Download pdf
Tone Language’s Effect on Emotional Detective Music
- 1 College of Art and Science, Miami University, Oxford, OH 45056, USA
- 2 School of Psychological Science, University of Florida, Gainesville, FL 32609, USA
* Author to whom correspondence should be addressed.
Abstract
We already know tone language has different tones, but non-tone language does not. Music can cause our emotions to change. According to the relationship between languages and music, music and emotions, we want to design a study that uses the reaction of Autonomic Nervous System(ANS), especially the part of Heart rate (HR), heart rate variability (HRV), and electrometal activity (EDA) to detect the emotional arousal caused by joyful pleasant music, isochronous tones, and unpleasant control stimuli. The main purpose of the test is that to see if there are some differences from the sensitivity of music caused emotional changes between tone language speakers and non-tone language speakers. Also, further aim is to determine whether music therapy for different language speakers should be detailed to different frequency pitches changed music.
Keywords
Autonomic Nervous System(ANS), music therapy, language, emotion
[1]. Koelsch, S., Gunter, T. C., Cramon, D. Y. V., Zysset, S., Lohmann, G., Friederici, A. D. (2002). Bach speaks: A cortical “language-network” serves the processing of music. NeuroImage, 17, 956–966.
[2]. Patel, A. D., Gibson, E., Ratner, J., Besson, M., Holcomb, P. J. (1998). Processing syntactic relations in language and music: An event-related potential study. Journal of Cognitive Neuroscience, 10, 717–733.
[3]. Schön, D., Gordon, R., Campagne, A., Magne, C., Astésano, C., Anton, J. L., Besson, M. (2010). Similar cerebral networks in language, music and song perception. NeuroImage, 51, 450–461.
[4]. Deutsch, D., Henthorn, T., Dolson, M. (2004a). Absolute pitch, speech, and tone language: Some experiments and a proposed framework. Music Perception, 21, 339–356.
[5]. Alexander, J. A., Bradlow, A. R., Ashley, R., Wong, P. C. M. (2008). Music melody perception in tone-language and non-tone-language speakers. Journal of the Acoustical Society of America, 124, 2495.
[6]. Chang, D., Hedberg, N., Wang, Y. (2016). Effects of musical and linguistic experience on categorization of lexical and melodic tones. The Journal of the Acoustical Society of America, 139, 2432–2447.
[7]. Fritz, T., Jentschke, S., Gosselin, N., Sammler, D., Peretz, I., Turner, R., Friederici, A. D., & Koelsch, S. (2009). Universal recognition of three basic emotions in music. Current biology : CB, 19(7), 573–576. https://doi.org/10.1016/j.cub.2009.02.058
[8]. Bowling, D., & Purves, D. (2012). A biological basis for musical tonality. In F. G. Barth, P. Giampieri-Deutsch, & H.-D. Klein (Eds.), Sensory perception: Mind and matter. (pp. 205–214). Springer Science + Business Media/SpringerWienNewYork.
[9]. Han Se, Sundararajan J, Bowling DL, Lake J, Purves D (2011) Co-Variation of Tonality in the Music and Speech of Different Cultures. PLoS ONE 6(5): e20160. https://doi.org/10.1371/journal.pone.0020160
[10]. Patel, A. D. (2010). Music, language, and the brain. Oxford, UK: Oxford University Press.
[11]. Gao, T. (2007). Yin Yue Zhi Liao Xue Ji Chu Li Lun. Shi jie tu shu chu ban gong si Beijing gong si.
[12]. Young, P. T. (1961). Motivation and emotion. Wiley.
[13]. Krabs, R. U., Enk, R., Teich, N., & Koelsch, S. (2015). Autonomic effects of music in health and Crohn’s disease: The impact of isochronicity, emotional valence, and tempo. PLoS ONE, 10(5). https://doiorg.proxy.lib.miamioh.edu/10.1371/journal.pone.0126224
Cite this article
Qian,Y.;Liu,M. (2023). Tone Language’s Effect on Emotional Detective Music. Lecture Notes in Education Psychology and Public Media,6,154-159.
Data availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
Disclaimer/Publisher's Note
The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of EWA Publishing and/or the editor(s). EWA Publishing and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.
About volume
Volume title: Proceedings of the International Conference on Interdisciplinary Humanities and Communication Studies (ICIHCS 2022), Part 5
© 2024 by the author(s). Licensee EWA Publishing, Oxford, UK. This article is an open access article distributed under the terms and
conditions of the Creative Commons Attribution (CC BY) license. Authors who
publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons
Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this
series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published
version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial
publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and
during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See
Open access policy for details).