXiv:2408.15002.
Cite this article
Zhu,J. (2024). Comparative Analysis of Object Detection Models for Sheet Music Recognition: A Focus on YOLO and OMR Technologies. Applied and Computational Engineering,94,33-39.
Data availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
Disclaimer/Publisher's Note
The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.
About volume
Volume title: Proceedings of CONF-MLA 2024 Workshop: Securing the Future: Empowering Cyber Defense with Machine Learning and Deep Learning
© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and
conditions of the Creative Commons Attribution (CC BY) license. Authors who
publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons
Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this
series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published
version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial
publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and
during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See
Open access policy for details).